Colectia de poze beatoflife.3xforum.ro
Total 206 poze.

InapoiInainte

 
" Suntem norocosi ca germana e o limba atat de cool pentru o muzica rea. Daca as fi fost englez sau belgian, sigur as fi cantat in germana. In muzica dura, nimic nu trece dincolo de limba germana." PASIUNI SI CAPRICII Cum iti scrii cantecele? "Sunt piese scrise acasa, cu care toata lumea e imediat de acord. Sunt piese scrise acasa si care sunt distruse. Piese scrise acasa si ruinate. Sunt piese scrise in inghesuiala din studio." Ce crezi despre conflictul est-vest german? "Povestea este similara celei cu indienii americani si cu albii. Albii au adus margele de sticla si indienii i-au pedepsit. Albii ii clasificau pe indieni ca fiind stupizi si murdari si se considerau pe ei mai buni. Indienii traiau o viata simpla, dar fericita, si asa mai departe..." Cu fiecare nou turneu, locatiile concertelor devin tot mai mari si productia la fel. Unde se va opri? "De la inceput, banii pe care ii faceam ii investeam in pirotehnie si in lucruri similare care ne interesau. E dorinta noastra. Ca a cuiva care colectioneaza machete de masini si investeste toti banii in asta. Pentru noi colectia este pirotehnia speciala si efectele. Acum ne e greu sa ne lasam de asta. Daca am fi inceput cu mai putin, ne-ar fi fost mai simplu sa crestem in acest sens, caci de fiecare data cand iesim pe scena, avem indoielile noastre... ce mai putem inventa de data asta fara sa ne dezamagim fanii? E complicat." Ati incercat oricum cu doua versiuni engleze ale lui "Engel" si "Du Hast". "...si am gresit groaznic. Nu din cauza versurilor in engleza, ci pentru ca ne-am dezvoltat piesele in germana. Daca am fi scris un cantec de la bun inceput in engleza si nu in germana, ar fi fost bine. Nu avem nimic impotriva globalizarii. Cel putin nu in contextul Rammstein. Cu "Stripped" a mers, nu a sunat stupid. Daca Till canta in engleza, trebuie sa fie versuri bune in engleza. Suntem norocosi ca germana e o limba atat de cool pentru o muzica rea. Daca as fi fost englez sau belgian, sigur as fi cantat in germana. In muzica dura, nimic nu trece dincolo de limba germana. Engleza are prea mult suflet si suna prea dragut. O poti deforma. Asta duce la o problema pe care toti vorbitorii de engleza o au cu noi. Daca oamenii asculta versuri germane, se pun imediat in garda si cred ca acea bomba va veni peste ei. Erau vremuri cand trebuia sa explicam ca doar cantam, nu ca am inceput un razboi. Englezii inca asociaza germana cu bombele care cad peste Londra in al doilea razboi mondial. Dupa asta, n-au mai avut nevoie de nimic in plus despre noi. Poate ca, din cand in cand, un mercedes merge prin Londra, dar atlfel ei nu dau nici o importanta Germaniei. Rammstein incearca sa converteasca imaginea negativa a germanilor in lume intr-o imagine pozitiva. Reichstag-ul a avut si are o imagine negativa. De cand Christo l-a acoperit, il vezi acum diferit. Intr-un mod similar, incercam sa aratam ca Germania are locul ei in lume." Te temi ca trupa va cadea in uitare la sfarsitul turneului, dupa ce ati trait atata timp impreuna? "Cand stergi funduri si schimbi prosoape, te simti acasa din nou. In turneu traiesti ca un rege si asta te rasfata. Ne luptam sa ne asiguram ca asta nu ne inghite. Nu-mi place sa curat sau sa duc gunoiul. Mancarea este pusa in gura mea. Aproape ca nu mai am nevoie sa mestec. Inainte de Rammstein am canta intr-o trupa de fun-punk 10 ani si a fost mult mai dificil. Ca si fun-punker trebuie sa fii amuzant, puteti vedea asta la Die Arzte. Fanii iti arunca bere in cap si tu trebuie sa fii dragut. Cu Rammstein pot fi 99% asa cum vreau sa fiu. Sa fii furios e simplu, nu cere masca. Chiar si intr-o dispozitie rea, total terminat pot face show-ul 100%. Pot face intregul concert fara sa clipesc dintr-o pleoapa si asta e minunat. Flake: "Scholle (sloi de gheata, n.t.), adica Richard, nu l-a vrut pe Paul in trupa, pentru ca-l vedea ca pe un competitor, ca pe cel de-al doilea chitarist. Till l-a gasit pe Paul bun, pentru ca gandea ca face parte din Feeling B, care avea un succes garantat. Till l-a luat pe Paul mai mult sau mai putin impotriva vointei celorlalti. Si, ulterior, m-au testat si pe mine si am spus: "nu, nu vreau sa cant cu el". Personal, in afara de Till, ii gaseam pe toti ceilalti prosti. Am trait si muncit 8 ani cu Paul si el chiar ma calca pe nervi. Era timpul sa ne separam. Era o usurare de care aveam nevoie, motivul principal fiind faptul ca femeile noastre nu veneau niciodata cu noi. Pentru ca nevestele noastre nu s-au inteles niciodata. In acest caz, femeile s-ar fi luptat una cu alta si barbatii, evident, s-ar fi razboit, pentru ca le iubeau. Paul si cu mine am fost de comun acord ca, daca traiesti impreuna 8 ani si nu te certi, unul din noi trebuie sa fie mincinos. Sunt surprins ca ne-am suportat atat de mult timp, pentru ca suntem amandoi tipuri mai degraba extreme. Insistam mult in opiniile noastre si avem un foarte personal punct de vedere asupra vietii. Paul este in mod natural, mai mult tipul de invatator, este foarte adesea plin de intelesuri. Totul are aprobarea lui, exista in toate un bine, iar uneori asta ma poate calca pe nervi. Acum sunt in mijlocul celor 30 de ani ai mei si el tot vrea sa ma educe. Spune ca trebuie sa ma imbrac rezonabil. Exista mereu lucruri de comentat, parca am fi un cuplu casatorit de ani de zile. Daca sunt undeva cu Rammstein si camerele sunt alese, stiu imediat ce camera multumeste pe cine. Este complet normal. Azi fiecare stie ce rol joaca fiecare si cum reactioneaza fiecare. Pot acum sa intru intr-un restaurant si sa comand pentru tot grupul si intotdeauna voi comanda corect. Am petrecut mai mult timp cu Paul decat cu parintii mei." PAUL H. LANDERS (fost Henry Hirsch) - PROFIL S-a nascut la 9 decembrie 1964 in Belarus . Paul este numele tatalui lui, iar Landers este numele fostei sale sotii, Nikki. Cand a fost copil, a locuit la Moscova un timp. Tatal sau este profesor de limbi straine, iar mama profesoara la o scoala speciala. Se zvonea ca nu s-a inteles cu tatal lui si ca a plecat de acasa in adolescenta. Are aproximativ 1,76 m si cantareste 80 kg. Vorbeste bine rusa. Se zvonea in mod fals ca a fost gimnast in copilarie. A fost casatorit o data si este divortat in prezent. Are doi copii, un baiat si o fata. Fata s-a nascut in perioada 2000-2001. Paul sustine ca ii plac Pantera, Metallica si Sex Pistols. Trupele in care a cantat sunt Feeling B, First Arsch si Die Firma. A lucrat ca fabricant de cazane si mecanic in telecomunicatii. In 1983 a fondat trupa Feeling B cu Christian "Flake" Lorenz. A cantat timp de zece ani in Feeling B si in alte trupe. Feeling B era o trupa foarte populara in Germania de Est si atragea multimi mari la concerte. In 1984, la varsta de 20 de ani, s-a insurat cu Nikki Landers, imprumutand numele ei. Au impreuna un fiu, Emil. RAMMSTEIN - Succesul binemeritat In 1994, Till, Richard, Oliver si Christoph au participat si au castigat concursul de percutie Berlin Senate Metro care le-a permis sa inregistreze un demo cu 4 piese. Paul Landers s-a alaturat trupei, apoi, in final, Flake. Au urmat albumele "Herzeleid" in 1995, "Sehnsucht" in 1997 si "Mutter" in 2001. Rammstein au finalizat turneul de promovare a albumului "Mutter" in 13 iulie 2002. In acest timp, au existat discutii serioase intre membrii Rammstein daca sa continue in forma actuala sau nu. Au decis ca fiecare sa ia o pauza si sa reconsidere acest lucru. In timpul turneului, Paul a lipsit cateva zile, motivul nefiind cunoscut. In 2003, Rammstein au inceput lucrul la cel de-al patrulea album, care avea sa se dovedeasca un punct de cotitura in sound-ul si maturitatea trupei. Septembrie 2004 a cules rodul muncii lor cu "Reise, Reise". A urmat apoi enormul succes de casa inchisa al turneului european de patru luni. Dupa terminarea turneului "Ahoi" in februarie 2005, Rammstein urmeaza sa concerteze patru zile la Berlin si patru zile in Anglia , intorcandu-se la Wullheide Open Air Arena la aproape sapte ani dupa concertele sold-out din august 1998. Cel de-al cincilea album, "Rosenrot", va fi lansat pe 28 octombrie si va contine piese noi si piese inregistrate in timpul "Reise, Reise". Desi se anunta o pauza mare, pana in 2007, e posibil sa mai concerteze in America de Sud, pentru promovarea lui "Rosenrot". Paul este, alaturi de Richard, "cel dintai chitarist". In Rammstein nu exista decat un singur front, linia intai… pentru ca Rammstein este vocea si vesmantul fiecaruia... :zzz: :hi:
12.06.20078.7KB
deejay's poze....deejay's
27.04.20073.2KB
const. y yy =) :) poze....const. y yy =) :)
19.04.200740.7KB
dj funky s-a nascut pe 20 august 1977 in pasionat al muzicii,a inceput prin 2000 nu prin a fidj Funky S-a nascut pe 20 august 1977 in Bucuresti.Un pasionat al muzicii,a inceput prin 2000 nu prin a fi rezident al unui club anume, ci prestand doar pe la unele petreceri private. Totul a plecat de la un mic hobby. Prezent la aproape toate evenimentele de muzica electronica, a inceput prin 2001 cu o mica rezidenta la Propaganda. Fiind un bun entertainer a colaborat cu cluburi din Bucuresti ca: The Web, Office, La Roca, Studio Martin, Luna, Bamboo etc. Prin 2003 incepe colaborarea sa cu organizatorii petrecerilor de after-hours. Presteaza in cluburi de after-hours ca: Magique, Nemo, Tipsy, The spot etc. In martie 2005 se ocupa de warm-up in cadrul unui Private Party Kent @ Kristal Glam Club, alaturi de MYNC Project. Prin 2004 intra in contact cu Catalin Ghinea, manager al agentiei de booking Sunrise. Toate iau amploare si pana in prezent a prestat in cluburi din tara ca: Versus (Iasi), Krypton (Craiova), Zebra (Bacau), Pasha (Galati), Morgana (Constanta), Life (Ploiesti) etc si din afara tarii ca: Club Extasis si Club Eden Ibiza, Club Gothic (Chisinau). Ca dj preferati: rezidentii Cocoon Ricardo Villalobos, Richie Hawtin, Luciano si rezidentii Circoloco Clive Henry, Tania Vulcano, Fabrizio, Locodice, Jose De Divina etc. Abordeaza mai multe stiluri muzicale : Tech House, Tribal-Tech, Minimal-Tech.In prezent isi produce singur loop-uri si track-uri. Pe viitor isi doreste un nume de dj pe plan international.
