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miercuri pana sambata, intr-un ambient deosebit, dumars light, poate numarul 1 in domeniu te invitaDUMARS! De miercuri pana sambata, intr-un ambient deosebit, Dumars Light, poate numarul 1 in domeniu te invita sa petreci o seara de neuitat. Ambianta creata de DJ cu experienta, intretinuta de servirea deosebita de la bar, de sala de biliard, de terasa, si de siguranta oferita de serviciul de securitate intern al firmei, va sta la dispozitie de miercuri pana sambata incepand cu ora 22.00. Adresa: Bucuresti Splaiul Independentei 290, Sector 6 (Regie) Tel. : (021) - 312.89.75 Tel./Fax. : (021) - 310.45.17 Rezervari la : 0723.194.808
10.05.200724.6KB
2pac tupac shakur s-a nascut in lesane parish crooks din brooklyn, ny in 1971. de pe cand inca2PAC Tupac Shakur s-a nascut in Lesane Parish Crooks din Brooklyn, NY in 1971. De pe cand inca era un mic copil , mama sa i-a schibat numele in Tupac Amaru dupa o profetie Incasa(indiana) , "Tupac Amaru", insemnand "Sarpele alunecos si stralucitor". "Shakur" inseamna "Multumitori lui Dumnezeu" in araba. Inca din copilarie , toata lumea ii spunea "Printul negru" . Din cauza comportamentului neadecvat a trebuit sa citeasca o editite intraga din "The New York Times". Cand avea numai 2 ani , sora sa ,Sekyiwa, s-a nascut. Tatal acestui copil , Mutulu, era un membru al gastii BlackPanther care , cu cateva luni inainte de nasterea sa a fost condamnat la 60 de ani de puscarie pentru un jaf armat fatal . Cu Mutulu plecat , familia a experimentat vremuri grele . Oriunde s-ar fi mutat - Bronx, Harlem, adaposturi - Tupac nu se simtea in largul lui . "Imi aduc aminte fcum plangeam tot timpul. Problema majora cu care am crescut a fost ca nu ma puteam acomoda. Deoarece eu eram de peste tot , nu am avut prieteni cu care sa cresc impreuna. Pana la varsta de 12 ani, Tupac isi descoperise dragostea pentru actorie , poezie si compunerea de cantece de dragoste . Cu Tupac doar un tanar adolescent , familia sa s-a mutat in Baltimore, MD, unde a urmat cursurile scolii "The Baltimore School for the Performing Arts"(Scoala de arte din Baltimore) unde a studiat actorie si balet. La aceasta scoala Tupac a lasat o aminitire foartte placuta profesorilor si arata un potential inimaginabil. Din pacate , Tupac nu a avut posibilitatea sa continue antrenamentele. S-a mutat in Oakland, California impreuna cu restul familiei sale . Atunci Tupac a inceput , asa cum chiar el spunea , "sa umble cu cine nu trebuia". la varsta de 15 ani a cazut in mrejele hip-hop-ului; a inceput sa scrie versuri , sa umble cu un pumnal dupa el , si sa isi marcheze teritoriul in New York cu orice conditie. Oamenii din micile orase incepusera sa prinda frica de reputatia Marelui New York(Big Apple); Tupac se autointitula MC New York si facea lumea sa creada ca este un dur. Pana la varsta de 20 de ani , Tupac fusese deja arestat de 8 ori, chiar petrecand 8 luni in inchisoare dupa ce fusese condamnat pentru abuz sexual. Pe langa acestea, el era si subiectul a doua procese de omor, dintre care in unul din ele era vorba despre moartea unui copil de 6 ani , care fusese prins intr-un schimb de focuri intre banda lui Shakur si o grupare rivala. Nefiind tras in spate de lipsa sa formala de educatie, Tupac s-a alaturat grupului rap Digital Underground ca dansator. Nu cu mult timp pana ce trupa a atins un suuces extraordinar , Tupac isi lansase deja propriul album de debut , "2Pacalypse Now", care a fost de un succes inimaginabil. Hit-ul "Brenda's Got A Baby" i-a propulsat cariera lui Tupac ca pe o racheta. Talentul sau imens i-a adus si un rol in drama "Juice". Tupac in curand si-a lansat si cel de-al doilea album "Strictly for my N.I.G.G.A.Z.," , album care a avut un succes chiar mai mare decat primul, si care a introdus muzica lui Tupac in topurile pop. In noimebrie 1994 el a fost impuscat de 5 ori in timpul unui jaf, in care hotii i-au furat bijuterii in valoare de 40,000 de dolari. Shakur si-a revenit miraculos pentru a produce cele mai impresionante succese artistice, acestea incluzand albumul sau din 1995 , "Me Against the World". Punctul culminant al caierei lui Tupac a fost cand a aparut in filmul "Poetic Justice" alaturi de Janet Jackson. Rolul a facut din Tupac un nume celebru si a aratat lumii intregi ca muzica nu este neaparat atributul #1 al sau. In culmea unui rol in filmul "Above the Rim" si unui album premiat cu platina , "Me against the world," cariera ascendenta a lui Tupac a fost curmata. El a fost acuzat de hartuirea sexuala a unei femei pe care a cunoscuta la un club de noapte. Cu cateva ore inainte ca Tupac sa fie gasit vinovat el a fost atacat cu arme si jefuit de niste oameni ale caror intentii si motive inca nu sunt clare. in cele din urma, Tupac a fost eliberat contra unei cautiuni de peste 1 milion de dolari. Dupa eliberarea sa, Tupac a raspuns criticilor prin lansarea celui mai bun album al sau , "All Eyes On Me." ."All Eyes On Me" a fost vandut pana la ora actuala in peste 8 milioane de exempare, lucru care este revolutionar pentru un dublu-CD , mai ales in muzica Hip-Hop. Tupac a mai avut intre timp si cateva roluri secundare in filme ca "Gridlock'd", "Bullet", si "Gang Related." Pe 7 Septembrie Tupac Amaru Shakur a fost impuscat de persoane inca necunoscute, si s-a stins din viata pe data de 13 Septembrie 1996. Cea mai mare parte din ce s-a intamplat in acea noapte ramane inca un mister pana in zilele acestea. Dupa moartea acestuia, casa de discuri a lui Shakur a lansat un nou album , "The Don Killuminati", sub pseudonimul "Makaveli." Coperta il ilustra pe Shakur pironit de o cruce, sub o coroana de spini, cu o harta a gasitlor importante din Amrica pe ea. In ianuarie 1997 , "Gramercy pictures" a lansat "Gridlock'd", un film in care Shakur juca rolul unui dependent de droguri. Criticile acestui film au fost dintre cele mai bune. Ultimul sau film, Gang Related, a fost lansat in 1997, si se spune ca Death Row inca mai are multe inregistrari ale lui Tupac, pe care le va lansa in delungul timpului . 13 Septembrie 2006 va marca cel de-al 10-lea an de la moartea celui mai mare rapper al tuturor timpurilor , Tupac Amaru Shakur !!! Odihneasca-se in pace !!!
