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locatie: club s aprilie ronLocatie: Club S Galati Trupe:Hathor,Seism,First Division Data:06 aprilie 2007 Ora:19:00 Pret:5 RON
28.03.200743.3KB
:rolleyes: ...oare mie nu imi place voua..d asta c mai zici poze....:rolleyes: ...oare mie nu imi place voua..d asta c mai zici ...freeee!!!....
05.10.20075KB
1. a trecut aproape un an de la interviu in care se spunea ca albumul va aparea curand dar totusi el1. A trecut aproape un an de la precedentul interviu in care se spunea ca albumul va aparea curand dar totusi el intarzia sa apara. Iata-ne astazi, ascultand "Mecanismul de Modificare a Mintii Umane LP". Ce s-a intamplat in ultimul an? Aforic: Intarzierea s-a datorat faptului ca ne-am tot sucit in ultimul an, ce piese sa bagam, ce piese sa nu bagam, instrumentale tari tot apareau, ne-am indoit la un moment dat si cu aparitia LP-ului si iata ca dupa 2 ani si ceva de la infiintarea Spectrului de Difuzare am lansat asa zisul "monstru" ce il prezentam acum 1 an. Vorba cuiva "mai bine mai tarziu decat niciodata". Underman: Au fost anumite perioade in care discutam soarta proiectului in putinul timp liber care il mai aveam, albumul a fost inregistrat in cateva zile si a stat in productie cateva luni bune, am reusit in cele din urma sa il finalizam si sa il dam ascultatorilor intr-un moment in care cred ca multi nici nu se asteptau, sincer a fost o clipa in care si eu cel putin am realizat uimit... ca in sfarsit apare. 2. Este albumul un mecanism de modificare a mintii? Poate influenta puternic ascultatorul? SDST: Numele de "Mecanismul de Modificare a Mintii Umane" are strict legatura cu proiectul SDST in sine din cauza ca Spectrul de Difuzare se foloseste de ultrasunete sau chiar spectrul frecventelor pentru a actiona ca un mecanism pentru mintea omului. La fel si muzica, "ataca" prin frecvente. 3. Este mesajul albumului/pieselor usor de inteles pentru ascultator? Aforic: Nu exista sa nu intelegi ce vrea sa spuna cel ce scuipa. Underman: Categoric, unele mesaje au fost incadrate in text in functie de tipul piesei, automat cele clare si puternice au fost mai mult pe placul ascultatorilor. 4. Sunt 16 piese pe album. Initial trebuiau sa fie 21. Mai sunt piese ce ar fi putut avea loc in tracklist? Aforic: Proiectul initial avea mai mult de 21 de track-uri. Pe parcurs am selectat doar ce ni s-a parut noua potrivit sa apara. Am zis 21 atunci pentru ca la vremea aia ne placeau toate 21, intre timp cercul s-a restrans la 16. Parerea mea e ca primul album complet asa arata, cum l-am scos. Underman: Intr-un timp incepusem sa ne amuzam ca s-ar putea sa nu incapa pe un cd audio. 5. Au trecut doar cateva zile de cand albumul a vazut lumina calda a internetului si a atins difuzoarele flamande ale ascultatorului de hip hop. Exista feedback? Bun sau rau? Aforic: Din ce am auzit eu de la diversi indivizi, feedback-ul e unul pozitiv. Eu am un cerc restrans de ascultatori cu care imi petrec timpul ascultand si disecand albume. Ei mi-au zis ca e tare.Asta cred si eu oricum, altfel nu ar fi aparut niciodata. Underman: A fost pus pe internet doar de cateva zile, desi este putin cam devreme sa tragem o concluzie cred ca a fost primit bine. 6. "Ingeri deasupra Romaniei" este produsa si de Aforic. Trebuie sa recunosc ca nu stiam ca Aforic nu se rezuma doar la mc-ing. Vei continua si ca producer? Aforic: Da, recunosc, am invatat sa fac beat-uri de la Snephrue cu multi ani in urma cand era in Romania, acum el locuieste in Bilbao si ma alimenteaza constant cu beat-uri grave. Revenind la mine ca productie