03.05.200718KB

 
sd aberatiisd
17.05.20073.6KB
..... :rotfl: :razz: poze....chester&mike ..... :rotfl: :razz:
26.04.200716.9KB
it's reeal :nod: !!! poze....it's reeal :nod: !!!
27.04.200737.5KB
cioara che omor ias da cioara BREEEE...... che omor ias da "sa moara masa"............. :x :x :finger: :dinti:
02.05.20075KB

 
bo sa nu stergeti asta k imi poze....bo sa nu stergeti asta k imi trebuie....
10.05.200717KB
postat pe 16/11/06 22:47 de cristian 1. shy beatz, un nume nou in under-ul romanesc. cum apostat pe 16/11/06 22:47 de Cristian 1. Shy Beatz, un nume nou in under-ul romanesc. Cum a luat fiinta acest proiect? Totul a inceput prin ianuarie 2006 cand Jay impins de la spate de Butch (Dagga) sa scrie versuri, a inregistrat o piesa cu Dagga (fine line). Dupa cateva concerte cu ei prin Bucuresti, Craiova si Piatra Neamt, ne-am apucat de proiect nestiind exact ce o sa se intample. Dupa ceva timp proiectul Shy Beatz s-a definitivat. 2. Cine a ales numele trupei? A fost propus de Jay. 3. Se poate spune ca venirea lui Promoe in Romania a fost un prilej de lansare pentru voi? Primul concert Shy Beatz a avut loc in Cool Cat, un barulet de pe Lipscani, dar intradevar concertul alaturi de Promoe a fost o ocazie de a arata publicului ce intentionam sa facem cu acest proiect. 4. Aveti in vedere scoaterea unui album sau este doar o colaborare de scurta durata? Noi am inceput sa lucram la acest proiect fiindca muzica este impregnata in noi. O facem din placere si pana acum ne-am inteles extrem de bine. Nu vedem vreun motiv pentru care lucru asta sa se schimbe. 5. Multa lume cred ca a auzit de voi pentru prima oara la concertul "Promoe". Credeti ca stilul abordat a prins la public? La concertul "Promoe" multi oameni probabil ca nu au inteles mare lucru din ceea ce facem noi, dar unora le-a placut foarte mult. Este intradevar un stil ce nu se regaseste in Romania, credem noi, dar speram ca pe viitor oamenii sa inteleaga ce vrem sa facem si ce mesaj transmitem. 6. Negativele presupun ca poarta semnatura lui Undoo, dar versurile cine le face? Pe acest proiect am incercat sa colaboram cu producatori underground precum Dribbler, Aria Urbana, Razwan si altii dar binenteles ca majoritatea negativelor sunt productie Shy Beatz. Versurile sunt scrise in exclusivitate de Jay. 7. De ce versuri in limba engleza si nu in romana? Eu am crescut si am facut scoala in mare parte prin scoli din strainatate (Tel Aviv, Cape Town) iar limba engleza ma lasa sa ma exprim mult mai bine si mai melodic. Am incercat sa scriu si versuri in limba romana, dar deocamdata cred ca ma voi axa numai pe limba engleza. 8. Anul acesta am avut ocazia sa vedem in Romania: Wu Tang Killa Beez, Raekwon si de curand Promoe. Ce sau cine credeti ca a influentat venirea lor? Miscare Hip Hop din Romania este pe un trend ascendent. (hihi) Publicul ar fi principalul vinovat de aceste concerte, fiindca fara ei artistii din afara nu ar mai veni. Sa speram ca anul 2007 ne va aduce mult mai multe concerte cu artisti de renume. 9. Cu toate ca sunteti la inceput, care credeti ca este secretul "longevitatii" unei trupe? Dedicatie muncii si muzicii. 10. Undoo, esti implicat in mai multe proiecte. Ai timp sa te ocupi de toate? Da sunt implicat in proiecte ca: Dagga, Turntable Science sau Interventii Lirice. Am timp pentru ca in afara de treaba in studio (la Daw) numai asta fac, sunt dedicat si pun pasiune ;). 11. Cand vom mai putea vedea Shy Beatz pe scena? Urmatorul concert Shy Beatz va avea loc in Fire Club pe data de 5 Decembrie, o militare pentru protectia animalelor. Toti banii de pe intrare vor fi donati. 12. Ce ne pregatiti pentru viitor? Speram ca pana la finele anului sa terminam de tras primul album pentru a incepe masterizarea. De asemenea incepand cu anul viitor vom incerca sa plecam intr-un turneu prin tara. 13. La final, cateva cuvinte pentru fanii vostri. Deocamdata nu putem spune ca avem fani, dar sigur ne-am dori ca lumea sa ajunga sa asculte ce facem noi. Un pic de rabdare! Promitem ca nu veti fi dezamagiti. Pentru a putea asculta piese semnate Shy Beatz vizitati :x :x :x :x :x :rotfl: :rotfl:
05.06.20074.7KB
club is changing the face of the once seedy, run-down cheshire bridge road district. the classy clubClub Fever Fever is changing the face of the once seedy, run-down Cheshire Bridge road entertainment district. The classy multi-level club features several theme rooms. 1789 Cheshire Bridge Rd. Atlanta,GA 30342 phone:404.214.0151
17.05.200739.2KB
hernan cattaneo @ studio 20 aprilie - iancu de hunedoara, nr. hernan cattaneo; livio link:Hernan Cattaneo @ Studio Martin Vineri, 20 Aprilie 2007 BUCURESTI - Iancu de Hunedoara, nr. 61 Timpul: 23.00 Line-up: Hernan Cattaneo; Livio Link:
18.04.200717KB

 
......... :rotfl: :rotfl: poze............. :rotfl: :rotfl: :rotfl:NIGHTwish
03.05.20074.7KB
:nod: poze....ha...ha...ha :nod:
24.05.20072.7KB
office sunt doua predeal office office club is a landmark in the generalOffice Sunt doua cluburi:Office Predeal Office Bucuresti The Office Club is a landmark in the general Romanian entertainment environment because different from others started as an embodiment of a lifestyle and continuously revigorated its position. The Office Club is composed by all the today�s aspirational values that are expressed in the concept of "betterness". Being successful and self-confident, having a positive attitude, preferring quality versus quantity, being part of today�s trends, being informed and updated with what is happening around you and around the world.
02.06.200711.9KB
suceava... :zzz: google it...(asta e strada mea:zzz: orashul de unde esti....da...pai....suceava...e suceava... :zzz: google it...(asta e strada mea:zzz:
14.06.200714.2KB

 
[ coast[ Coast" on the joints, "Hit and Run" (the sequel, featuring an appearance by adult movie star Ron Hightower, is on Xzibit's album) and on "Flashback," where he showcased his humorous side as one of The Baby Babbas. LOUD records head kahoona Steve Rifkin offered him a deal soon afterword. In 1996 Xzibit completed his debut solo album, At the Speed of Life. "I named the album "At The Speed Of Life" because there's a whole lot of shit that niggas go through. I know more niggas that is off-the-wall and crazy, runnin' guns and shit than I know regular Joes that all they want to do is feed their kids. That's their speed. But it's weird how everything is coinciding together, and at the same time is moving in all kinds of different directions." Xzibit with his one of a kind voice and natural intensity beamed songs like "Paparazzi" and "The Foundation" into peoples minds through radio, and soon Xzibit was becoming a well known name on the streets. At The Speed Of Life was met with excelent reviews. "I couldn't pick a better time because what I'm bringin' to the table is fresh and new..." "I did this album for a lot of reasons other than the flim-flam and the whoopty-whoop, the pictures, the travel and all that shit," says Xzibit. "This album is heartfelt." The song Paparazzi, explained how he saw the Hip-Hop game, Xzibit's lyrics say it all: "It's a shame, niggas in the rap game only for the money and the fame." This was the first single from At The Speed Of Life. Then came the second single off his debut album, "The Foundation." a song writen for Xzibit to his son, where he advises the child about the ups and downs of growing up "You can only run the streets for so long" says Xzibit. Dj Muggs from Cypress Hill produced the emotionally charged track which features a mesmerizing loop of ghostly wails and the actual cries of Xzibits baby. And revelations abound in the hard-nosed two verses of "Carry The Weight," which details Xzibit's life story, from his troubled past to makin' it on his own. In 1998, Xzibits 2nd solo album "40 Dayz & 40 Nightz" followed and was met with great reviews just like At The Speed Of Life had been two years ago. Xzibit was hard at work appearing on many albums such as Snoop's Top Dogg, Dre's 2001 and Kurupt's Tha Streetz Iz A Mutha. Xzibit was becoming well known to comercial hip-hop fans, in turn this increased Xzibits fan base. In 2000 Xzibit's 3rd solo album was released, titled Restless. The album was released in December 2000, and was met with great reviews and earned Xzibit his first platinum record. Restless included a great selection of singles including X, Get Your Walk On, Front 2 Back, and Loud & Clear. Restless also marked the beginning of Xzibit's own label, Open Bar Entertainment. With Restless rulling the charts with its hot singles in 2001, Fortress Entertainment was hired to make a DVD/VHS titled Restless Xposed which featured backstage footage from the Anger Management Tour, Snoop's Puff Puff tour, the House of Blues tour and much much more. The DVD/VHS is a Fortress/Open Bar Entertainment/Loud Records release. Xzibit also appeared in The Alkaholiks DVD as well as Snoop and Dre's hit comedy, The Wash. Xzibit has had many cameo's in such films as Snoop Dogg's "Eastsidaz", and Eminems "8 Mile". Fortress have again been recruited to make the upcoming strong arm steady DVD staring Xzibit & "The Gang". You should find these DVD's at your local music store, if not now in the near future. In 2001 Xzibit took his skills to the stage and participated in the hugely successful "Anger Management" and "Up In Smoke" tours. After getting off the road, Xzibit spent time with his son and then focused in on the next task at hand and began recording his next release. So in 2002 Xzibit released his fouth album, tentatively titled Man vs. Machine. Xzibit explains, "Man versus Machine, man… I thought it was fitting because I feel as though its all type of shit we up against." and continues "It’s a corporate world, corporate machine we got to battle. It’s a social machine we got to battle. It’s all type of shit". Man vs. Machine was a totaly different sound for Xzibit, not wanting to loose momentum he used different styles of music, including soul and an opera based chorus for his 3rd single off the album 'Symphony In X Major'. Even due to promotion for this album which was below par and the only single that got good air play was the Westcoast Anthem 'Multiply', On November 12, 2002, Xzibit's album officialy went gold, not doing as well as his previusly platnum record Restless. 2003 was the year we found out Xzibit's group 'The Golden State Project' couldn't happen due to Ras Kass' Record Label, and Xzibit started doing some mix tapes, with the underground legend Krondon, later forming 'TheSteady Gang', with Mitchy Slick, Krondon & Phil The Agony. Hopefully 2004 will be bigger and better from Xzibits point of view, with his next solo album, Weapon Of Mass Destruction, due for the end of the year, and the StrongArmSteady DVD getting released around March. Keep Your Bars Up X-man!