03.05.20079KB
boom! here comes the boom! ready or not, here comes the boys from the south. p.o.d. have explodedBoom! Here comes the Boom! Ready or not, here comes the boys from the South. P.O.D. have exploded to the stratosphere with their finest work to date, the extraordinary "SATELLITE." A high-decibel blast of potent cross-cultural power rock, the San Diego-based quartet's second Atlantic Records release is at turns joyful, provocative, challenging, and utterly real. Co-produced by the band with Howard Benson (the man behind the board for P.O.D.'s RIAA platinum certified label debut, 1999's "THE FUNDAMENTAL ELEMENTS OF SOUTHTOWN"), tracks like the fervent first single, "Alive" or the emotionally charged "Youth of the Nation" find P.O.D. relentlessly reaching heavenward to evoke a sense of positive vibrations unique to today's rock n' roll. "All the great rock bands were always driven by passion and emotion," says Marcos, the band's versatile guitarist, "whether it's a negative passion and emotion or a positive passion and emotion. And for us, a lot of the rock that's out today - and I'm not saying any names - a lot of it's devoid of any type of emotion. It's all processed and done up in the studio. But to us, we always put all of our love and everything that we have into our music." "SATELLITE" was recorded at Bay 7 Recording Studio in Sherman Oaks, and Image Studios in Los Angeles over a three-month period in spring 2001. With Benson and longtime Metallica engineer Randy Staub at the helm, P.O.D. recorded nearly 20 new songs. The sessions saw the four musicians stretching out into the band they'd always envisioned themselves as being, a truly free rock unit incorporating an infinite variety of textures and styles - from reggae to rock, hip-hop to hardcore - into an already genre-blurring sonic arsenal. "There's not really a word that can describe P.O.D.," says Marcos. "If you were to go to each one of our homes and look at our CD collections, you would see everything from metal to punk to jazz to reggae, you name it. Everything. Except maybe country, but other than that, we have it all." "If it feels good, it feels good," notes Traa. "That's a P.O.D. rule. When I came to the band, I was very stubborn about what I wanted to play, but being with these guys opened me up to a lot of different music. And the most important thing with music is how does it make you feel? Not whether you like it or don't like it. If you feel good listening to something, then it's a good song. If you don't, then it's not." The notion that rock n' roll is meant to move and inspire is prevalent on "SATELLITE," especially on such tracks as the style-jumping "Ghetto" and the exultant anthem, "Alive." "We didn't have a name for it yet," says Sonny of the latter song's genesis, "but we were calling it 'Beautiful' because it made us feel beautiful. And that drove the direction of the lyrical content, because we wanted people to go, 'Hey, this makes me feel good.' We recorded the chorus I don't know how many times, because it was like, 'Let's take it up a notch. Let's take it higher.'" The lyrical content throughout "SATELLITE" - often poignant, often powerful, always passionate - deals with the band's outspoken belief in expressions of spiritual adventure and affirmation. A number of songs, including the Mexicali-tinted "Thinking About Forever" and the heartbreaking title track, were inspired by the death of Sonny's mother. 'Satellite' is about that person, that thing in the sky watching out for you," he explains. "Most people who lose somebody have that notion, that they're out there looking out for you, watching your back." Perhaps the most powerful song on "SATELLITE" is "Youth of the Nation." The track is the band's raw, wrenching response to the recent plague of school violence. "We had done a show for some kids that went to Columbine," says Sonny, "they wanted P.O.D. to play, just for a positive encouragement type thing. And it was always in the back of our minds, like, just what are these kids going through? This is the hardest time for kids." "It's always been a topic on tour," Marcos adds. "I don't want to say it inspired us, but it gave us the motivation to write something. Well, when we were writing this record, we wanted to be secluded so we went to Santee, in East San Diego, where we had this 35x35 rehearsal studio. One day we were on our way to practice, and we saw all these cops, but we didn't know what was going on. Later we found out what had happened." What had happened was tragic - on March 5th, a 15-year-old freshman at Santee's Santana High School drew a .22-caliber handgun and began shooting, killing two and wounding 13. "We were in the studio," Traa recalls, "we started jamming, and some eerie guitar notes started coming out, these dark drum beats鱅t just came together naturally, once again. We just told Sonny, 'Man, dig deep and write a story.'" "It was an emotional situation," Marcos says, "the main control room in the studio has a TV, and we're watching the news on there, thinking, "Man, this is a mess.' I'm the only one that doesn't have kids, but everybody was like, 'Dude, that could have been my kids in there,' or 'That could have been my sister.'" "SATELLITE" also sees P.O.D. joined in the studio by two of their heroes. Renowned Jamaican toaster Eek-A-Mouse appears on the cool-running "Ridiculous," while "Without Jah, Nothin" features the freestyle vocal pronouncements of the prodigiously talented - and notoriously eccentric - HR of the Bad Brains, long acknowledged as P.O.D.'s all-time favorite band. "You don't know if HR's crazy or what," he adds, laughing. "He walked into the studio with a birdcage with two parakeets in it, but I don't know exactly what that was about. I started hearing this chirping and I was like, 'Where'd those birds come from? 'Those are HR's birds.' I was like, 'Alright'" "Very few bands today have any respect for the past," Marcos notes of P.O.D.'s collaborations with their musical predecessors, "and how can you conquer the future if you don't know anything about the past? As a band, we respect the past, from soul to punk, anything you can think of that had emotion, we respect that. And there's a lot of elements that we've taken from those people and brought into our music that a lot of bands today don't even care about." P.O.D. have long been passing knowledge onto their legion of devoted fans, known as The Warriors. This fiercely loyal grassroots following drove the 1999 single/video "Rock The Party (Off The Hook)" to the top spot on MTV's Total Request Live - making P.O.D. the third-ever rock band to reach the #1 position in TRL history, with Korn and Limp Bizkit. The reason for the Warriors' passion is simple - P.O.D. are the real deal, a true-to-the-bone rock n' roll band whose heart and soul are always front and center. "We don't come with a gimmick," Wuv says proudly. "We're regular people just kicking it. We're just telling you our story." "We do what we know is right for us," Sonny affirms. "And that's it. We don't go out there and give a sermon when we get on stage, we don't shove anything down anybody's throat. But we sing about what's real in our life. And that's the bottom line." The men of P.O.D. grew up in the city of San Ysidro - a.k.a. "Southtown," a diverse community down near the California/Tijuana border. In 1992, the versatile drum-playing Wuv invited his hip-hop devotee cousin Sonny to take the mic in a fledgling hardcore combo he'd started with his guitarist friend, Marcos. With the addition the following year of the Cleveland-born Traa on funk-driven bass, P.O.D. was complete. They blew up stages with punk heroes like Green Day, Pennywise, and the Vandals, in venues ranging from skate parks to YMCAs, selling over 40,000 copies of four independent CDs on their own Rescue Records label before inking with Atlantic in 1998. Powered by the success of the singles, "Southtown" and "Rock The Party (Off The Hook)," "THE FUNDAMENTAL ELEMENTS OF SOUTHTOWN" hit #1 on Billboard's Heatseekers chart, going on to reap RIAA platinum certification. The critically acclaimed album was acknowledged as the San Diego Music Awards' 1999 "Album of the Year," with "Song of the Year" honors going to "Rock The Party (Off The Hook)," and P.O.D. taking home the "Best Hard Rock or Metal Group" trophy for the second consecutiveyear. In addition, the band were included among Rolling Stone's annual "People of the Year" for 2000. True to their hardcore roots, P.O.D. remain one of the hardest working bands in America, spending more than half the year on the road, playing largely to all-ages crowds at county parks, coffeehouses, colleges, and coliseums. They were main stage sensations on Ozzfest 2000, they toured alongside Staind and Crazy Town as part of 2000's MTV Return Of The Rock Tour, and in recent years have shared stages with Kid Rock, Linkin Park, Primus, Sevendust, and Korn. The band's Rick Rubin-produced "School of Hard Knocks" was the first single/video from 2000's Adam Sandler comedy, Little Nicky. P.O.D. tracks have appeared on the soundtracks to such films as Any Given Sunday, and Ready To Rumble. They've also made appearances on a number of high-profile TV shows, including NBC's The Tonight Show With Jay Leno, The Howard Stern Radio Show, and Farmclub.com, plus MTV's 120 Minutes, The Return of the Rock, and Rock N' Jock Bowling. In addition, Sonny has guested on ABC's Politically Incorrect With Bill Maher. "We're trying to be universal," Marcos says. "If we can get your grandma listening to us, if we can get the little three-year-old kid listening, then it's done. What is your purpose as a musician? You're playing an instrument so that people can hear you, man. Why do you play live? To be seen. And for your music be heard. If not, why in the heck are you playing guitar?" September 2001
26.04.20078.3KB
dj mikeDJ MIKE Nascut in 1976 - Deva . A fost pasionat de muzica de cand se stie. A inceput prin a-si face o colectie de muzica pe benzi de magnetofon si casete . A pus muzica prima data la chefuri ale prietenilor si alte evenimente locale , apoi in 1993 a trecut la pasul urmator si pentru un timp a devenit DJ de radio. Avand cativa prieteni care erau Dj in “discotecile” din acea vreme , s-a hotarat sa incerce si el asta . In 1995 si a descoperit ca ii placea mult mai mult sa vina in interactiune cu oamenii , sa-i fac sa se simta bine pe muzica pusa de el. De aici a inceput totul. A urmat o perioada de rezidentiat in mai multe cluburi pentru ca in 1998 sa faca primul sau turneu care promova doar muzica house prin tara impreuna cu campania de lansare in Romania a unei bauturi energizante. Clubul care a avut o importanta hotaratoare in cariera lui a fost “Bianco E Nero ” din Cluj-Napoca in care a avut rezidenta in perioada 1999-2001. Acolo s-au organizat petrecerile cunoscute sub numele “DJ’s Gathering” pe care multi si le aduc aminte avand ca invitati nume mari din Anglia , Germania si Ungaria in urma carora a devenit cunoscut la nivel national. A .Pe langa cluburile din Cluj (Bianco E Nero, Diesel & Flash ) au urmat , Timisoara , Arad , Satu Mare , Baia Mare,Sibiu , Brasov , Iasi , Galati ,Pitesti , Constanta
03.05.20079.4KB

 
the concurenta :x :x boys! poze....the best.....n-au concurenta :x :x :nono:pparaazz___bad boys!