nu m-a pasionat atat de tare cu toate ca mi-as dori ca toata productia mea sa fie facuta de mine. Cu toate astea am in jurul meu o gramada de beatmakeri tari asa ca profit din plin de asta. Cu ocazia asta vreau sa-i salut pe Raz One si Jupiter cu care am colaborat si o sa mai colaborez din punct de vedere al productiilor. Underman: Dupa ce inregistram pe negativele producatorilor mentionati, Aforic obisnuia sa se "joace" cu unele voci aplicandu-le pe propriile negative, a fost astfel si o varianta a piesei "Ultima ofensiva" care suna destul de bine pe un negativ marca Aforic. 7. Ortega, Mr. Tweaks, Snephrue si Dribbler au contribuit la productia albumului. I-ati vrut de la inceput pe ei sau au existat si alti produceri dornici de a contribui la album? Aforic: Au mai existat si alte instrumentale care ne-au trecut prin mana si de la alti beatmakeri insa cum am zis mai sus LP-ul complet are coloana asta sonora. Inca de cand ne-am apucat de SDST am lucrat cu Sagace.Snephrue, Tweaks si Ortega, fiind oamenii nostri, cu Dribbler a fost ceva spontan, la un concert prin tara eram cu VeritaSaga am discutat, am cazut de comun acord in privinta instrumentalului si apoi a urmat "Scrisoare de pe Front". Underman: Am vrut sa fim deschisi colaborarii cu producatori care au inteles ce dorim sa punem in miscare, am ramas surprins placut de munca lui Snephrue pe care il stiam de foarte mult timp dar de care nu aveam nici o idee ca poate face astfel de negative, la fel si in cazul lui Mr. Tweaks. Ortega a lucrat cu noi si in trecut si probabil stia din experientele anterioare cam ce urmeaza sa pragateasca SDST, cat despre colaborarea cu Dribbler, ii multumesc inca odata pe aceasta cale, si sper sa mai lucram si pe viitor. Am vrut ca fiecare track sa fie diferit, iar producatorii au avut si ei un rol foarte important in asta. 8. Apropo de Dribbler, stiti cand iese albumul Veritasaga? :)) SDST: Chiar nu stim treaba asta. :) 9. Albumul are teme variate de la probleme sociale, conspiratii, battle rhymes pana la povestea din "Scrisoare de pe front". Il considerati un album complet? Se mai putea lucra la el? Ce credeti ca ii lipseste? Aforic: Pentru a treia oara il consider complet pentru ce am avut noi in cap de la inceput. Nu-i lipseste nimic. Am incercat sa il ermetizam cat mai minutios astfel incat sa iasa un produs compact, usor de digerat, dar in acelasi timp cu un sound greu, evitat sau mai bine zis uitat in ziua de azi de cei ce se apuca sa faca muzica. Underman: Categoric mereu este loc de mai bine, dar sa nu uitam insa si ca daca incerci prea mult sa finisezi un produs il poti strica. Nici eu si nici Aforic nu am avut pana acum experienta "unui album" ca sa zic asa, ne doream foarte mult sa scoatem un produs al nostru avand in vedere ca ne plimbam prin underground de ceva timp. Daca mai stateam "pe el" cred ca riscam sa nu il mai scoatem deloc, am preferat mai bine asa... decat deloc. 10. Personal, imi place mult "Scrisoare de pe front" atat din punct de vedere al interpretarii cat si al subiectului. Cum a aparut ideea piesei? Aforic: Piesa este 100% ideea lui Underman. A venit Underman intr-o zi la mine si a inceput sa imi povesteasca cum a luptat bunicul lui in al II-lea Razboi Mondial. In perioada aia eram la vanatoare de idei de piese si asa s-a intamplat sa reconstiuim macar auditiv un mic tablou in care sa cuprindem 4 din multele ipostaze in care a fost surprins soldatul. Am fost foarte entuziasmati amandoi de piesa, drept dovada "Scrisoare de pe Front" e prima piesa scrisa pentru albumul asta. Asta se intampla acum 2 ani... eram tineri. :) Underman: Pe langa asta, am vrut sa ii aduc un omagiu lui si celor care au trecut prin acele evenimente, sunt mandru de faptele lor si pentru faptul ca m-am nascut roman, sunt patriot inrait, consider ca toti ar trebui sa fim asa, si din cand in cand ar trebui sa mai deschidem o carte de istorie si sa vedem de unde am plecat. Mai tarziu mi-am dat seama ca doar cu aceasta piesa nu am reusit sa spun tot, asa a aparut "Ingeri deasupra Romaniei", scrisa putin mai tarziu. 