03.05.20079.3KB
poze....metalica!!!
03.05.20073KB
john digweed arenele 13 digweed este unul dintre cei mai cunoscuti dj “dati” de marea britanie,JOHN DIGWEED ARENELE ROMANE VINERI 13 IULIE John Digweed este unul dintre cei mai cunoscuti DJ “dati” de Marea Britanie, evolutia muzicii electronice din ultimii ani fiind strans legata si de cariera acestuia. Debutul sau a avut loc la o varsta foarte frageda (15 ani) in Hastings, Anglia, in lumea acid-house-ului. De la acea data a inregistrat o continua crestere in lumea muzicii electronice, top-ul fiind atins in 2001 cand a fost votat Number 1 DJ de catre “autoritatea suprema” in materie – revista DJ Magazine. Din acel moment Digweed a ramas o prezenta constanta in topul preferintelor criticii si al publicului. John Digweed este nu numai DJ, vasta sa experienta dand nastere unui produs numit Bedrock, sub aceasta titulatura fiind reunite o casa de discuri, un studio de productie si o agentie de promovare. Printre realizarile sale se numara si un show radio, de success mondial, difuzat in Marea Britanie de radio Kiss 100: Transitions by John Digweed! Biletele se gasesc in avans pe : De sapt asta pana pe 15 mai- 40 lei 15 mai- 1 iulie- 50 lei 1 iulie- 12 iulie- 60 lei La intrare, in seara evenimentului- 80 lei
08.06.200717KB
y fuck :x guitza :finger: poze....y fuck you............................ :x guitza :finger:
24.05.20072.2KB

 
fuck me here :zzz: poze....fuck me here :zzz:
02.06.200717KB
si aveti ceva trofee luate???? white flag in the front of sportsi aveti ceva trofee luate????
24.05.200723.9KB
raku, yolo si dj christu sunt cei 3 componenti ai trupei zale. pe raku il cunoasteti din aparitiiRaku, Yolo si Dj Christu sunt cei 3 componenti ai trupei Zale. Pe Raku il cunoasteti din aparitii mai vechi in diferite formatii sau pe cont propriu. In ordine cronologica a inceput cu Morometzii, a urmat albumul solo intitulat "In mediul vitreg" (unde i-am intalnit si pe Yolo si Dj Christu) si formatia ce nu a scos pe piata vreun album In Alta Frecventa formata din: Raku, Praetor si Dj Christu. In cel mai recent interviu, in cadrul emisiunii Yo! Mtv prezentata de Dj Dox, Zale promiteau un album cu o priza la publicul mare ascultator de muzica de orice gen nu doar de publicul Hiphop, si cred ca au reusit. Piesele de pe album pot fi usor impartite in doua categorii: prima categorie se doreste cu o mare priza la public, iar a doua cu mesaje social-politice, legate de credinta, foarte puternice, umplute si imbibate pe alocuri de o mana intreaga de dj-ei cu nume grele in Hiphop-ul autohton. Piese gen "In numele ei", "Fumuri si hamace", "Cum produc", "Sa poti zambi" cu putina promovare, vor putea arunca boxele din cluburi in aer si chiar vor putea fi gasite zilnic in playlist-urile posturilor de radio. Piesele ating subiecte usor digerabile de publicul larg, texte usor de retinut, haioase (reteta comercialului!). Subiectele variaza trecand de la versuri mai sentimentale, mai usoare "..de vrei ca femeia ta sa fie o doamna, trateaz-o cu respect la fel ca pe a ta mama... toata iubirea din stoc sa o impartiti ca-ntr-un joc si sa o impartiti reciproc.", la piese chill-out "Fumuri si hamace" avandu-l invitat pe Funky din trupa Dream Team, pare fi destinata special pentru bairame sau la un pahar de vorba cu prietenii. "Cum produc" este o alta piesa chill avand invitat unul din cei mai cunoscuti dj-ei de la noi FDD (Freaka Da Disk) ce se integreaza perfect in ritmul piesei. O alta piesa facuta "Sa poti zambi", este impreuna cu un foarte mediatizat emcee in ultima vreme, Puya, ce se ridica peste asteptari si nu se lasa mai prejos decat cei 2 emcee gazda: "..imi vin versuri si in somn, vecinii dispera, basul le creste tensiunea in vena." Piesele din prima categorie sunt bine sustinute de instrumentale bune, dar facute special pentru a fi mult mai usor digerabile si uneori chair dansabile. A doua categorie este partea, ce nu numai ca da forta albumului, dar e si stilul ce a ridicat formatia Zale. Piesele ce tind toate spre social ating uneori mesaje plina de credinta sau atacand lipsa ei, mesaje politice sau ganduri ceva mai intunecate. Prima piesa ce parca ar face trecerea de la categoria cu mare priza la publicul ascultator si de alte genuri muzicale spre publicul Hiphop, desi invitatul special al acestui album (Paula Seling), nu are nici o legatura cu muzica Hiphop cu atat mai putin cea underground, dar care suna bine fiind sustinuta de un mesaj pozitiv subtil conturat "Pentru linistea ta": "daca vrei mai mult sa muncesti mai mult de-acum si sa mergi zambind chiar daca-i cel mai greu drum." O alta piesa "In alta frecventa" remixata (foarte bine), dar cuprinsa de un mesaj mai negativ, mai trist, mai cunoscuta de publicul larg, alaturi de una din marile pierderi ale Hiphop-ului romanesc, Praetor (plecat in Australia, a nu se intelege altceva). O piesa ce face parca trecerea usor usor de la un Hiphop ceva mai dark si mai mental, la un hiphop social, chiar politic pe alocuri. Piesa ce defineste perfect stilul Zale se numeste "Depinde de noi" si atinge aproape toate subiectele dezvoltate mai larg pe albumul "Chei Verbale". Videoclipul piesei defineste si el stilul Zale, intr-un mod original, in care zarim si alte fete cunoscute din Hiphopu autohton. Ascultand povesti ce te duc cu gandul la persoane intalnite pe strada sau cunostinte, cu "Temperament dangerous", descoperim multe din esecurile sistemului si mentalitatii dezoltate in Romania. Raku pe prima strofa canta parca despre propria lui poveste strans legate de trecutul Hiphop-ului de la noi: "de educatia din tineretea lui, Tineretului, cu mos Martin si teatru Creanga, in regie, din Rapattack pana-n Babadac", continua cu povestea unuia smecher de colt de strada, a altuia somer, a altuia ciorditor ajuns sus la putere "din dragoste pentru guvern cu o bomba in centura si o mana pe Kalasnikov noaptea razbunare-si jura". Si continuand parca ideea razboinica cu o transmisie "din front" prezinta intr-un mod original povestea unui soldat (sau a mai multora) luptand sa castige razbouiul cu cei ce conduc industria muzicala "in general producatorul te vrea deja lansat... vezi soldati ascunsi ca Vexx pe pozitie... iti cauti K-gula cand oameni ca Deceneu dispar...". Intarind afirmatiile despre greul drum parcurs de cei ce nu se compromit, vin argumentele din prima linie ale unui veteran ce se mentine in top fara compromisuri, Cheloo: "imi urmez propriul vis tot mai convins nu ma las prins de comercialul promovat de p!$@&...", si incheind transmisia intr-un mod usor satiric si diferit de stilul Yolo, dar care-l prinde foarte bine "unitatea noastra implica disciplina marsaluind in front fara de somn si splina, intre desfrau si arta soldat sau comandor adevarata lupta o ducem in interior." Piesa cea mai bine conturata, cu un mesaj foarte puternic ce nu poate fi exemplificata prin citate ci trebuie ascultata atent si intrat in starea respectiva, avand in spate o productie ce se imbina perfect cu versurile si flow-ul emcee-lor este "Natura noastra". Piesa ar fi ideala pentru un final de album, pentru a ramane imprimata adanc in mintea ascultatorului, dar autorii "Cheilor verbale" stiu mai bine ce si cum si au propus ca piesa de final "Piedoni in trafic" alaturi de Vlad Dobrescu, atacand puterea si manariile prin care se face trafic de droguri. Foarte strans legata de atacul asupra vietii social-politice (in special politice) de la noi alaturi de un alt membru CTC, Deliric1, ataca subtil partidele ce au fost la conducere si mentalitatea celor ne conduc "ti-am propus 3 trandafiri, dar intre FSN-doare, ti-am propus cheia solutiilor CDR-muscari ai oare... ti-am dat la schimb vise sa obtinem vize, am dat la schimb istoria sa obtinem fise, si nimic nu se schimba-n bine atata timp cat nimic nu se schimba-n tine". O noua piesa cu un puternic mesaj social "Mi-e de ajuns", poate chiar cea mai acida este completata de un vechi membru Facem Records, Cedry2k "sunt tot pornit pe lideri, ma simt tot gonit consider, ca doar deschizandu-ti mintea si inima poti fi liber" ce dovedeste loialitatea trupei Zale pentru cultura underground. Un lucru important de mentionat reprezinta varietatea dj-ilor de pe album: Dj Christu, Dj Paul, FreakaDaDisk si Dj Dox, ultimii 3 fiind membrii primului crew de dj-ei din tara, Turntable Science alaturi de Dj Faibo X, Dj Undoo si Dj Swamp. Un alt lucru demn de apreciat este varietatea productiilor semnate in mare parte Yolo si secundat de Dj Christu, exact cum declarase Raku, o surpriza placuta desi existau indoieli inainte de aparitia lor pe piata. Albumul "Chei verbale" reprezinta un album ce nu va putea trece neobservat indiferent de preferintele muzicale ale ascultatorilor. Cei trei componenti se vor putea bucura de o mare priza la public. Au muncit mult, au gandit bine, au pus in practica ideile si se vor putea infrunta de un numar de fani destul de ridicat din diferite cercuri de preferinte muzicale. Finalul il voi prezenta in stilul Zale 100%: "pastrand natura noastra bine, copiilor din urma ta le bucuri zilele, nimeni nu ia nimic cu sine, afara de ce avem in suflete" ...si pentru acest album avem mult respect! Zale - Chei Verbale (R.U.L., 2005) Scor: 9 / 10 Recenzent HHK: Headshot 1. Intro (cu Dj Paul) 2. Depinde de noi... 3. In numele ei 4. Fumuri si hamace (cu Funky) 5. Temperament dangerous 6. Cum produc (cu Freaka Da Disk) 7. Din front (cu Cheloo) 8. Mi-e de-ajuns (cu Cedry2k) 9. In ziua-n care (cu Deliric 1) 10. La liberte 11. Natura noastra (cu Unu) 12. Vremuri mai bune (remix) (cu Praetor) 13. Interludiu (cu Dj Dox) 14. Sa poti zambi (cu Puya) 15. Pentru linistea ta (cu Paula Seling) 16. Piedoni in trafic (cu Vlad Dobrescu) Alegerea recenzentului: - Temperament dangerous - Din front (cu Cheloo) - Natura noastra (cu Unu) :wink2: :wink2:
17.09.20074.4KB