26.04.200727.8KB
au disparut ceva posturi sau mi se pare?? :rolleyes: :rolleyes: :rolleyes: :rolleyes: :rolleyes:au disparut ceva posturi sau mi se pare?? :rolleyes: :rolleyes: :rolleyes: :rolleyes: :rolleyes: :rolleyes: LE:poza a aparut...miraculos..pt ca u e pusa de mn:)))=)):Di hate 3x:x:x:x
22.06.200737.8KB
sper sa va placa poze....sper sa va placa
26.04.200718.9KB
cei care se forum...si nu au deloc punem noi...ceva de de jos)astept si parilele a sa facem uncei care se inregistreaza...pe forum...si nu au deloc avatar...le punem noi...ceva de genu...(imaginea de jos)astept si parilele Administratorului...si a moderatorilor......si sa facem un subiect ''bancuri'' :limba:
12.06.200712.9KB

 
mha hah :zzz: :rotfl: poze....MHA HAH :zzz: :rotfl:
05.06.20074.1KB
dj. pe numele sau adevarat bal?zs fej?r s-a apucat de produs muzica inca din anii ?80, impreuna cuDj. Naga!!! Naga, pe numele sau adevarat Bal?zs Fej?r s-a apucat de produs muzica inca din anii ?80, impreuna cu trupa sa Ivan Lend?l, cu care a participat la legendarul Nap Nap Festival (1991). De mixat s-a apucat in 1995, pe vremea cand mixurile sale erau difuzate la Tilos Radio in cadrul emisiunii sale Ablak-a-Dubra. Din 1998, show-ul sau radio a devenit seara de club, in fiecare miercuri (la Trafo club, apoi pe iahtul St. Tropez, si mai spre final la S?ss Fel Nap club, care intre timp a devenit clubul sau si al label-ului sau, Chi Recordings). Apare mereu ca invitat in cadrul evenimentelor neconventionale realizate de Cinetrip (locatii exotice, cum ar fi bai publice, o imbinare perfecta intre sunet si imagine, prin intermediul proiectiilor). In 2000 lanseaza propriul label, Chi Recordings, alaturi de Amb. Aici colaboreaza cu Beta si cu Kevin (FineCutBodies). A mixat, in cadrul evenimentelor Chi Recordings, alaturi de nume ca : Hybrid, Elite Force, Meat Katie, Fink, Lemon8, Paul Woolford, Switch and Swag, Wighnomy Brothers etc. In prezent, muzica lui, axata in general pe minimal house, cuprinde influente din dub, breakbeat, tribal, progressive, tech etc. In 2000 Naga a iesit pe locul 2 in cadrul votarii pentru ?cel mai bun dj maghiar? ? revista Wanted. A mixat pana acum in mai multe tari europene, printre care si in Romania, unde a impresionat de fiecare data. Multi romani l-au prins live si in Ungaria, el ocupandu-se, vara trecuta, de un after-hours realizat intr-un cort urias, in timpul Festivalul de la Sziget. A acordat interviuri pentru mai toate publicatiile de profil din Ungaria, fiind invitat si la mai multe posturi de radio, atat din tara, cat si din strainatate : Radiostacja, Just FM, Est FM, Radio Caf? etc. In 2002 a primit un rol in documentarul ?Party People? regizat de maghiarul G?bor Zsigmond Papp. Din 2004 organizeaza, alaturi de Beta, seara H2H (house to house) de la Mono Club. Totodata, in 2004, in urma colaborarii dintre Chi si Cinetrip, Naga se ocupa de partea audio a DVD-ului ?Brain Surgery?, bazat pe cartea ?A journey round my skull?, scrisa in 1937 de catre Frigyes Karinthy.
03.05.200714KB
ale cube -snoop dog -x-zibitaici...biografii ale lor/lui:-Ice Cube -Snoop Dog -X-Zibit -Lil Jon & East Side Boyz -DMX -Dr. Dre -Eminem -Wu Tang Clan -Ying Yang Twins -Pitbull -Cypress Hill -2pac -NaS formatii romanestii:-Bug Mafia -Parazitii -Zekko & guess who -Barac -Bitza
26.04.200717.8KB
si ptr. totii care sau saturat de manele nas mai tine poze....si ptr. totii rock........... care sau saturat de manele ............. :zzz:...sincer nas mai tine lumanarea!!!!!!!!!!!!@!!!!!!!!!!!!
02.05.200710.9KB

 
una dintre cele mai bine vandute trupe din romania, parazitii, a fost infiintata de catre cheloo inPARAZITII Una dintre cele mai bine vandute trupe din Romania, PARAZITII, a fost infiintata de catre Cheloo in primavara anului 1994, cateva luni mai tarziu alaturandu-i-se Ombladon. Prima piesa inregistrata de PARAZITII s-a numit « In’Jur » si a fost gata in toamna anului 1994. PARAZITII si-au inceput cariera sustinand concerte la baluri ale bobocilor si alte manifestari de mici dimensiuni. In iarna aceluiasi an celor doi li se alatura DJ Ies (FreakaDaDisk). Primul album semnat PARAZITII este lansat in 1995, “Poezii pentru pereti”, un LP produs independent, fiind cel de-al doilea album de rap din Romania (dupa Racla si inainte de B.u.g. Mafia). In 1996 urmeaza un nou album, purtand titlul « Nimic normal ». In iunie 1997 PARAZITII lanseaza « Suta », ce avea sa devina albumul rap al anului. Cu aceasta ocazie, explodeaza sound-ul PARAZITII, east-coast si caterinca sociala... Totusi, intre septembrie 1997 si aprilie 1999 urmeaza o pauza pentru trupa. Singurul moment de stralucire in aceasta perioada este cu siguranta si una dintre cele mai mari realizari profesionale: in urma unor emisiuni dedicate scenei hip-hop din Romania, realizate de managerul trupei la radio Fm Austria (cel mai ascultat post de radio pentru tineret), PARAZITII atrag atentia casei de film Lotus Film din Viena, care devine interesata de o colaborare in vederea realizarii coloanei sonore a filmului Nordrand. Rezultatul: Parazitii devine prima trupa de rap din Romania ce apare pe sound`track`-ul unui film, cu drepturi de autor platite, alaturi de Ace Of Base, Neneh Cherry, Kelly Family, Leila K etc. ( martie 1999). In iulie 1999, albumul « Nici o problema » vede lumina zilei la A&A Records. In August 1999, videoclipul piesei « Bagabontzi `99 » egaleaza recordul de audienta pe Atomic, iar o luna mai tarziu CNA interzice difuzarea acestui clip. In luna august 2000 se lanseaza albumul « Iarta-ma », ce are in prima saptamana vanzari de 15.000 de casete si 500 de CD-uri, o performanta la momentul respectiv. Urmatorul album apare in iunie 2001, dupa o luna de lucru infernala. Albumul se numeste ’Categoria grea / Acordeonu’ la maxim’, are 11 piese noi, o piesa veche in prima auditie si un negativ care lanseaza o actiune fara precedent in Romania. Pe 28-29-30 mai 2001 au loc filmarile la, probabil, cel mai tare videoclip de rap din tara. Produs de "Silver Bullet" si regizat de un american, are un scenariu inspirat din filmul "Fight Club" si un negativ violent. Piesa aleasa : "Categoria grea" doar ca C.N.A. isi face din nou "datoria" si il cenzureaza. In septembrie este lansata noua campanie de imagine a trupei PARAZITII si ea poarta numele de « Impusca-te », dupa titlul piesei-imn a acestei campanii care este dedicata luptei anti-playback. Dupa cum se poate observa, de data aceasta mesajul este educativ si initiativa foarte serioasa. Albumul ce iar a facut valuri printre fani a fost « Irefutabil », album datorita caruia au castigat si cateva premii. Cel mai important fiind ’Best Hip Hop’ de la premiile MTv Romania. PARAZITII au rupt concurenta si au plecat acasa cu cel mai Hip premiu al serii. Cheloo, Freaka si Ombladon au demonstrat ca hip-hopul este in continuare foarte popular. In 2004, PARAZITII au lansat "Primii 10 Ani - Best of", un pachet de 2 CD-uri, ce contine toate hiturile din 1994 pana 2004. Aceasta lansare a fost precedata de lansarea clipului "F*** U Romania", piesa ce contine injurii la adresa clasei politice din Romania.