11. O intrebare care e pe buzele multora cand posteaza pe forumuri este "SDST este la Facem Records"? Unde este SDST? Aforic: SDST se afla momentan in Bucuresti, cu tot cu o parte din producatori. SDST nu este la Facem Records, doar colaboreaza cu artisti de acolo si nu numai. In general urmarim colaborari cu cine ne place. Underman: Prin acest album am demonstrat ca se poate face muzica si independent. 12. In afara de SDST in ce alte proiecte mai sunteti implicati? Ce putem afla despre "Al 5-lea element"? Si chiar vream sa aflam! :) Aforic: In proiectul Al 5-lea Element sunt implicat numai eu. Proiectul a fost infiintat acum un an de mine, Dragonu si Bitza insa cu timpul am ramas doar 2. O sa urmeze ceva si pe partea asta dar nu pot sa spun cand sau unde, cert este ca o sa apara la o casa de discuri. Trebuie doar sa aveti rabdare, ca asa se nasc chestiile tari. Pana atunci o sa mai alimentez internet-ul si nu numai cu piese si colaborari tari cu oamenii mei. Underman: Eu gravitez in jurul planetei SDST si mai colaborez cu vechii colegi din subteran. 13. Mai exista "Atacuri de Panica"? Dragonu e bine? Sanatos? Aforic: Atacuri de Panica a pornit ca si crew de battle mc'z si asa a si ramas. Despre existenta lui nu va pot comunica mai mult decat stiti. Atacuri de Panica e asa cum il stiti. Atacam doar in cadrul concursurilor cu premii substantiale. Cat despre Dragonu, nu! Nu este sanatos, Dragonu e nebun. :)) 14. Un concert de lansare e musai sa fie. Va avea loc in curand? Vor putea fi achizitionate albume de la concert? Aforic: Normal ca va exista un concert de lansare. Chiar asa nu merita sa-l lansam? Vor fi si cd-uri puse la vanzare in cadrul aceluiasi concert. In plus o sa fie si niste invitati tari care o sa urce cu SDST pe scena. Fiti cu ochii in paispe! 15. Odata cu aparitia albumului puteti spune ca s-a incheiat o etapa din existenta SDST si ca poate fi inceputa alta? Aforic: Asta e primul album. Al doilea urmeaza sa fie conceput mai intai. Astept sa se opreasca fluxul asta de trupe si materiale care vad ca nu au nici o retinere in a fi expuse publicului si apoi o sa cantaresc mai bine cantitatea de urechi cu timpane fine predispuse la o dubla din partea noastra. Underman: Suntem gata de nivelul 2, si cred ca pe viitor vom sti mai bine cum sa procedam. 16. Se va incepe sau a fost deja inceput lucrul la un album nou? Aforic: Abia l-am scos pe asta .Stiu ca l-am scos tarziu dar a meritat. Urmatorul... in curand. Underman: Cu fiecare pas facut cresc si pretentiile tale, si mai ales ale celor din jur, cand se apropiase de final munca la primul album, aveam deja cateva idei pentru urmatorul, dar am hotarat cu Aforic sa ne "pedepsim" putin ... nu mai lucram la nimic pana nu scoatem Mecanismul de Modificare a Mintii Umane. 17. In speranta ca reparilor le-a placut acest interviu, finalul va apartine domnilor. Aforic: Reparilor? Punkistii nu au voie sa-l citeasca? La final vreau sa va urez o viata relaxata dincolo de liniste. Pace. Underman: Multumim celor care au asteptat proiectul si celor care apreciaza munca noastra. Respect.