nu te poti supara pe el ca atrage cele mai frumoase femei in jurul sau si se starnesc adevarateNu te poti supara pe el ca atrage cele mai frumoase femei in jurul sau si se starnesc adevarate petreceri cand apare undeva. Pana la urma este unul dintre cei mai buni artisti germani. Succesul de top din intreaga lumea alaturi de aparitiile in cele mai tari cluburi au fost intotdeauna parte din cariera sa alaturi de activitatea de DJ radio si VJ. Tom Novy s-a nascut pe 10 martie 1970. Prima piesa lansata a fost “I House You” in 1995 si a intrat direct in Top 10 German Dance Charts. Numai un an mai tarziu isi castiga reputatia internationala cu single-ul « Superstar » care urca pana pe pozitia 15 in topul german si ajunge pe primele locuri in alte 18 tari. In 1998 lanseaza piesa “I Rock” ce devine in scurt timp un imn house. Piesa a stationat peste 20 de saptamani in top 100 airplay. Albumul sau de debut, « My Definition », ajunge in magazine in 2001 si contine piesa oficiala a echipei Mercedes-Benz de formula 1, « Welcome to the race », featuring Lima. Revenirea in topuri a avut loc la finalul anului 2005 cand piesa “Your Body” a spart clasamentele de club. Muzica lui Tom Novy are si fani celebri, artisti ce i-au cerut sa le remixeze piesele. Printre acestia se numara 10cc, Backstreet Boys, Eric Morillo, Jimmy Sommerville, Sander Kleinenberg, Snap, Ludacris, Mousse T si Sonique. Printre show-urile TV prezentate de Tom Novy se numara "Dance Floor Charts", "Streetlife", "Battle of DJ's" si”Nightlife" de la MTV, si "Mac Chart-Show" (2004) la Pro 7. Mai mult decat atat, Tom continua sa-si mixeze propriul show radio saptamanal la Radio FFN si este gazda unei emisiuni la Radio Energy din Munchen, pe langa contributia pe care o are la Energy Mastermix – emisiune difuzata pe toate frecventele radio Energy. Site oficial:
02.06.200710.2KB

 
wu tang clan in 1993, when dr. dre's g-funk had overtaken the hip-hop world, the staten island,Wu Tang Clan Biography: Emerging in 1993, when Dr. Dre's G-funk had overtaken the hip-hop world, the Staten Island, NY-based Wu-Tang Clan proved to be the most revolutionary rap group of the mid-'90s -- and only partially because of their music. Turning the standard concept of a hip-hop crew inside out, the Wu-Tang Clan were assembled as a loose congregation of nine MCs, almost as a support group. Instead of releasing one album after another, the Clan was designed to overtake the record industry in as profitable a fashion as possible -- the idea was to establish the Wu-Tang as a force with their debut album and then spin off into as many side projects as possible. In the process, the members would all become individual stars as well as receive individual royalty checks. Surprisingly, the plan worked. All of the various Wu-Tang solo projects elaborated on the theme the group laid out on its 1993 debut, the spare, menacing Enter the Wu-Tang (36 Chambers). Taking their group name from an powerful, mythical kung fu sword wielded by an invincible congregation of warriors, the crew is a loose collective of nine MCs. All nine members work under a number of pseudonyms, but they are best known as RZA (formerly Prince Rakeem; aka RZArecta, Chief Abbot, and Bobby Steels; born Robert Diggs), GZA (aka the Genius, Justice, and Maxi Million; born Gary Grice), Ol' Dirty Bastard (aka Unique Ason, Joe Bannanas, Dirt McGirt, Dirt Dog, and Osirus; born Russell Jones), Method Man (aka Johnny Blaze, Ticallion Stallion, Shakwon, Methical, and MZA; born Clifford Smith, Raekwon the Chef (aka Shallah Raekwon and Lou Diamonds; born Corey Woods), Ghostface Killah (aka Tony Starks and Sun God; born Dennis Coles), U-God (aka Golden Arms, Lucky Hands, Baby U, and 4-Bar Killer; born Lamont Hawkins), Inspectah Deck (aka Rebel INS and Rollie Fingers; born Jason Hunter), and Masta Killa (aka Noodles; born Elgin Turner). Although RZA wasn't one of the two founding members -- GZA and Ol' Dirty Bastard were the first -- the vision of the Wu-Tang Clan is undoubtedly due to his musical skills. Under his direction, the group -- through its own efforts and the solo projects, all of which he produced or co-produced -- created a hazy, surreal, and menacing soundscape out of hardcore beats, eerie piano riffs, and minimal samples. Over these surrealistic backing tracks, the MCs rapped hard, updating the old-school attack with vicious violence, martial arts imagery, and a welcome warped humor. By 1995, the sound was one of the most instantly recognizable in hip-hop. It wasn't always that way. Like most rappers, they began their careers trying to get ahead whatever way they could. For RZA, that meant releasing a silly single, "Ooh, I Love You Rakeem," on Tommy Boy Records in 1991. On the advice of his label and producers, he cut the humorous lover-man single, which went absolutely nowhere. Neither did the follow-up single, "My Deadly Venom." The experience strengthened his resolve to subvert and attack record-industry conventions. He found partners in GZA and Ol' Dirty Bastard. GZA had also released a record in 1991, the full-length Words from the Genius on Cold Chillin', which was preceded by the single "Come Do Me." Both records were unsuccessful. After the failure of his album, GZA teamed with an old friend, Ol' Dirty Bastard, to form the crew that would evolve into the Wu-Tang Clan within a year. RZA quickly became part of the crew, as did several other local MCs, including Method Man, Ghostface Killah, Raekwon, U-God, Inspectah Deck, and Masta Killa. The nine rappers made a pact to a form an artistic and financial community -- the Wu-Tang Clan wouldn't merely be a group, it would be its own industry. In order to do this, they decided to establish themselves through a group effort and then begin to spread the word through solo projects, picking up additional collaborators along the way and, in the process, becoming stronger and more influential. The first Wu-Tang Clan single, the hard-hitting "Protect Ya Neck," appeared on their own independent label and became an underground hit. Soon, the record labels were offering them lucrative contracts. The group held out until they landed a deal that would allow each member to record solo albums for whatever label he chose -- in essence, each rapper was a free agent. Loud/RCA agreed to the deal, and the band's debut album, Enter the Wu-Tang (36 Chambers), appeared in November 1993. Enter the Wu-Tang (36 Chambers) was both critically acclaimed and commercially successful; although its financial success wasn't immediate, it was the result of a slow build. "C.R.E.A.M.," released in early 1994, was the single that put them over the top and won them a devoted following. The group wasted no time in pursuing other projects, as a total of five of the members -- GZA, RZA, Raekwon, Method Man, and Ol' Dirty Bastard -- landed solo contracts as a result of the success of "C.R.E.A.M." RZA was the first to re-enter the studio, this time as a member of the Gravediggaz, a group he founded; in addition to RZA, who was rechristened RZArecta, the group included De La Soul producer Prince Paul, Stetsasonic's Frukwan, and Brothers Grimm's Poetic. The Gravediggaz's album 6 Feet Deep appeared in August 1994; it eventually would go gold. Labeled "horrorcore" by the group, it was an ultra-violent but comical tour de force that demonstrated RZA's production prowess. Shortly after its release, Raekwon released his first single, "Heaven and Hell," on the Fresh soundtrack; the song was produced by RZA and featured Ghostface Killah. The first Wu-Tang member to become a major solo star was Method Man. In November 1994, he released Tical, the first official Wu-Tang solo album. Again, RZA produced the album, creating a dense, dirty sonic collage. Tical became a big hit in early 1995, as did Meth's duet with Mary J. Blige, "I'll Be There for You/You're All I Need to Get By." Ol' Dirty Bastard followed Method Man's breakthrough success with Return to the 36 Chambers, which appeared in March 1995 on Elektra Records. Thanks to the hits "Brooklyn Zoo" and "Shimmy Shimmy Ya," the record became a gold success. Out of all the solo albums, it was the one that sounded the most like Enter the Wu-Tang, although it did have a more pronounced comic bent, due to Ol' Dirty's maniacal vocals. Tales From the Hood, a movie soundtrack featuring Inspectah Deck's first solo track, appeared in May. Later in 1995, the two most critically acclaimed Wu-Tang records appeared: Raekwon's Only Built 4 Cuban Linx and GZA's Liquid Swords. Raekwon released his album on Loud/RCA in August 1995; the record featured extensive contributions -- a total of 12 songs -- from Ghostface Killah, his greatest exposure yet. GZA's solo album was released by Geffen Records in November 1995. In February 1996, Ghostface Killah's first solo track, "Winter Warz," appeared on the Don't Be a Menace to South Central While You're Drinking Your Juice in the Hood soundtrack. Later that October, he released his own solo debut, the critically acclaimed, '70s soul-flavored Ironman; the record was the first released on RZA's new Epic subsidiary, Razor Sharp Records. The Wu-Tang Clan finally reconvened and returned with their second album, the double CD Wu-Tang Forever, in June of 1997. Hugely anticipated, the album entered the charts at number one -- selling over 600,000 copies in its first week alone -- and quickly spawned the hit single "Triumph." There were several contributions from guest associate Cappadonna (born Darryl Hill), who'd appeared on Only Built 4 Cuban Linx and Ironman, and would later become the tenth member of the Wu-Tang Clan. The group toured extensively in support of the album, getting into a few minor scuffles with the law along the way. In the meantime, the next phase of the Wu-Tang plan started to take shape: unearthing new associates and spinning the resulting stable of talent into a brand-name franchise. A group of Wu protégés dubbed Killarmy released their debut album, Silent Weapons for Quiet Wars, on Priority Records in August 1997, drawing heavily upon the Clan's martial imagery. 1998, however, was truly the year for Wu-related side projects. In March, Cappadonna released his solo debut, The Pillage, on Columbia. The same month, Killah Priest -- not an official part of the Clan, but a frequent guest and a member of another protégé group, the Sunz of Man -- made his solo debut on Geffen Records with Heavy Mental, an acclaimed album filled with spiritual imagery that established him as one of the more distinctive solo artists in the Wu-Tang orbit. In July the Sunz of Man released their own debut album, The Last Shall Be First, on Red Ant, and yet another group of up-and-comers dubbed the Wu-Tang Killa Bees released their first album, The Swarm, Vol. 1, on Priority, featuring a number of guest appearances by Wu members and associates. In August, Killarmy issued their second album, Dirty Weaponry. 