03.05.200714KB
paul van dyke poze....PAUL VAN DYKE
03.05.200712.6KB
de asta ce tata poze....de asta ce ziceti...hummer tata
21.04.200732.1KB
adrian eftimie - de la radio in club la cei 29 de ani ai sai, adrian eftimie este astazi unulAdrian Eftimie - de la radio in club La cei 29 de ani ai sai, Adrian Eftimie este astazi unul dintre cei mai cunoscuti DJ-i romani. Dupa ce a trecut prin mai multe etape, a reusit in 2007 sa se poata mandri atat cu un program foarte incarcat in tara, cat si cu gig-uri in afara tarii. Pe langa asta doua videoclipuri difuzate intens pe posturile TV de specialitate. Beat Factor: Momentan esti DJ la un post de radio privat din Romania. Cum s-a facut trecerea de la radio la club? Adrian Eftimie: Inca din 1993 lucram in paralel radio / club (discoteca la vremea aia); tot timpul am lucrat in ambele domenii, nu ma pot despartii de radio, a fost, daca vrei, prima dragoste. Beat Factor: Se stie ca hit-urile iti aduc notorietate; dar te poti evidentia ca DJ doar incluzand hit-uri in seturile tale? Adrian Eftimie: Din contra, daca o sa pui hituri o sa fii ca oricare alt DJ! Eu ascult foarte multa muzica, aleg ceea ce-mi place si asta pun, ma bucur foarte mult cand vad ca prind piesele alese, daca as pune hit-urinu ar mai fi meritul meu. Beat Factor: De curand ruleaza un nou videoclip la o piesa de-a ta, Desire. Unde a fost filmat? Adrian Eftimie: La alegerea regizorului si a casei de productie, videoclipul s-a filmat la Amsterdam in toamna lui 2006. Beat Factor: Piesa respectiva ai produs-o ceva mai demult, insa ai pastrat un sablon relativ similar cu No Side Effect. Cine este solista vocala? Cum ai cunoscut-o? Adrian Eftimie: Aida se numeste, am cunoscut-o prin intermediul prietenului, colegului si tot odata compozitorul meu Ovidiu Stanescu. Beat Factor: Urmeaza sa lansezi vreun album in lunile ce urmeaza? Adrian Eftimie: Cred ca spre sfarsitul anului se va intampla asta, deocamdata lucrez cu un alt DJ roman la cateva piese. Beat Factor: Mai esti DJ rezident al clubului Kristal? Povesteste-ne cum ai ajuns sa fii rezident intr-unul din cele mai bune cluburi de profil din Romania? Adrian Eftimie: Da, mai sunt rezident, tocmai am vazut ultimul numar al revistei The Dj Mag si m-am bucurat foarte tare cand am aflat ca a iesit pe locul 28 in lume si cu atat mai mult au mentionat de rezidentiatul meu la Kristal Glam Club, m-am bucurat foarte tare. Am ajuns la Kristal datorita managerului de la Kristal, John, si a lui Vasile Hanea (Vas), doi oameni care au avut incredere inca de la inceput in mine. Beat Factor: De curand ai mixat si in Turnmills, un club prestigios din Londra. Cum a fost acolo? Adrian Eftimie: Am fost surprins sa constat ca publicul din Londra este destul de asemanator cu cel din Romania, diferenta o fac doar fitele care din pacate la noi inca exista. M-am distrat foarte tare, am intrat imediat dupa Seb Fontaine care mi-a lasat un public in delir la propriu, a fost foarte usor sa continui cu ei. Beat Factor: Vorbind de petreceri, ce cluburi din Romania crezi ca se misca cel mai bine pe segment la ora actuala? Adrian Eftimie: Sunt foarte multe, dar daca ar fi sa mentionez 3 dintre ele as spune Kristal Bucuresti, Oscar Cluj, XS Iasi. Beat Factor: Ce proiecte urmeaza sa ai? Piese, compilatie, lansari la label-uri din afara tarii? Adrian Eftimie: Am un proiect cu Funkagenda care lucreaza la doua remixuri, unul pentru No Side Effect si un altul pentru Desire, Mark Knight tocmai a terminat remixul la piesa Desire si Trophy Twins lucreaza la un remix pentru aceeasi piesa, Desire, toate am inteles ca vor fi lansate la Toolroom Records. Pana acum au iesit pe placa remixul lui Nils Noa la piesa No Side Effect si tot la No Side Effect remixul lui Muzikjunk, ambele la Deep Records. Beat Factor: Ce alte pasiuni ai, in afara de muzica electronica? Am auzit ca iti place pescuitul Adrian Eftimie: Imi plac foarte multe, da, pescuitul este o alta pasiune a mea, ma refer strict la pescuitul la crap, am castigat chiar nenumarate concursuri in Romania si chiar si in afara tarii unde am reprezentat Romania, este un sport care iti cere foarte multa exigenta si rabdare, din pacate de 2 ani nu am mai avut timp de o partida. Printre multe altele mai nou as putea spune ca sunt pasionat de fotografie. Beat Factor: Exista vreun zvon / barfa pe care ai vreo sa o infirmi sau sa o confirmi? Unii spun ca piesa No Side Effect nu este produsa in totalitate de tine Adrian Eftimie: Eu nu am spus niciodata ca No Side Effect este produsa in totalitate de mine, este 100% piesa mea, dar nu facuta de mine in totalitate, pe site-ul Sony Music Romania se poate vedea clar despre ce este vorba. No Side Effect este o piesa facuta din ideile mele de: Ovidiu Stanescu (Kiss FM), voce Aida iar text Andreea Berghea (KissFM), lucru care nu a fost ascuns niciodata, corecteaza-ma daca gresesc. Beat Factor: Ai relativ putine gig-uri in Bucuresti. E mai important sa pui muzica prin tara? Adrian Eftimie: As putea avea mai multe, problema este ca prefer sa pun in main in tara decat sa fac warm-up in Bucuresti, este o mica / mare diferenta. Dar in ultima vreme am avut prezente destul de dese si in Bucuresti. Beat Factor: Cititorii Beat Factor de pe forum cauta tracklist-uri la promo mix-urile tale recente. Nu o sa iti cer un tracklist, insa daca se poate, fa-mi un top 5 al pieselor tale preferate. Adrian Eftimie: Cu mare placere: 01. jamie anderson - time is now (radio slave remix) 02. james talk - pass the suntan lotion (nick fanciulli remix) 03. efdemin - just a track 04. audiofly & paul harris - misecalte 05. sandiego - rogoredo Beat Factor: Crezi ca ar trebui interzis fumatul in cluburi? Adrian Eftimie: NU ! Sunt un fumator inrait, nu imi doresc asta, nici vorba Beat Factor: Ce muzica non-dance ai ascultat in ultima perioada? Artisi, piese, albume, compilatii? Adrian Eftimie: Ascult foarte des in masina si acasa: Eros Ramazzotti, Pink Floyd, Rage Against The Machine, U2, Corrs si de multe ori compilatiile Budha Bar. Beat Factor: Ai vreun eveniment/ stire importanta de anuntat? Adrian Eftimie: Da ! Voteaza Dj Adrian Eftimie la premiile Nights.ro :) Sursa : Beat Factor
06.11.20072.5KB

 
club 021 / 316 24 35 sau & reclamatii dupa ora 16.00 in fiecare vineri seara club maxx te invita laCLUB MAXX Splaiul Independentei 290,Bucuresti,Romania Telefon/Fax: 021 / 316 24 35 Rezervari pizzerie: 0724.473.369 sau 0745.914.901 Rezervari & Reclamatii club: 0722.647.337 dupa ora 16.00 In fiecare vineri seara club Maxx te invita la Friday Night fever, o petrecere de la care nu trebuie sa lipsesti!
02.06.200730.4KB
:d poze....rock-pop!!! :D
03.05.20075.9KB
club rich str luigi nr 24 (fost club joi, vineri, 0721 851 este foarte ok!!! date despre cluburileClub Rich Str Luigi Cazzavillan, nr 24 (fost Club Avantgarde) Program: joi, vineri, sambata Tel: 0721 851 403 Atmosfera este super,sunetul foarte bun...light's ok!!!
02.06.200725.9KB
asta e poze....asta e adevarata!!!