05.06.20076.7KB
doggy :dinti: :zzz: :x :finger: poze....doggy :dinti: :zzz: :x :finger:
17.05.20073.1KB

 
club rise stuart street, go to rise to experience great music from djs and producers that some superCLUB RISE ADDRESS: 306 Stuart Street, Boston REGION: Back Bay TYPE: After Hours PHONE: 617-423-7473 People go to RISE to experience great music from world-class DJs and producers that some super clubs can't or won't have. The environment is perfect in that the club is not so huge you can't find someone, but it's just big enough for all of your friends and you get to meet new people in an intimate experience you cannot get anywhere else. The club is clean, friendly, and the decor is something that's constantly changing and you'll have to experience it for yourself. People leave their drama at the door and come to experience great music freely. Lastly, it's rare that you find a snobby person in Rise. If you do, they don't belong there. Rise is a private after-hours for a reason. They only want quality people. Its diverse, open-minded crowd is definitely refreshing. Everyone leaves their inhibitions at the door. :)
02.06.200733.2KB
buna sunt mihaela am 17 ani si sunt din atat despre mine :p.... :) cine esti.....Buna sunt Mihaela am 17 ani si sunt din Valcea....cam atat despre mine :P.... :)
05.07.200722KB
...not again...ma supar p voi...pls no more duceti la aberatii si vorbiti ce ar fi sa stergi...not again...ma supar p voi...pls no more offtopic...va duceti la aberatii si vorbiti ce ar fi sa stergi si asta...e off... :rolleyes: si daca nu ai obs....mai sunt care fac posthunting....whatever..is prea happy...sa-mi incarc capsoru cu astfel de prostii ala...e copacul din curtea scolii mele....stau sub el..uneori :rolleyes: :rolleyes:
14.06.200731KB
his flair for dramatic or perhaps because of it, nas became new york's favorite rapper in theNaS Despite his flair for dramatic overreaching, or perhaps because of it, Nas became New York's favorite rapper in the mid-'90s and remained near the top for over a decade. Rivals and time challenged his stay at the top of the New York rap scene — one of the more notable challenges being his bout with Jay-Z in the early 2000s — yet Nas soldiered on, continually changing his style and stepping up his game. Over the years, Nas went from being a young street hustler (Nasty Nas) to a boastful gangsta (Nas Escobar) to a self-proclaimed poet/prophet (Nastradamus) to a re-born encapsulation of himself (the "Stillmatic" Nas). In addition, he worked with countless legendary producers — DJ Premier, Large Professor, Pete Rock, Dr. Dre, Trackmasters, Timbaland — and put Queensbridge back on the map. Keep in mind, however, that Nas attracted a sizable share of critics as well, many of whom called him out for bluffing. After all, Nas often showcased a flair for dramatic overreaching, his ego knowing no limits. For better or worse, Nas was more his own rhetorical construction than a reality, precisely the reason why he was as criticized by his rivals as he was celebrated by his following. Born Nasir Jones, son of jazz musician Olu Dara, Nas dropped out of school in the eighth grade, trading classrooms for the streets of the rough Queensbridge projects, where he learned "street mathematics" and began emulating rappers like Big Daddy Kane, , and Kool G Rap. When he wasn't hustling to survive, he was reading books on African culture, Western civilization, lessons from the Five Percent Nation, scriptures from the Qu'ran, and chapters from the Bible. He eventually hooked up with Main Source in 1991 and laid down a verse on the group's song "Live at the Barbeque." The song became a New York favorite thanks to Nas' blazing rhymes and soon everyone began wondering who he was. A year later, MC Serch of 3rd Bass approached him about contributing a track to the Zebrahead soundtrack. Serch was the soundtrack's executive producer and, like much of New York, had been impressed by "Live at the Barbeque." Nas submitted "Halftime" and the song proved so stunning that Serch made it the soundtrack's lead-off track. Suddenly, everyone began talking about Nas. Columbia signed him to a major-label contract and all of New York's finest producers wanted to work with him. For the next two years, everyone waited as rumors began to swell. When word hit the street that he was working with DJ Premier, Large Professor, and Pete Rock— New York's top producers in the early '90s — anticipation grew exponentially. Finally, Illmatic hit the streets in April 1994 and didn't disappoint. With only ten tracks, the album wasn't overly long and had virtually no lackluster