1998 was also the year Ol' Dirty Bastard began a long and bizarre saga of erratic behavior and run-ins with police that found him making headlines with alarming (and ridiculous) regularity. In February he interrupted Shawn Colvin's acceptance speech at the Grammy Awards to protest the Clan's loss in the Best Rap Album category; shortly thereafter, he announced he was changing his name to Big Baby Jesus, an idea that never picked up steam. This was only the beginning -- over the next year and a half, ODB would be arrested for a litany of offenses that included assault, shoplifting, making terrorist threats, wearing body armor after being convicted of a felony, possessing cocaine, and missing countless court dates. Plus, in early 1999, the whole Clan fell under suspicion of masterminding a gun-running operation between Staten Island and Steubenville, OH -- charges that were never proven to have any validity. In the midst of this legal sideshow, the Clan kicked off a second round of solo projects in late 1998. This time around, RZA curtailed his activities somewhat, making appearances but often leaving the majority of the production duties to his protégés. Still, he released his own solo debut, the soundtrack-styled RZA as Bobby Digital in Stereo, in November 1998 on V2; the same month, Method Man's second album, Tical 2000: Judgement Day, debuted at number two on the charts. June 1999 saw the release of an excellent singles compilation, RZA Hits, which covered the first Wu-Tang album and the first round of solo albums (1994-1995); the very next week, GZA's second album, Beneath the Surface, was released. September brought plenty of new Wu product: Ol' Dirty Bastard's Nigga Please, released while the rapper was in rehab; Method Man's acclaimed duo album with Redman, Blackout!; and the first-ever solo album by Inspectah Deck, Uncontrolled Substance, which appeared on Relativity. Another Wu member made his solo debut in October, when U-God issued Golden Arms Redemption on Priority; Raekwon returned the following month with Immobilarity. Finally, Ghostface Killah issued his well-received sophomore set, Supreme Clientele, in January 2000. However, this second round of Wu-Tang solo albums didn't attract as much attention, either critically or commercially. True, Method Man remained a popular solo star (and, to a lesser degree, so did ODB), and reviews were highly positive for Ghostface Killah (and, to a lesser degree, GZA). But the Wu franchise was suffering from inconsistency, overexposure (they'd spawned a clothing line, a video game, a comic book, and more), and a flood of musical product that even diehards found difficult to keep up with. Their once-distinctive sound was becoming commonplace and diluted, not just through the collective's own releases but also RZA's many imitators; plus, by this time, Timbaland had taken over the mantle of hip-hop's most cutting-edge producer. Indie filmmaker Jim Jarmusch commissioned RZA to compose a soundtrack for his acclaimed Ghost Dog: The Way of the Samurai, the results of which were unveiled in early 2000. Other than that, the Clan reconvened for a new album and was mostly quiet during much of 2000 -- aside from Ol' Dirty Bastard, who unfortunately continued to spiral out of control. He spent some time in a California jail for violating the terms of his probation, but appeared to be on the right track when suddenly, in October -- with just two months of rehab to go -- he escaped the California facility and spent a month on the run from the law. Fans were shocked when ODB turned up on-stage at the New York record-release party for the Clan's new album, The W, which was released with considerably less fanfare in November 2000. A leaner, more focused collection, The W featured only one track from ODB and pictured Cappadonna as a full-fledged member of the group (though he remained unnamed on their official contract with Loud). ODB managed to exit the club after his surprise performance but was soon captured by police in Philadelphia and extradited to New York to face charges of cocaine possession. In April 2001, he cut a deal with prosecutors that resulted in a sentence of two to four years in state prison, bringing his outlaw saga to a sad end. In August 2001, RZA issued his second Bobby Digital album, Digital Bullet; November brought solo albums from Ghostface Killah (Bulletproof Wallets) and Cappadonna (The Yin and the Yang). This time, though, there was no full round of solo projects in between Wu albums; the full group (minus ODB) assembled for their fourth album, Iron Flag, which was released in December 2001, just one year after its predecessor. Despite a lot of activity for the various solo projects, Wu-Tang released only a live album, 2004's Disciples of the 36 Chambers, during the subsequent five years. That document was one of the last places to hear Ol' Dirty Bastard, who died of a heart attack in November 2004. In early 2007, in anticipation for the Clan's upcoming album, 8 Diagrams, Nature Sounds issued the Mathematics-compiled Unreleased, a collection of new remixes and hard-to-find, previously unreleased songs from the group and some of their friends. Stephen Thomas Erlewine & Steve Huey, All Music Guide
28.04.20076.1KB
ce zici de ea...e tare nu!!! :d :razz: poze....ce zici de ea...e tare nu!!! :D :razz:
21.04.200742.3KB
yo yo yo poze....YO YO YO
03.05.20075.2KB
snoop dog as the embodiment of '90s gangsta rap, snoop dogg blurred the lines between reality andSNOOP DOG As the embodiment of '90s gangsta rap, Snoop Dogg blurred the lines between reality and fiction. Introduced to the world through Dr. Dre's The Chronic, Snoop quickly became the most famous star in rap, partially because of his drawled, laconic rhyming and partially because the violence that his lyrics implied seemed real, especially after he was arrested on charges of being a murder accomplice. The arrest certainly strengthened his myth, and it helped his debut album, 1993's Doggystyle, become the first debut album to enter the charts at number one, but in the long run, it hurt his career. Snoop had to fight charges throughout 1994 and 1995, and while he was eventually cleared, it hurt his momentum. The Doggfather, his second album, wasn't released until November 1996, and by that time, pop and hip-hop had burned itself out on gangsta rap. The Doggfather sold half as well as its predecessor, which meant that Snoop remained a star, but he no longer had the influence he had just two years before. Nicknamed Snoop by his mother because of his appearance, Calvin Broadus (born October 20, 1972) was raised in Long Beach, CA, where he frequently ran into trouble with the law. Not long after his high school graduation, he was arrested for possession of cocaine, beginning a period of three years where he was often imprisoned. He found escape from a life of crime through music. Snoop began recording homemade tapes with his friend Warren G, who happened to be the stepbrother of N.W.A's Dr. Dre. Warren G gave a tape to Dre, who was considerably impressed with Snoop's style and began collaborating with the rapper. When Dre decided to make his tentative first stab at a solo career in 1992 with the theme song for the film Deep Cover, he had Snoop rap with him. "Deep Cover" started a buzz about Snoop that escalated into full-fledged mania when Dre released his own debut album, The Chronic, on Death Row Records late in 1992. Snoop rapped on The Chronic as much as Dre, and his drawled vocals were as important to the record's success as its P-Funk bass grooves. Dre's singles "Nuthin' But a 'G' Thang" and "Dre Day," which prominently featured Snoop, became Top Ten pop crossover hits in the spring of 1993, setting the stage for Snoop's much-anticipated debut album, Doggystyle. While he was recording the album with Dre in August, Snoop was arrested in connection with the drive-by shooting death of Phillip Woldermarian. According to the charges, the rapper's bodyguard, McKinley Lee, shot Woldermarian as Snoop drove the vehicle; the rapper claimed it was self-defense, alleging that the victim was stalking Snoop. Following a performance at the MTV Music Awards in September 1993, he turned himself over to authorities. After many delays, Doggystyle was finally released on Death Row in November of 1993, and it became the first debut album to enter the charts at number one. Despite reviews that claimed the album was a carbon copy of The Chronic, the Top Ten singles "What's My Name?" and "Gin & Juice" kept Doggystyle at the top of the charts during early 1994, as did the considerable controversy over Snoop's arrest and his lyrics, which were accused of being exceedingly violent and sexist. During an English tour in the spring of 1994, tabloids and a Tory minister pleaded for the government to kick the rapper out of the country, largely based on his arrest. Snoop exploited his impending trial by shooting a short film based on the Doggystyle song "Murder Was the Case" and releasing an accompanying soundtrack, which debuted at number one in 1994. By that time, Doggystyle had gone quadruple platinum. Snoop spent much of 1995 preparing for the case, which finally went to trial in late 1995. In February of 1996, he was cleared of all charges and began working on his second album, this time without Dre as producer. Nevertheless, when The Doggfather was finally released in November 1996, it bore all the evidence of a Dre-produced G-funk record. The album was greeted with mixed reviews, and it initially sold well, but it failed to produce a hit along the lines of "What's My Name?" and "Gin & Juice." Part of the reason of the moderate success of The Doggfather was the decline of gangsta rap. 2Pac, who had become a friend of Snoop during 1996, died weeks before the release of The Doggfather, and Dre had left Death Row to his partner Suge Knight, who was indicted on racketeering charges by the end of 1996. Consequently, Snoop's second album got lost in the shuffle, stalling at sales of two million, which was disappointing for a superstar. Perhaps sensing something was wrong, Snoop began to revamp his public image, moving away from his gangsta roots toward a calmer lyrical aesthetic. He also began making gestures toward the rock community, signing up to tour with Lollapalooza 1997 and talking about two separate collaborations with Beck and Marilyn Manson. The solo Da Game Is to Be Sold Not to Be Told, Snoop's first effort for No Limit, followed in 1998; No Limit Top Dogg appeared a year later and Dead Man Walkin' the year after that. Tha Last Meal followed in December of that same year. The heavy release schedule resulted in varying musical quality from album to album, but by the turn of the century, Snoop had become such a cultural phenomenon that his albums almost became secondary to the personality behind them. An autobiography appeared in 2001, followed by a stream of movie roles in several high-profile pictures. Late in 2002, Snoop released his first album for Capitol, Paid tha Cost to Be da Bo$$. He then switched to Geffen for 2004's R&G (Rhythm & Gangsta): The Masterpiece. The hit album was followed a year later by Welcome to tha Chuuch: Da Album, a collection of tracks from the Welcome to the Chuuch mixtape series. That same year he hosted a West Coast peace summit in hopes of squashing all beefs. In 2006, he appeared on Tha Dogg Pound's Cali Iz Active and Ice Cube's Laugh Now, Cry Later. Toward the end of the year the intentionally leaked "My Peoples" freestyle apppeared. The track paid tribute to many involved in Cali's Latin rap community, so it was no big surprise when "Vato" with Cypress Hill's B Real became his next album's leadoff single. The hard and very G-Funk Tha Blue Carpet Treatment triumphantly capped off a year of heavy West Coast activity. ~ Stephen Thomas Erlewine, All Music Guide