03.05.20073.2KB

 
revenim la club normal se se din anii 80'....km atat stiu eu...si aproape totul excluzand :xrevenim la House...clubbing...intr-un club normal se asculta...si se baga...house...clubb...latino...muzik din anii 80'....km atat stiu eu...si bineinteles aproape totul excluzand :x MANELELE :x a si ink ceva...aproape toate melodiile sunt mixate :nebun:
08.06.200730.8KB
lol... :x poze....lol... :x
24.05.20072.9KB
lipssss poze....lipssss
02.06.200712.5KB
credetii asa ceva???/ :dinti: poze....credetii asa ceva???/ :dinti:
24.05.20072.2KB

 
club studio 08 mai 2006 - cu cele mai putine cu cel mai bun cu cea mai incendiara care a lansatClub Studio Martin Bucuresti, 08 mai 2006 - �Clubul cu cele mai putine mese�, �clubul cu cel mai bun sunet�, �clubul cu cea mai incendiara atmosfera�, �clubul care a lansat muzica house in Romania si a dus-o la nivelul de fenomen social�. Astfel este cunoscut Studio Martin, clubul in care au �pus� muzica toti DJ-ii romani si pe care DJ-ii straini l-au laudat in revistele de specialitate. �Studio Martin� s-a deschis in 1993, in incinta cinematografului Volga, pe bulevardul Iancu de Hunedoara. Numele este legat de numele unei renumite firme de lumini din Danemarca (cu care a avut un contract de distributie). Intregul proiect Studio Martin a fost gandit pe baza conceptului �fara pretentii�. Astfel, Studio Martin s-a lansat ca un club in care oamenii vin sa danseze si nu sa stea jos. Desi la inceput clubul era deschis doar o zi pe saptamana, intr-un timp relativ scurt cererea a ajuns atat de consistenta incat in week-end se formau cozi la intrare. Prima varsta a clubului a fost marcata de petrecerile tematice (pijamas party, halloween party, doctor�s party). A inceput apoi fenomenul house. Cu toate ca, in acea perioada, muzica house era practic necunoscuta, la Studio Martin se punea muzica house de calitate, americana. Aceasta l-a propulsat pe o pozitie de concurenta serioasa discotecilor cu renume ale vremii. Profilul house al Studio Martin se datoreaza in cea mai mare masura lui DJ Vasile si anturajului sau. Ei s-au luptat de-a dreptul cu patronii clublui pentru a-I convinge de calitatile noului curent muzical. Intrat in circuitul cluburilor de renume, Studio Martin i-a adus la pupitru pe cei mai cunoscuti DJ de pe scena muzicii electronice locale si mondiale. Printre acestia se alfa nume ca Timo Mass, Hernan Cattaneo, Anthony Pappa, Hybrid, Derrick May, Craig Richards, Loco Dice, Lee Buridge, Satoshi Tomiie, Sandra Collins, Quivver, James Zabiela, Nick Warren, Ricardo Villalobos, James Lavelle, Gabriel and Dresden, Jimmy van M, Layo and Bushwacka, Sister Bliss. Managementul The Mission a contribuit din plin la evolutia clubului Studio Martin. Dupa cateva evenimente organizate sub marca The Mission, acesta declansat o adevarata invazie a DJ-ilor straini. Prin intermediul The Mission, au fost aduse la Studio Martin cele mai puternice nume ale industriei muzicii electronice. Studio Martin a castigat respectul Dj-ilor romani si al celor straini. In octombrie 2002, Lee Burridge se declara profund impresionat de cel mai avangardist club romanesc: “una dintre cele mai tari petreceri din 2002 a fost cea de la Martin, un club care aduce mult cu Fabric din Londra“. Subscrie la aceasta opinie si James Lavelle care in 2003 alege acest club pentru productia albumului GU026 Romania. Cei mai renumiti DJ-i romani si-au legat numele de Studio Martin. Marco Brigulia isi aminteste: �Pentru mine a fost unul din cele mai tari cluburi underground. Lumea venea doar sa asculte muzica.� Pentru Raoul, Martinul �inseamna inceputul muzicii electronice in Romania. Nu era loc de pelerinaj si de fite, oamenii veneau doar sa asculte muzica�. Rosario povesteste ca �era numai lume de club, fara cei ce stau numai la mese�. Dobrica de la Suie Paparude, formatie care si-a cladit numele in Studio Martin, spune ca �aici, DJ-ii au pus pentru prima data muzica de pe viniluri. Era destul de select pentru vremurile de atunci�. In 2004, clubul a fost inchis din ratiuni financiare. A fost redeschis la sfarsitul anului 2005, cu un nou management. Noua formula a clubului a adus un interior modificat radical si pe cei de la The Mission ca noi proprietari.
02.06.200724KB
ice cube ice cube is one of the most enduring, versatile, and engaging figures ever to emerge out ofICE CUBE Ice Cube is one of the most enduring, versatile, controversial and engaging figures ever to emerge out of hip-hop. At 30, he is one of this generation's cultural icons. After establishing himself as a film phenomenon, acclaimed actor, screenwriter, director and producer, Ice Cube (born O'Shea Jackson) comes back to his solo music career with a vengeance. He has spent most of 1999-2000 working at an astonishing rate, completing not one, but two full-length albums the first part titled War & Peace - Volume 1 (The War Disc) followed by the current album, War & Peace - Vol. 2 (The Peace Disc). The first volume War was released on November 17, 1998 on Priority Records with Peace following on March 21, 2000. Just as his classic Death Certificate presented a "Death Side" and a "Life Side", Cube explores the war/peace dialectic in well over 2 hours of new music. Further fueling rumors of a NWA reunion album, War & Peace Vol. 2 (The Peace Disc) opens with the simple greeting "Hell Low", a Dre produced selection (co-produced by Mel Man) featuring Dr. Dre and MC Ren; a comedic track "You Ain't Gotta Lie" featuring Chris Rock and appearances by Krayzie Bone on the commercial single "Until We Rich." Other notable artists featured on the album are Mack 10 and Jayo Felony with production on several tracks by Chucky Thompson, Battlecat, and Puffy to name a few. The War record allowed Cube to throw down the gauntlet on tracks like "Dr. Frankenstein," "Once Upon A Time In the Projects 2" and on the single "Pushin' Weight," Cube raised the stakes for the present day rap game while reclaiming his legacy. War provided cutting edge soundscapes with mega-platinum rockers Korn making a guest appearance on "Fuck Dying." Cube performed with Korn on their "Family Values" tour. "To expose Korn fans to my music is cool, because most of their audience is only exposed to my movies. It reminded me of when I went out on Lollapalooza (1992), where I was the alternative to that alternative show" says Cube of the experience. Although Cube keeps it gangsta on the Peace, LP, Vol. 2 is more dance/club oriented using samples from popular party anthems crating a lighter mood. Cube can't say enough about the music. "War and Peace are my best records in years. The production on both albums is far superior to anything I've ever released. Peace is gonna be a different look; it's a different record than any I have ever done. Lyrically, War covers a lot of ground-moving from rap's battlegrounds to the Los Angeles killing fields." "Ghetto Vet," "Penitentiary" and the masterful "3 Strikes You In" are as incisive pieces of social commentary as he's ever penned. Just as every coin has two sides, Peace represents the other side of Cube. Ice Cube caught the rap bug in the ninth grade when a classmate named Kiddo challenged him in a typing class. "One day, he asked me if I ever wrote a rap before. I told him, you write one, I write on and we'll see which one come out better and I won," recalls Cube. He went on to form his first crew, C.I.A., with future collaborators Sir Jinx and K-Dee, and began hanging in the burgeoning South Central Club scene. Through Jinx's cousin, he met Dr. Dre and together they began rhyming for nightclub patrons over the hits of the day. "We was doing these dirty raps strictly for the club audiences," he says. "When that started catching on, we started making mix tapes. We would rap on what was going on in the neighborhood and they were selling. Eazy-E had a partner named Ron-de-Vu, Dre was in the World Class Wreckin Crew, and I was in C.I.A. We were all committed to these groups, so we figured we'd make an all-star group and just do dirty records on the side." That all-star group would become known as Niggaz With Att itude (NWA). In early 1987, Cube wrote "Boyz-N-The-Hood" for Eazy-E and "Dopeman" and "8-ball" for NWA and they went into the studio to record. He knew he was doing something different, but wasn't sure about his prospects. "The rap game wasn't looking too solid at that time, so I decided to go ahead and go to school." When he left for The Phoenix Institute of Technology, the records were just hitting the streets. By the time he completed his degree a year later, both Eazy's and NWA's singles had sold hundreds of thousands of copies. He came back to write the rhymes for the albums that would be Eazy Duz It and Straight Outta Compton and the world would never be quite the same. NWA's Straight Outta Compton, in retrospect, was the most influential album since The Sex Pistols' Never Mind the Bollocks. Straight Outta Compton didn't break taboos so much as blow them away with rapid-action scattershot. The excitement they inspired was proportional to the outrage they incited. Newsweek dismissed the record as "The Godfather in gutter language." FBI Assistant director, Milt Ahlerich, sent a letter to the label condemning the record as encouraging "violence against and disrespect for the law-enforcement officer." Ahlerich warned, "Advocating violence and assault is wrong and we in the law enforcement community take exception to such action." Sales rocked past platinum. "Straight Outta Compton has had the biggest impact on rap music than any other album to this day," says Cube. "We opened the door where you can say exactly what you really want to say without having to sugar-coat , without having to hold back." But by 1989, things were beginning to sour between Cube and Jerry Heller, then NWA's manager. Cube was involved in writing 10 of the 13 tracks on Straight Outta Compton, including the entirety of "Dopeman," "8 Ball" and "Express Yourself" and he felt he was due more than the $30,000 that he received for records that had sold 3 million units. "I was broke before I jumped in that shit, so it wasn't hard to walk away. I preferred it that way," Cube recalls. "At the time the two producers that was worth fucking with was Dr. Dre and The Bomb Squad. If I couldn't get Dre, I was going to the Bomb Squad." He broke east and began collaborating with Public Enemy. Energized by the rush of liberation and inspired by the exchange of ideas with Chuck D and the other members of the Public Enemy camp, he turned in the stunning Amerikkka's Most Wanted. "Fuck you, Ice Cube!" went the chorus of "The Nigga You Love to Hate," and immediately the hip-hop nation was screaming it. The record went gold in 10 days, platinum in three months. "I can never play out," smiles Cube, "because people are still biting my styles from that record." In his book It's Not About A Salary: Rap, Race and Resistance, Brian Cross wrote of the album's impact, "Amerikkka's Most Wanted sought to give a face to (the) criminal underclass and this face was to be furrow-browed, jheri-curled, beanie-clad face of Cube himself. Cube to this day is the foremost hip hop meta-critic, providing listeners not only with stories, but potential criticism of his practice from different perspectives." The follow-up EP Kill At Will went gold just as quickly. In contrast to the booming "Endangered Species" remix and the club friendly "Jackin For Beats," "Dead Homiez" was a surprise. When it was first released, Cube ran the risk of the appearing soft, exposing a vulnerable, sentimental side; instead, audiences embraced the track. He had correctly measured the depth of emotion amongst his violence-weary fans. "Dead Homiez" created an entirely new theme