28.04.200710.1KB

 
paul van dyke poze....PAUL VAN DYKE
03.05.200712.8KB
david guetta este cel mai de succes dj la w.m.a francez david guetta a castigat titlul de David Guetta este cel mai de succes DJ la W.M.A 2007 DJ-ul francez David Guetta a castigat titlul de "cel mai de succes DJ" la World Music Awards 2007. Ceremonia ce a avut loc in Monte Carlo a fost transmisa in 160 de tari si a fost vizionata de aproape un miliard de telespectatori. David Guetta s-a nascut in Paris si si-a inceput cariera de DJ in clubul Broad din orasul natal. In ultimii ani, David Guetta a reusit sa se impuna la nivel mondial datorita productiilor sale care au primit o expunere deosebita in mass media internationala. Astazi David Guetta are un program deosebit de incarcat ca DJ, mixand prin toata lumea. David a mixat si in Bucuresti in luna aprilie a anului trecut. :D :D :D :D :D
06.11.20075.5KB
u.s.m. sound mastaz) nu este un nume nou in peisajul romanesc de natura dupa cum o spune siU.S.M. (Underground Sound Mastaz) nu este un nume nou in peisajul hiphop-ului romanesc de natura underground dupa cum o spune si titulatura trupei, dar desi au patru materiale la activ pana la "Ciordeli" plus aparitii pe diverse compilatii, nu au "rupt gura targului" cum se spune. Productii bune, flow-uri bune, dar uneori versuri mai greu digerabile si simpliste au facut ca U.S.M. sa ramana oarecum in umbra pana acum. "Ciordeli" banuiesc ca se dorea o avanpremiera la anuntatul LP oficial "Gangsta Rap", si este un material pe care dupa ce il asculti pentru prima data realizezi ca este mai putin un album U.S.M., si mai mult un al doilea material solo Axes, dupa "Cuvant inainte" din 2001. 14 trackuri, 12 piese: o proportie destul de buna, dand consistenta albumului. Primul lucru care te frapeaza este abundenta de piese in limba engleaza, mai bine de jumatate, ducandu-ne cu gandul ca acest material ori a fost realizat pentru "export" ori dintr-o dorinta a MC-ului de a arata ca se poate si la noi. Paradoxal piesele in engleza suna mult mai bine, mai inchegat si mai puternic ca sound decat cele in limba romana. Albumul este intregit cu doua interludii apartinand celorlalti doi membri U.S.M., un skit cu VickDaSick incercand probabil sa explice ca "asa sunt ei" dupa numeroasele discutii aparute dupa lansarea "Back in the bizz" si un altul, cam scurt ce e drept, unde FaiboX isi demonstreaza calitatile de DJ. Luat la bani marunti, in ordinea de pe coperta, albumul debuteaza cu o piesa in engleza "It's all set", un intro de fapt, unde Axes isi face o scurta prezentare alternand lirici "autobiografice" cu unele ce tin mai mult de un rol ce urmeaza sa fie apoi jucat de mai multe ori pe material. In general piesa secunda a oricarui material este piesa de baza in viziunea autorului, piesa care da consistenta albumului. Se poate spune acest lucru despre "In statie" probabil cea mai interesanta piesa dintre cele in romana; o poveste foarte posibil cunoscuta pentru cei care stiu ce se intampla in cartierele rau famate ale Bucurestiului. Un minus la interpretare, Axes dand senzatia ca isi forteaza vocea, melodiile care urmeaza intarind aceasta senzatie. Track-ul 3 "Savage cats" aduce si prima colaborare, Da Tryfe MC dupa cum citim pe coperta, un personaj despre care cu siguranta nu am mai auzit anterior dar care suna bine, o voce hardcore si o prezenta buna. Subiectul piesei este un pic ambiguu dupa doua ascultari atente ducandu-ne cu gandul undeva in zona "ego-rap-ului". Piesa urmatoare "Cum te taie pe tine" este un fel de continuare sau oricum undeva in ideea celei mai cunoscute piese U.S.M.: "Pustanii". Flow-ul ma duce clar cu gandul la "playa" si subiectul piesei de asemenea. "O ard in club" este cu siguranta cea mai slaba piesa de pe material de la productie pana la lirica, si cred ca trebuia aleasa alta piesa pentru singura "colaborare" cu intregul U.S.M. de pe album. O piesa care m-a facut sa dau skip la o ascultare ulterioara. Urmeaza una din piesele de rezistenta "6 face", unde Axes, cum spuneam anterior, joaca rolul unui criminal in serie; piesa este foarte interesanta ca subiect, sound si interpretare ducandu-ma cu gandul la materiale de genul Gravediggaz, Boogiemonsters sau Flatlinerz. Alte doua piese in engleza care sunt foarte asemanatoare ca sound si cred ca alegerea de a fi puse alaturi pe material nu a fost foarte inspirata, piesele sunt ambele "relaxing" ducandu-te cu gandul undeva la hiphop-ul din '96-'97. O noua piesa in romana "Calea strazii" despre care e greu sa spun multe cuvinte vocea MC-ului auzindu-se destul de incet in comparatie cu instrumentalul; de remarcat scratch-urile. "Snakes" feat. Dos Noun si "Concrete" feat. MOA incheie piesele in limba engleza in forta dand culoarea si varietate materialului pe final. Ambii MC-i straini se prezinta bine, facandu-ma sa ma intreb oare cum il percep cei de-afara pe Axes... Greu de spus, dar sa trec la piesa "O relatie frumoasa" care pare sa incheie albumul intr-o nota optimista, dar finalul ei ajunge sa te infioare. O poveste de dragoste prezentata in stil epic cu multe metafore interesante "uneori am impresia ca minte/ ca foloseste mereu aceleasi cuvinte". Se simte lipsa refrenului, fie din voce, fie din stratch-uri, instrumentalul gol nesuplinind aceasta lipsa. Si albumul se incheie, oarecum neasteptat, parca simti ca mai trebuia sa existe ceva. Un album care mie personal nu mi-a dat senzatia ca U.S.M. au devenit altii si ca vor reusi sa iasa din "conul de umbra". Este un album bun, cu un plus pentru bucatile in engleza, un album rap. Dar cam atat, nimic care sa te faca sa zici: "DA MA! ASTA ASTEPTAM DE MULT SA ASCULT". Pe o scara de la 1 la 5 notele vin cam asa: - productie: 3,5 - interpretare: 4,5 - versuri: 3 - mixaj/masterizare: 3 O medie ar duce la 3,5, poate am fost prea permisiv, insa m-am raportat in primul rand la restul produselor romanesti si mai putin la ce este afara. Mai avem pana acolo. Remarcatele mele: "Savage cats" feat. Da Tryfe MC "In statie" "6 face" ........BELEA :nod: ................ :rotfl:
17.09.20076.4KB
show time :x :x :dinti: :cool: poze....SHOW TIME :x :x :dinti: PT....metallica......... :cool:
02.05.20076.2KB

 
curse were spoken, but very few creed that those boys would fly so high. many people know sepulturaSEPULTURA The curse were spoken, but very few creed that those boys would fly so high. Many people know SEPULTURA began as a role-play, early 80's in Belo Horizonte, a city located in southeast Brazil. And destiny was generous when it gave Paulo Jr. (b), Jairo Guedez (g), Max (g/v) and Igor Cavalera the ways of metal music. The Brazilian death metal scene was a crawling toddler when the band released their first LP in 1985. Entitled BESTIAL DEVASTATION, the record was split with fellow band Overdose and their SÉCULO XX recording. Songs like Antichrist and Bestial Devastation made clear what SEPULTURA's goal was with their music, and their ever-growing legion of fans understood them well. The next step up was their very own album MORBID VISIONS (1986). Full of good riffs and the everlasting anthem Troops of Doom this remarkable record made them known all over Brazil, giving the band the opportunity of touring their land. But it also were their last album with Jairo Guedez, who unfortunately decided to leave the band. SEPULTURA was growing in the Brazilian scene at a speed never seen before and their need for a new lead guitar player was fulfilled when Andreas Kisser, a talented and innovative musician like no other, joined the band. 1987 marked the release of SCHIZOPHRENIA, an instant classic to Brazilian metal and very well produced record with outstanding songs, like Escape to the Void and the instrumental piece Inquisition Symphony. By this time SEPULTURA arrived in foreign ears, driving attention from abroad to the Brazilian scene. SCHIZOPHRENIA was bootlegged in Europe, selling 30.000 copies for which the band received no copyright profits at all. In its homeland, the band was playing even in the most inaccessible cities, like Manaus near the Amazon in Northern Brazil. Igor, Max, Paulo and Andreas Reaching for fame, after this outstanding album, SEPULTURA signed with Dutch label RoadRunner Records. Their first release on RR was 1989's BENEATH THE REMAINS, a reference in metal music nowadays. The band recorded the album in Brazil and despite a low budget, decided to bring Scott Burns from the USA to produce it. His experience and expertise were essential to bring professionalism to the band, teaching them to work like grown-ups. Burns also mixed and mastered the album in the US, something no other Brazilian metal band had ever done before. To support the release of BENEATH THE REMAINS, SEPULTURA went on their first international tour. They toured Europe as an opening act for metal-legend Sodom, traveled over the US and went down to Mexico, marking their name across an ever growing amount of frontiers. It was a memorable tour for the band as they met some of their all time idols, Motörhead and Metallica, crossed the Berlin wall before the cold war was over, and shot their first video. Inner Self was the chosen song, one of the album's greatest hits along with title track Beneath the Remains and Mass Hypnosis. First international tour Being the first Brazilian metal band to succeed abroad, they were invited to the select group of headliners of the second edition of the Rock in Rio festival. To mark the occasion, their upcoming album ARISE (1991) had an anticipate release as a commemorative edition, the ARISE ROUGH MIXES (today a collector's item). Max Cavalera After playing in Rio de Janeiro, the band played a free outdoors gig in Sao Paulo in the Charles Muller Square, just outside Pacaembu Stadium, as a huge party to compensate for the long time they were away from their homeland. Unfortunately among the crowd of over 40.000 enthusiastic and excited fans, things ran out of control and a fan was murdered. This tragic incident brought an aura of fear surrounding the Brazilian show business producers, and conveyed a false image of evilness of the SEPULTURA fans. For years to come all their concerts in Brazil would only happened after long and harsh negotiations. However, the ARISE tour was a complete success worldwide. The band played in places they could never imagine they would like Greece, Japan and Australia, where one of the band's first single (Third World Posse) was released. In Holland, SEPULTURA played their first big international festival, the Dynamo Open Air. Also, over 100.000 fans celebrated their 2 sold out stadium concerts in Indonesia, where they went gold on ARISE's cassette tapes sales. Beside the Third World Chaos single, singles were released for the songs Under Siege and Dead Embryonic Cells. Two video clips from Arise were done (Arise and Dead Embryonic Cells), and a home video entitled Under Siege, with live footage from Barcelona, Spain. After all was said, sung, played and done SEPULTURA had gotten the recognition they deserved for their hard work. Recording the video for 'Territory' But their most important work was released in 1993, with a stunning party in a medieval castle in England, where the press from all over the globe met. With CHAOS AD the band incorporated some unexpected elements to their brutal sound, like the Brazilian rhythms in the instrumental piece Kaiowas. Ever since ince this album came out, bringing new ideas, concepts and cultures in their music became SEPULTURA's trademark. Territory was the first single off CHAOS AD. The Territory video clip was shot in Israel, which was a huge step forward for a Brazilian metal band. The band then won the MTV Video Music Awards for best video of the year in Brazil. The songs Refuse/Resist and Slave New World also became singles/videos, and later the three were released as a home video (Third World Chaos). Promo picture for CHAOS A.D. This amazing album brought along an amazing tour. They broke taboos being the first Brazilian band to tour Russia and also the first Latin American band to play "The Monsters of Rock" festival in Donington, England. Meanwhile, in Brazil, it wasn't easy to book concerts as the band's fans still were portrayed as violent people following that horrible incident at the free Sao Paulo gig (during the ARISE Tour). But thanks to the Brazilian Official Fan Club (a.k.a. SOBFC) efforts the band finally could showcase its new work in its homeland. Working as hard as they could, the fan club members and Antonio Coelho (a.k.a. Toninho, president and founder) obtained an amount of signatures so impressive demanding SEPULTURA's presence at "The Hollywood Rock Festival" that its producers had no choice but adding the band to the bill. In 1994 Max developed a great parallel project with Alex Newport from the band Fudge Tunnel. They named it NAILBOMB and recorded the album POINT BLANK with ultra-special guests Andreas Kisser, Igor Cavalera, Dino Cazares (Fear Factory), just to name a few. NAILBOMB recorded a second and last album while playing at the DYNAMO Open Air to a crowd of 100.000. It was a quick but strong project, and is considered a cult by the SEPULTURA fans. With the Xavantes tribe By then, SEPULTURA had written its part of the history of music and was celebrating a decade of existence but still felt the urge to create, innovate and evolve. And they did rose to a new level with their 1996's effort entitled ROOTS. The album title made clear what had influenced the band during the writing and recording process. Lots of Brazilian icons can be found in this remarkable record but the strongest is without a doubt the experience with the Brazilian native Xavantes tribe. The band spent some days living with the tribe and recorded the song Itsari during its stay there. The songs Roots Bloody Roots, Attitude and Ratamahatta were all realeased as singles and videos. The first video clip (Roots Bloody Roots) was recorded in the city of Salvador, the birthplace of Brazil. The Attitude video features The Gracie family, Brazilian sport legends, and creators of the Brazilian Jiu-Jitsu. With Gracie family recording the video for 'Attitude' Ratamahatta is sung in Portuguese and features Brazilian percussionist Carlinhos Brown. The video clip for the song won the Best Rock Video award at MTV's Video Music Awards Brazil, and is the only video of SEPULTURA featuring no humans. It only shows puppets in a digitally animated world. The band then released a double version of the album entitled THE ROOTS OF SEPULTURA, with the regular version of ROOTS in one CD and a brief musical history of the band on the second one. Monsters Of Rock '96 The ROOTS tour was scheduled worldwide and included some important festivals. The band's routine was quite tiring. Tragedy struck the band the day SEPULTURA was playing Donington's "Monsters of Rock" Festival. They received the sad news that a close friend of the band, the son of the band's manager and Max's stepson, Dana Wells, had died. As soon as possible Max flew back to the USA and the band had to perform for the first time as a three piece, in one of the most meaningful concerts of their career. Some fellow musicians helped them out and the three band members did well, they were hurt and sad, but didn't let their fans down that day. The crowd understood the situation and showed respect to the band with one minute of absolute silence, a bone chilling moment. After this concert SEPULTURA took a break to pay their last respcets and mourn Dana but was back on the road shortly after. The band did extended and successful concerts during that tour, but meanwhile administrative concerns were creating tension within the band. Often, they would not agree with the management and ultimately opted not to renew the contract of their manager when the time came. Unfortunately, the band's manager happened to be Max's wife, and the couple couldn't agree with the rest of the band. They were given the choice to split the management of the band, so Max could be managed by his wife. Instead, Max decided to leave the band. The rest of the tour had to be cancelled and the band's future was in jeopardy. Recovering from the shock, the band knew they couldn't end their life's work this way and abandon their legion of loyal fans, as SEPULTURA is more than a band to some; it also is an ideology. As soon as they could they started working on their next album as a three piece. Meanwhile, Max went on and formed a new band (SOULFLY). Sepultura, 1997 Igor, Paulo and Andreas found a new way for their music. This new direction brought Paulo's bass to the spotlight and Andreas did he vocals for a while but, as he never had sung before, wasn't comfortable doing it. SEPULTURA then started auditioning for a new singer. The demo tapes came flying in RoadRunner Records offices from all over the world and the selection process proved to be a tough one. A small number of vocalists sounded good enough to take the spot. Each received a tape containing a couple of songs and were asked to work on it, including writing lyrics, before meeting the band for an audition. The final auditions took place in Brazil, for the fondness of the new singer with the band's homeland and its culture was essential, so were the bonding and relations with the band members. Igor, Paulo, Derrick and Andreas Right from the start, the band was impressed by Derrick Green. Derrick felt comfortable in Brazil, became a soccer fan, and got along with the band extremely well. Derrick was the man SEPULTURA was looking for and he became part of the family. When Derrick joined, most of the songs were already written, only the the vocals were missing, and the band was in a rush to get the album released. Still they did everything the best they could, and AGAINST was released in 1998. A very emotional album, AGAINST reflects the struggle of the band to win back their confidence and sportrays the power of SEPULTURA. Very special guests contributed to the album : long time friends of the band Joao Gordo (REZA) and Jason Newsted (HATRED ASIDE) and the Japanese Taiko drummers from KODO (KAMAITACHI), who hosted SEPULTURA at the KODO village (the Sado Island in Japan). Then came the time to meet the fans again and make clear to everyone that all the press's gossip about SEPULTURA being dead were shameless rumors and lies. The first concert of the AGAINST era was a big charity event in Brazil, the BARULHO CONTRA FOME (Noise against hunger) concert. Barulho Contra Fome ad Derrick had been in a few bands before, but never had to face such a numerous, loyal and demanding audience. SEPULTURA rehearsed for BARULHO CONTRA FOME by playing a few concerts in small venues in California, including Los Angeles (Brick by Brick), under the name 'TROOPS OF DOOM'. BARULHO CONTRA FOME was a great success. Several special SEPULTURA guests performed with them, presenting the 30.000 fans a show they'll remember forever. Mike Patton traveled from Italy to Sao Paulo to jam with the band. Jason Newsted came from the US. The Xavantes Indians got to know a whole new world coming down from their village to the concrete jungle of Sao Paulo. Carlinhos Brown left sunny Bahia to do RATAMAHATTA again. Jairo gladly joined his ex-band mates again and horror movie legend Coffin Joe blessed the band in his evil ways. Press and fans from abroad joined the enthusiastic crowd and warmly welcomed Derrick to the Sepultribe. The singles 'TRIBUS', 'AGAINST' AND 'CHOKE' (this one also having a video clip with live footage from BARULHO CONTRA FOME show) were released off AGAINST. The AGAINST TOUR was succesful, reaching countries all over the world. SEPULTURA join classic metal act SLAYER to tour for the first time, putting an end to an unfounded rumor that the bands didn't get along well. And for the joy of die-hard Brazilian fans, SEPULTURA finally toured Brazil after years of absence. As soon as the tour was over, the four musicians started writing the next album. The AGAINST years were an essential energy boost to the band that led them to conquer their own NATION (2001). Andreas, Paulo, Igor and Derrick altogether wrote an album and created a utopian world. A special place for the most important people: fans, friends and families. The lyrics of the song SEPULNATION explain it all, their music is their weapon and they use it skillfully. Rock In Rio 3 Thanks to the cooperation of the band's WebTribe, SEPULTURA were invited to play the third edition of the Rock in Rio festival. There they introduced NATION to a 150.000 people crowd, starting the show with the amazing anthem VALTIO, written with the collaboration of Finnish musicians APOCALYPTICA. This new record went gold even before it reached the stores. It has its own style, guests like Jello Biafra and Dr. Israel, and even quotes from Mother Teresa de Calcutta, Albert Einstein, Gandhi and the 14th Dalai Lama. The SEPULNATION already is rising up!