for gangsta rappers. Cube was thinking seven steps ahead of the game. "I was reading a lot of books. I was just learning about the world, paying attention to world history, political views. Up to that point, I was just rolling through life trying to get money," says Cube. His readings "gave me my freedom mentally to deal with this world. The main focus on what I was learning was coming from Minister Louis Farrakhan and the honorable Elijah Muhammed. I did a lot of self-studying knowledge of self, because I'm far from a follower." On Halloween 1991, Ice Cube's second solo LP, Death Certificate had advance orders of over a million copies and debuted at number 2 on the Billboard Charts. Death Certificate spoke to what it meant to be a young black male in an increasingly pressured space, one strained by deindustrialization, drug economies, state repression, police brutality, and immigration. Released just months before the LA riots, it singularly captured the tenor of the times, the feel of a generation. On April 29 1992, Death Certificate sounded prophetic. That year, The Predator, debuted at #1 on the pop and R&B charts simultaneously and went platinum in four days. The on-the-corner commentaries of "When Will They Shoot?, "I'm Scared," "Now I gotta Wet'cha" and "We had To Tear This Muthafucka Up" were rounded out by the hits "Wicked" and "It Was A Good Day." Cube had arrived as the chronicler of his generation. Lethal Injection was his fourth album in four years, but although it also went platinum on the hot groove of the George Clinton collaboration "Bop Gun" and the haunting "Ghetto Bird," Cube felt the rap game changing subtly. "At that time, nobody wanted to hear that kind of rap. The whole (conscious) era had peaked with the release of the Malcolm X Movie. The G-funk era was coming in. It was a whole different tone in the music. People didn't want to take rap that serious," he says. "I was doing movies, directing videos, trying to produce other groups," Cube says. He had directed dozens of videos (he has done 20 to date) and his filmmaking career was set to take off. He had always struck a compelling image in his own videos, whether the rending "Dead Homiez," the pulsing "Steady Mobbin,' or the frantic "Natural Born Killaz." Based on his amazing performance in John Singleton's "Boyz in the Hood," however, he was in demand. He went on to appear in "Trespass," "CB4," Charles Burnett's "The Glass Shield," Singleton's "Higher Learning," Anaconda," and most recently costarred in "3 Kings" with George Clooney. After co-screenwriting the script "Friday" with DJ Pooh - a balancing, hilarious view of a day in the life of a couple of brothers from South Central - Ice Cube followed up with "Next Friday" the successful, top grossing film which outsold blockbuster films "Stuart Little," "The Green Mile," and "The Hurricane" it its first week becoming the most successful New Line Film next to the Austin Power's sizzler. Cube also executive produced and starred in "Dangerous Ground" and "The Player's Club," a film he wrote, co-produced and directed to critical acclaim. The movie grossed over $25 million in domestic receipts alone. "People always ask, "When are you gonna stop doing records? Or 'Do you prefer doing movies or records?" Cube respon ds, "If opportunities present they self, you take them. I think I can do this from all different sides of entertainment," he says. Cube somehow also found the time to oversee the production of a number of homies. Two of them, Mack 10 and WC, joined him to become the Westside Connection, after a few successful outings. "I was tired of doing solo albums," Cube says. "I wanted to feel the group thing. With me, Mack 10 and WC, our chemistry was so tight that the Westside Connection was born." The group's allegiance to the West courted controversy. "Our whole purpose from the beginning was to make sure that people wasn't gonna just snatch our style from under us and give us no credit and no props," he says. "I'm not really tripping on straight being from the west coast. But when I was doing it, I heard a lotta shit being said about the west coast, so I stood up for the west coast." With Bow Down's double platinum sales, seems there must have been a lot of bi-coastal unity after all. Westside Connection is scheduled to release another album May 2000. Finally it became time to return to the solo spotlight. "When you trying to do records, write a movie, produce a movie, it's hard to make good music. I wanted to put all the other stuff down, be finished with The Player's Club and do my album, he says, "War & Peace is my best record since Death Certificate." Although hip-hop fans are notoriously fickle, Cube has stayed atop the games for over a decade. "I still sell the same amount of records. I still get a big reception," he says. "In hip hop, people always want new artists, but when I really get down, nobody puts a record together better than me. So I'll always be here. Long as I stay consistent and keep my heart in it, I'm a be here."
03.05.20075.8KB
:limba: poze....:limba:
22.05.200722.5KB
locatie: club of aprilieLocatie: Club Sundays(Ethos),Iasi Trupe:Galadriel,Dakon,Hathor,Fortress of Faith,Krepuskul Data:10 aprilie 2007 Ora:19:00
28.03.200758.2KB

 
nu este asa ca are cei mai frumosi ochisori din poze....nu este asa ca are cei mai frumosi ochisori din lume????:D:D:d
03.05.200719.2KB
eee eel eee eeem..... :x poze....eee eel eee eeem..... :x
17.05.20074KB
da artist putin inteles d :rotfl: tablouri celebre...da picasso...un artist putin inteles d lume........ :rotfl:
05.10.200716.1KB
first guitarist of faithless was dave randall but he has left faithless to start his own soloFaithless!! The first guitarist of Faithless was Dave Randall but he has left Faithless to start his own solo project 'Slovo' last year (2000) His first album will be released in late summer 2001. Nemo will play the guitars now on Outrospective and can be seen on stage! Jamie Catto was also started @ the beginning of Faithless and did vocals on Reverence and Sunday 8 PM. He also wrote tracks. He has also left Faithless to do his own things and touring across the world with the band '1 Giant Leap'. Faithless will release their third album in July on Arista/Cheeky. Entitled Outrospective, it will be preceded by a single "We Come 1" in May. Outrospective was written and recorded between Summer 2000 and Spring 2001. It elevates Faithless’ often-celebrated eclecticism to new heights, and covers the broadest sweep of emotions and atmospheres from melancholy to mad love, from glorious empowerment to bittersweet tales of love gone wrong. Outrospective throbs with a very real vitality. Outrospective was conceived after a lengthy break away from Faithless’ relentless touring schedule, a factor which helped form the melancholy mood and lyrics of Sunday 8pm. Faithless, had after all, spent four years out of five touring since the release of their revelatory debut Reverence (released 1997), as they literally took their music to any place that had shown an interest in the record. This meant that the band found themselves in such unlikely situations as playing shows in the Arctic Circle, on golden sands in Puerto Rico and under armed guard in Turkey. Having been largely ignored by the mainstream in the UK, they returned from their travels as veterans of the worldwide live scene, something that few bands in their domain could lay claim to. Their epic house singles such as "Insomnia" and "Salva Mea" had an unmistakable impact and influence on the sound of contemporary dance music. Often imitated, never bettered, as they say. The album’s eclectic scope (house, blues, soul, rap, and folk) stood out in a time of no-risk policies. Maxi Jazz had spent years prior to joining Faithless rapping far and wide, DJing on pirate radio in London and running his own record label. His faith (he is a Nicheren Shashu Buddhist) informs his extraordinarily powerful lyrics ("a true millennium man" — The London Times) and he is the charismatic frontman of the band’s live act. Sister Bliss, a classically trained pianist and successful house music producer in her own right, is without doubt the world’s number one female DJ. It is Bliss who has the pleasure of roadtesting Faithless’ new tunes off acetate, often fresh from the mixing desk. Rollo’s sister Dido has performed lead vocals on tracks on all three Faithless albums (including "One Step Too Far" on the current album) and her debut album No Angel (co-produced Rollo) has since topped the UK and US charts. Talent runs in the family. Rollo, who once admitted that he "can’t play an instrument, can’t dance in time, and can’t remember any melodies", doesn’t play live with Faithless — "pointless", he reckons, as he "couldn’t play anything onstage anyway". Sister Bliss alleges that their studio relationship is "telepathic, symbiotic". "He gets on with the broad strokes, textures and colors — that’s how he hears music, he’s got that synesthesia (a phenomenon where sounds have color), he says ‘make it really sad, like a rainy day, I want to hear thunder’ — and I get on with all the anal fiddly bits." Sister Bliss and Maxi Jazz are now the public face of the band. Both fiercely intelligent, Maxi Jazz’s Buddhist worldview complements Bliss’s challenging opinions and encyclopedic house music knowledge. 1998’s Sunday 8pm repeated the success of Reverence, spawning three more hit singles (including the ecstatic, evangelic "God Is A DJ"), was an enormous critical success and in 1999 received nominations at The Brits, the MTV Europe Awards and was one of the twelve Mercury Prize nominations. To this date it has sold in excess of 1.2 million copies worldwide. Add to that the 1.5 million that "Reverence" sold and 4 million singles and you have one of Europe’s biggest dance artists. There was more touring including a stint co-headlining across South Africa with The Prodigy, and the headline slot of the Muzik Awards tour. They are widely regarded as one of the finest live acts of our generation. Maxi says, "When I’m on stage I see couples who are at least 65. I see disco kids who scream whenever I move. I see people in their thirties, who listen intently, squeezing their eyes shut and pumping their fists whenever they hear lyrics they like. There’s no such thing as a typical Faithless fan and I love that". Bliss continues: "When people come to our gigs, we want them to be lifted. Changed. Empowered. Moved off the ground." Despite claims that they wouldn’t follow the panoramic heartbreak of Sunday 8pm with more of the same, after early listenings to certain tracks off Outrospective it becomes clear that, sometimes, stadium melancholy is what they do best — the sweeping melodrama of "One Step Too Far" (vocals by Dido) the hazy lament of "Crazy English Summer" which featured vocals by Faithless debutante Zoe Johnston, and Maxi’s rainy Autumn rap on "Not Enuff Love". This time, however, the flipside to these swoonsome atmostpheres takes the form of the rampant postivity of the Philly Soul of "Muhammed Ali", Maxi Jazz’s devotional to the great man, and the dedication of love of the delirious single "We Come 1" ("I’m the left eye, you’re the right, would it not be madness to fight?") Outrospective starts with a fanfare that signifies a deep-seated confidence and ends with the gigantic soul house of "Liontamer", in between it maps uncharted territory for the band, as well as redefining familiar Faithless templates. It thunders, basically. In August 2000, Sister Bliss said "I want this next album to be a groundbreaking one. I want this to be the peak of our creative powers." It looks like Faithless can add prescience to their manifold talents.