26.04.20077.6KB
:zzz: poze....:zzz:
31.05.20079.8KB
i love her :nebun: :nebun: :nebun: poze....i love her :nebun: :nebun: :nebun:
25.06.200725.3KB
is located at the corner of 10th and spring st in midtown spring you like 2 is the club for you.WETbar WETbar is located at the corner of 10th and Spring St in Midtown Atlanta. WETbar 960 Spring Street 404.745.9494 If you like 2 dance...this is the club for you. Taking over the now defunct Blu space, WETbar is a 21 and over club that offers the hottest DJ and dance action available in Midtown Atlanta. Theme nights are also a big draw.
17.05.20074.8KB

 
toate poze....poze....aka. imagini...de toate felurile...
27.03.20073.1KB
is: amy lee john gray terry moody, william boyd and david new to fandom may be surprised to learnEvanescence is: Amy Lee John Lecompt Rocky Gray Terry Balsamo (and formerly) Ben Moody, William Boyd and David Hodges. Folks new to Evanescence fandom may be surprised to learn that Ben Moody and Amy Lee, the founding members of Evanescence, met at church camp. I interviewed Ben in 1998 and here's how he characterized the meeting: Several years ago Amy and myself were attending a youth camp. I was playing with the praise and worship group and Amy was a camper. During some kind of break/recreation time I was sitting in the gym watching a basketball game. On the other side of the court was a stage for plays and a piano. I was just sitting there bored to tears when all of the sudden I was given a quick jolt as my ears were filled with the sound of the piano intro to Meatloaf's "I Would Do Anything For Love." I looked over at the piano and there was this girl effortlessly displaying emmence amounts of talent. After my initial envious rage subsided I hopped to my feet and ran right through the basketball game straight to the piano and introduced myself. She then impressed me further with songs that she had written. I thought I was in heaven. But then she sang. I nearly died. coming from this tiny little youth camp reject was one of the most powerful, beautiful voicies I'd ever heard. So I somehow convinced her to never play with anyone else again and she's been mine ever since. Ben and Amy soon began recording songs like "Give Unto Me" and "Understanding" under the name Evanescence. With such influences as Type O Negative, Living Sacrifice (who, rumor has it, once asked Ben to join as guitarist, but he turned them down to continue focusing on Evanescence), Portishead and Sarah McLachlan they began to craft a unique sound that took in elements of metal, electronic music and (probably without intending it) goth rock. Brad Caviness started to play "Understanding" and "Give Unto Me" on the radio show he co-hosted on KABF in Little Rock, giving Evanescence their first exposure to the world at large. Their debut EP was released in December of 1998 at their first show (to my knowledge) at Vino's in Little Rock. The run of 100 CDRs sold out quickly that night. At some point David Hodges joined the band on keys , but I can't give you any details on that because I don't know how that transpired. I can say that those close to the band were in shock, as Ben Moody is a notorious perfectionist who has a hard time finding anyone who he feels comfortable playing music with. The Whisper EP was released around this time by the band with help from BigWig Enterprises on CDR (limited to 50 copies). In time the Evanescence live show was rounded out with such members as Will Boyd (the Visitors) John Lecompt (formerly of Mindrage, currently of Kill System) and Rocky Gray (of Soul Embraced, Kill System and Living Sacrifice). Recently David Hodges has parted ways with the band, hoping to return to his musical roots and start a new band in the Christian market. Rumor has it he and Matt Outlaw are currently writing songs for this project. John Lecompt and Rocky Gray are now considered full-fledged members of the band. This band, once only know to us lucky few, has taken the world by storm. Their major-label debut Fallen on Wind-Up Records, home to bands such as 12 Stones and Drowning Pool has gone 5x Platinum in the US alone. The overpowering sounds of Evanescence have definently set them apart from any other band in 2003, and have won them many awards to include two grammys! However with all their success, also came lots of disappointments. With the loss of Ben Moody the question on everyone's mind is with 2/3'rds of the original band now gone will Evanescence be able to pump out an even better sophmore album? I guess only time will tell!
03.05.20079.6KB
cradle of cradle is rocking, the dead are rising, the seas will boil and the skies will fall. as theCRADLE OF FILTH Official Biography... The cradle is rocking, the dead are rising, the seas will boil and the skies will fall. As the world stands poised on the edge of mass destruction, the freaks, fools and monsters who rule us are about to be taught a real lesson in the use of power, for Cradle of Filth have created the greatest album of their career to date. 'Damnation and a Day', has been carved out of the darkness that is about to engulf what we know as civilisation. The recordings, spawned from the loins of five of the most controversial Lords of darkness ever to walk the earth grew to their full strength at Parkgate, a studio set in the blood-soaked town of Battle, set in darkest Hastings. Inspired by their surroundings, the five Horsemen of the Apocalypse fed on the blood of Doug Cook who was unwittingly drafted in to co-produce and engineer the album. Little did he know that he was merely a victim. Cradle sucked the knowledge out of their hapless victim and used his withered shell of a body to help direct them in their quest to create the darkest album they could possibly imagine, before disposing of his corpse in a ritualistic shooting. The bullet still lays lodged in his face. The corpse of course has never been found. But the blood letting did not stop there. Daniel Presley, was hung, drawn and quavered after scoring the final pages of music for the live orchestra. The death toll now standing at 10 (that's including the rest of the staff at Parkgate, who died slowly over the five months of recording), Cradle still weren't satiated, so a week spent in Budapest saw the death toll rise to 82 as they massacred the 40 piece orchestra and the 32 piece choir. Hungary has once again fallen under the shadow of evil. Elzabeth Bathory will pale into comparison when this news gets out. 'Damnation and a Day' was scripted by the prince of darkness Dani Filth, whose quest to decipher the truth behind the Bible, brought him to summon forth Lucifer during a ritualistic killing. The once expelled angel willingly gave his side of the story from beginning to what will be the inevitable end for us. You will bear witness to his tale, during the 17 tracks of the concept album 'Damnation and a Day' which lies before you. Your death is nigh, so listen carefully and then offer your soul to the Filth and you might be saved, deny them and your destruction will come in many forms. They will choose it, they will watch it and they will undoubtedly laugh in your tortured face. The sonic soundscape that encapsulates the satanic readings were finely crafted from the cries that resonate from the depths of Hades by lords Dani, Paul, Martin, Adrian and Dave. The final stage was the mix. The two disciples known as Rob Caggiano and Steve Regina were called upon to aid the dark lords in their quest, along with the reanimated tortured soul of Doug Cook. Once you have listened to what is to come, you will bow your heads to one of the finest albums to rise from the cradle. Sony have now embraced the darkness and under the influence of evil have become slaves to the dark powers that have been engulfing them for over a year, all have committed their souls to spreading the message and will by the March 10th 2003 release unto us the future. So go forth and cut out the tongues of the unbelievers, lay waste to the trash that assaults our ears every day, for that is merely a smoke screen to numb your minds from the truth, and beg forgiveness for your past sins. For if you don't, you're fucked. World domination takes apart society as we know it in mid March when the Cradle swings into action and takes to the road to hell, first into Europe and then back to the US to follow up last year's sell out tour. So all the petty little people out there with their bombs and their guns better run away now, because it's show time and they haven't got a hope in hell, even if they do have an access all areas pass. Cradle of filth have finally arrived at the palace of righteousness, ready to drain the blood from your face and whatever is left of your miserable pathetic carcass.
26.04.200711.8KB
bamboo club, disco str. ramuri tei nr. 39 , tel.: 0723 - 22.62.66; 0726 - belvedere, houseBamboo Club, Disco Str. Ramuri Tei nr. 39 , Tel.: 0723 - 22.62.66; 0726 - 22.62.66 Ambient: belvedere, house (clubbing), trendy Zona: Tei Optiuni: cadru verde, cocktail-bar, DJ, piscina, program noapte, terasa, tinuta obligatorie Rating: Pret: E-Mail: contact @ bamboosportingclub.ro Web: Orar: J,V,S 23:30-dimineata Infiintat in: Iunie 2004 User rating: Pret: Club Bamboo Club de ´fite´ pe malul lacului Tei, cu petreceri pana dimineata si DJ celebri la platane. Localul este de tip high-class, cu dotari si sevicii la nivel occidental. Un minus pentru posibilitatile reduse de parcare (daca nu prinzi un loc de parcare in incinta, stai la mila dubiosilor care ´pazesc´ masinile pe domeniul public, percepnd tarife nu foarte modice in functie de marca masinii). Recomandat celor care nu dorm bine noaptea in casa si prefera diminetile tarzii si foarte tarzii pentru somn.
16.05.20073.6KB
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