30.05.20079.5KB

 
dragutz ha?uitate si scrie? tattoo'sdragutz ha?uitate si invers...ce scrie?
28.10.200714.8KB
b'estival 2007 pe parcursul a trei zile, artisti de renume mondial alaturi de trupe autohtone, vorB'ESTIVAL 2007 Pe parcursul a trei zile, artisti de renume mondial alaturi de trupe autohtone, vor zgudui scena de la B'ESTIVAL, un eveniment organizat de Emag!c Entertainment cu sprijinul Romexpo! B'ESTIVAL se va desfasura in aer liber, in cadrul complexului Romexpo din Bucuresti, unde se va construi o scena principala (cel putin la fel de impunatoare ca cea de la Depeche Mode), se vor amenaja tribune, o scena secundara precum si un cort Silent Disco. Locatia festivalului va putea gazdui peste 70.000 de oameni pe parcursul celor trei zile de B'ESTIVAL! B'ESTIVAL 3-DAY PASS include: - acces pe toata perioada festivalului (29 Iunie - 1 Iulie 2007). B'ESTIVAL VIP Pass include: - acces la festival doar in ziua respectiva, inscrisa pe bilet - loc de parcare la fiecare 2 VIP Pass cumparate - loc in tribuna VIP - acces in VIP Hospitality Village - 2 bauturi gratuite oferite in cortul Emag!c Entertainment - acces in zona VIP din fata scenei Nota: - Toate biletele vor fi trimise incepand cu 1 aprilie - B'ESTIVAL 3-DAY PASS nu permite accesul in zonele VIP. - Un B'ESTIVAL VIP PASS permite accesul in zonele VIP doar in ziua pentru care a fost comandat. Pentru fiecare zi de festival, trebuie achizitionat un alt B'ESTIVAL VIP PASS. - Numarul biletelor este limitat! Program: Vineri, 29 iunie: Hooverphonic, Morcheeba, Faithless Sambata, 30 iunie: Kasabian, Reamonn, Pink Duminica, 1 iulie: Wu-Tang Clan, Alice Cooper, Marilyn Manson P.S:Puteti face comanda de bilete intrand pe site-ul
20.04.200721.2KB
no luati ca atare m-ia placut mie este un preten mai ....mai poze....no luati ca atare m-ia placut mie .......:nono: este un preten mai ....mai ....rock........
05.06.20074.6KB
atb andre alias atb, s-a nascut in urma cu 31 de ani, pe data de 26 februarie 1973, in oraselulATB Andre Tanneberger, alias ATB, s-a nascut in urma cu 31 de ani, pe data de 26 februarie 1973, in oraselul Freiberg, din Saxonia, Germania de Est. La varsta de 11 ani a plecat impreuna cu parintii lui in vestul Germaniei, in cautarea unei vieti mai bune, stabilindu-se in Bochum. Si-a petrecut adolescenta pe ritmurile lui Thomas Kukula, in week-end-uri fiind nelipsit de la Tarm Center unde, peste ani, avea sa devina DJ rezident. In 1992, Andre incepe sa compuna muzica, improvizand un mic studio in camera lui. Cel mai mult s-a ajutat de computerul Amiga si de un micut sintetizator. Printr-un prieten resuseste sa il cunoasca pe Kukula care va fi atat de impresionat de aspirantul la titlul de DJ, incat i-a pus la dispozitie prpriul lui studio pentru materializarea ideilor sale muzicale. Aici a lucrat majoritatea pieselor cu un sintetizator numit Sequential Pro One, nume pe care il va imprumuta mai tarziu pentru primul lui proiect muzical. Primul single de pe Sequential One a fost gata un an mai tarziu si se numea "Dance". Dar succesul nu i s-a aratat decat mult mai tarziu, cand a lansat single-ul "9 PM (Till I come)", de data aceasta, sub numele de ATB. Acum, dupa mai bine de 11 ani si cinci albume lansate sub titulatura ATB, dintre care patru au ajuns in Top Ten-urile din intreaga lume, Andre a devenit un producator si un artist de marca. Si aceasta nu numai in ceea ce priveste ringul de dans. Vedete internationale, precum Heather Nova, Moby, William Orbit si Michael Cretu (Enigma) au apelat la serviciile sale. Deasemenea, a lucrat cu Bryan Adams la "Rock in Rio", a remizat melodii pentru legende pop, precum A-HA si a calatorit prin toata lumea pentru a mixa ca DJ, fiind obisnuitul circuitului Ibiza. Dar ce il face pe ATB asa de special? Ce anume i-a format stilul? Andre are talentul unic de a imbina muzica ambientala si muzica trance cu o mare varietate de genuri muzicale. Propune melodii dance cu tonuri melancolice si de o nemaipomenita armonie, acorduri relaxante care indeamna la visare. Ultimul single, "Marrakech", de pe noul sau album, "No silence", il surprinde pe Andre schimbandu-si complet sound-ul, ramanand in esenta tot ATB. "Marrakech" este o foarte buna melodie de club care degaja un feeling de vara, o melodie numai buna pentru o vacanta petrecuta pe plajele insorite. Aceasta a facut impresie buna chiar si la Hollywood, fiind aleasa ca title track al al filmului de actiune "Mindhunters". ATB a lucrat cu diversi artisti la cel de-al cincilea sau album, "No Silence". Primul single, "Marrakech" a fost realizat cu artista britanica Tiff Lacey, care lucrase in prealabil cu o legenda a muzicii trance, Paul Oakenfold. Roberta Carter Harrison, vocea de pe meoldiile "Let U go", "I don't Wanna Stop" si nu in ultimul rand "Hold You", se intoarce desemenea. Daca iti faci timp sa asculti "No silence", vei intelege adevratul motiv care se afla in spatele modului in care ATB compune si traieste muzica. Beat-urile melancolice, carora li se adauga charismaticele voci feminine creaza o atmosfera de visare. Se poate vedea cat de important este mesajul pe care vrea sa il transmita ATB si datorita faptului ca nu numai ca isi produce si promoveaza singur melodiile ca DJ. Andre Tanneberger vrea sa isi imparatseasca talentul si cunostintele. A pus deci bazele unei scoli in Bochum, impreuna cu producatorul, partenerul si prietenul sau Woody. "The School for Engineering and Audio Producing" este o scoala de productie unde producatorii tineri si ambitiosi pot gasi calea catre o cariera de profesionist in muzica. SEAP este deasemenea o platforma de lansare pentru cei care vor sa isi perfectioneze hobby-ul si sa paseasca dincolo de orizonturile lor muzicale. Albumul "No silence" este un concept. Un album in care track-urile sunt legate intre ele prin intro-uri si outro-uri pentru a forma o complexa si intensa experienta muzicala. Ascultatorii sunt imediat purtati de val si prinsi sub vraja lui ATB. Muzica reprezinta o stare de extaz pentru ATB si acum se poate simti acest lucru si in albumului sau.
20.04.200724KB

 
dj. nasterii numele complet elis iordache. adaptat la stilul muzicii house, elis a inceput prin aDj. Elis!!! Data nasterii 30.12.1982, numele complet Elis Iordache. Adaptat la stilul muzicii house, Elis a inceput prin a promova o muzica mai putin accesibila in Romania, deep house, tech si funky. L-ati putut asculta ca rezident in Club XXI din Mamaia, si la Irish Pub Constanta, in cadrul unui proiect de muzica ambientala si deep house care inca se deruleaza, precum si la The Office Bucuresti, Predeal, No Name Timisoara, Kudos Beach, Gossip Bucuresti sau Shock Suceava. In 2002 impreuna cu cativa amici, au pus bazele unui proiect / brand, dezvoltat de-alungul unor petreceri cu amprenta si numele de Groove Hour. Suportul de care se bucura acest proiect nu este de trecut cu vederea : o ora pe saptamana de muzica deep pe undele radio din Constanta, un site cu toate informatiile despre artisti, seturi, si petreceri organizate in cluburi. Stilul care il caracterizeaza pe Elis, poate fi catalogat ca un stil warm & soft house, de la producatori ca Ian Pooley, Llorca pana la artisti ca Red Jerry, John Dahlback, Olivier Desmet, JJ Flores sau Erick E din aria muzicii tech house electro. In seturile lui puteti recunoaste cu usurinta artisti precum Kid Creme, Jerry Ropero, David Penn, Dennis Ferrer, Dj Fex, Claude Monnet, Born To Funk, Aston Martinez, Wawa si altii. Ca activitate, in cadrul evenimentelor Groove Hour organizate de-alungul verii 2005, Elis a mixat si s-a implicat in evenimente alaturi de artisti consacrati ai muzicii house internationale ca Ferdinand Lijnkamp aka Born To Funk ,Wawa sau Dj Ino.
04.05.200711.2KB
pt dj burn...!!! poze....pt dj burn...!!!
27.04.20076.6KB
1. cum a luat fiinta acest vara lui 2005, pulse records a ajuns la o formula completa (tranda,1. Cum a luat fiinta acest proiect? In vara lui 2005, PULSE Records a ajuns la o formula completa (Tranda, Protone, D'strictz, Martor Ocular, Proceduri Aparte, Georgiana Toma si Venus) si am decis sa scoatem un material reprezentativ pentru fiecare trupa/artist si pentru Pulse Records ca echipa. 2. Toti MC-ii din Pulse sunt din Constanta? Da, in afara de Venus care este din Severin. 3. Ce statut are Pulse Records? Label Hip Hop sau un un crew dedicat unei pasiuni comune? ESTE un LABEL HIP HOP creat din PASIUNE pentru HIP HOP (shaule!). 4. Unde au fost trase piesele de pe compilatie? Majoritatea pieselor au fost inregistrate in Constanta, intr-un studio improvizat de noi, iar colaboratorii nostri au inregistrat in diferite studiouri din tara. 5. Pe piesa Pulse 100% toti mc-ii au o oarecare asemanare a flow-lui si a intonatiei. De ce? Piesa este 100% reprezentativa pentru Pulse Records, restul sunt doar pareri. 6. Care este aportul fiecaruia dintre membrii Pulse la crearea negativelor? De la formarea Pulse Records ca label, producatorii principali sunt Tranda si Protone. Pe parcurs si-au adus aportul ca productie pentru materialele noastre Gambit si Rogue. 7. Cat de mult se aseamana Constangeles cu Los Angeles din punct de vedere muzical? Heh. West coast flava! Soundul ar fi un numitor comun, din cauza stilului g-funk/funk-soul pe multe dintre instrumentalele produse de noi. Stilul se imbina perfect cu ambientul (nisip, soare, mare, fete frumoase etc.). Muzica e cel mai bun limbaj pentru a comunica o stare de spirit. Suntem nascuti si crescuti in Constanta si trebuie sa sune ca atare. Nu e vara ca in Constangeles! 8. Aveti divergente cu alte trupe? Beef-uri? Diss-uri? Neimportante. 9. Care credeti ca este atuul vostru? De ce ar trebui lumea sa va asculte? Sound fresh, nou. Nu seamana cu nimic din ce se aude pe la noi. Mesaj, versuri solide, totul bazat pe un concept puternic. 10. Cu ce alte labeluri/trupe din tara ati vrea sa colaborati? Sau ati colaborat? Pana acum am colaborat cu artisti de la Hades Records. Shaii fac treaba buna. Pe viitor speram sa avem colaborari cu oameni de la Chill Brothers Records si Facem Records, care deasemena au stil si sunt seriosi in ceea ce fac. In principiu nu punem atat de mare pret pe label cat punem pe artistul sau trupa care reprezinta labelul si cu care facem colaborarea. Important e sa iasa bine. 11. Care sunt urmatoarele materiale ce vor iesi sub egida "Pulse Records"? D'strictz, Tranda si Venus isi pregatesc materialele. Albumele lor vor fi gata in principiu pe la jumatatea lui 2007. Intre timp vom mai elibera cate o piesa de pe fiecare material pentru a da ocazia publicului sa isi faca o parere despre ce va urma. Alte detalii vor veni odata cu evolutia proiectelor. 12. Cum putem intra in posesia compilatiei? 13. Ce le transmiteti fanilor, viitorilor fani, dusmanilor etc.? Ne vedem PE ZONA shailor! :x
05.06.20075.3KB
dj. robbie casete cu din şi de pe postul tv viva mayday şi love din ?97 an de emisiunileDj. Robbie Jay!!! ?Primind casete cu Thunderdome din Germania,văz?nd şi inregistr?nd de pe postul tv VIVA festivalurile Mayday şi Love Parade,?ncă din ?97 an de an,vizion?nd emisiunile Club Rotation,Berlin House şi Party Zone la MTV,a ?nceput sc?nteia de a deveni DJ profesionist ca să-mi petrec nopţile cu raverii şi să resimt aceleaşi senzaţii ce au fost prezente la acele party-uri? A ?nceput cariera,ca dj amator ?n 1995 cu private party-uri cu muzică rave ca si multi alţi dj-i;In 1998 a ?nceput să pună bazele meseriei pe platane l?ngă Dj Big Junior,fiind ?ncet invitat la evenimentele de muzică electronică din Satu Mare:această colaborare l-a ajutat ca ?n 2000 sub numele de Dj Scotty G. să ?nceapă realizarea unei emisiuni de radio numai cu muzică electronică,fiind prima emisiune din Satu Mare realizată deja după modelele din străinătate.In 2002 intră ?n pupitrele de dj sub numele de Dj Robbie Jay,fiind al 2-lea din Satu Mare care şi-a cumpărat set de dj cu pick-up-uri profesionale.In primăvara anului 2003 face o mică pauză pentru terminarea studiilor şi pentru luarea licenţei ca economist după care revine ca rezident şi invitat in majoritatea cluburilor din oraşul său.In 2005 devine dj autorizat şi independent total de cluburile din Satu Mare,fond?nd Party-Dj-Team/P.D.T. care organizează evenimente şi prestează servicii ?n domeniul dj-ingului,devenind ?ncet lucrările sub numele lui o garanţie şi un etalon de calitate. In 2006 ?şi face prezenţa ?ncet deja şi ?n cluburile din ţară şi din ţara vecină(Ungaria) prin invitaţiile şi prin colaborările cu dj-i pentru party-uri şi proiecte muzicale.Tot ?n acest an la concursul de dj Stick?Em Up din Bucureşti este desemnat pentru locul I la secţiunea Techno. ACTIVITATE RADIO: In anul 2000 ?mpreuna cu Dj Big Junior porneşte Only House Music la Radio Samtel Satu Mare,fiind prima emisiune de radio cu un conţinut după modelele din străinatate folosind şi explic?nd noţiuni din cultura rave,av?nd totodată şi o promovare cu afişe,inedit p?nă atunci pentru o emisiune de radio din oraşul său.In 2003 porneşte deja singur emisiunea de radio Plastic Mix la Radio Impact Satu Mare,unde pe l?ngă muzică electronică ?şi fac apariţiile deja şi mixurile proprii.In 2005 porneşte emisiunea Plastic Dj cu info despre dj?s & party?s,mixuri proprii şi dj-i invitaţi cu renume din ţară şi din ţara vecină(Ungaria),tot la Radio Impact Satu Mare. In 2006 emite deja On-Line emisiunea Plastic Dj! La ?nceput pe Radio R Rom?nia după care a continuat proiectul Plastic Dj la Radio Dj Rom?nia ( ) ?n fiecare S?mbătă ?ntre orele 21.00-23.00; Săptăm?nal mixează live şi la Radio DDANCE din Olanda ,
03.05.200712.7KB
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