moments — a flawless album. Nas handled nearly every rhyme and never seemed short on lyrics. Years later, Illmatic is still seen as featuring some of the best lyrics hip-hop ever produced. To call Nas a street poet wasn't an overstatement, but rather a matter of fact. Even if the album didn't storm up the Billboard charts, it garnered the respect of every hip-hop devotee in New York and that was quite an accomplishment, particularly for someone just having reached his twenties. Following up Illmatic wouldn't be an easy task and rather than try and top that album, Nas expanded his approach for It Was Written. Released two years later in 1996, it no doubt had become one of the most anticipated hip-hop albums ever. Here, Nas once again delivered an album illed to the brim with street knowledge, but this time opted to go with different producers — Havoc, Trackmasters, Dr. Dre, L.E.S.— and some radio-friendly pop hooks. The calculated moments worked: "If I Ruled the World" and "Street Dreams" became national hits and expanded Nas' reach outside of New York. With It Was Written, he retained the hip-hop devotees who had championed Illmatic and had won a mass audience at the same time, a rare feat that he would struggle to duplicate in the future. The first sign of Nas' critical downfall came when he joined forces with Dr. Dre to create the Firm , an ambitious supergroup that looked invincible on paper; behind the production boards were Dre and the Trackmasters with Nas, Foxy Brown, Nature, and AZ on the mic. Surprisingly, the much-heralded album flopped. Listening to the album, it's fairly apparent why. Not only is it an incredibly conceited and brash album, it's also horribly calculated. Following the first setback of his career, Nas took some much-needed time off before returning in 1999 with two albums released only months apart: I Am...The Autobiography and Nastradamus . With these two similar albums, Nas moved further away from the heartfelt and lyrically driven approach of Illmatic in favor of the pop hooks that had made "If I Ruled the World" and "Street Dreams" crossover hits. The second single, "Hate Me Now," bitterly addressed his growing legion of critics. More troubling though, the song featured Puff Daddy, symbolic of the pop-rap style Nas had aligned himself with. Neither I Am nor Nastradamus proved successful for Nas. Both albums sold well and produced some impressive hit singles, but these singles — "Hate Me Now," "You Owe Me," "Nas Is Like," and "Nastradamus" — were blatantly targeted at the mass market with their pop-rap tendencies and further alienated Nas' more loyal fan base. Suddenly, Nas was no longer viewed as the prodigy he had been five years earlier and was now seen as a rather generic New York MC. This became perhaps most apparent when he resurfaced in 2001 with the QB Finest album, which sold few copies and generated only one substantial hit, the X-rated club track "Oochie Wally." Even so, Nas had begun to take his career in a new direction with QB Finest, establishing both his own label, Ill Will, and his new posse, Bravehearts. Moreover, he was no longer collaborating with the likes of Timbaland and Puff Daddy; he had returned to the streets to Queensbridge, where he began. One event accelerated Nas' new direction: a cutting dis by Jay-Z on the song "Takeover," which became the most talked about song in New York seemingly overnight. Jay-Z called out Nas for not having put out a "hot" album since Illmatic and also made comments about having sex with Nas' woman. And it didn't help that Jay-Z had indeed claimed the title of New York's favorite MC at the time, giving him ample justification to call out Nas, who had admittedly been slacking since the mid-'90s. Several months after the dis, in December 2001, Nas released the album Stillmatic, the title a reference to his one undeniable masterpiece, Illmatic, which had been released nearly a decade earlier. Stillmatic opened with the song "Ether," a very direct shot at Jay-Z (featuring the chants "f*** Jay-Z "and "I will not lose"), followed by Nas' most aggressive single ever, "Get Ur Self A..." (produced by ewcomer Megahertz,one of New York's hottest producers at the time). Both "Ether" and "Get Ur Self A...." re-established Nas' pride among the stickle hip-hop crowd and drove Stillmatic up the Billboard album chart to number five, where it hovered for weeks. In addition, Nas furthered his highly publicized return with dramatic videos for "Get Ur Self A...." and "One Mic" — both of which juxtaposed with "cash, money, hoes" videos of the time, featuring a church rather than a club, for instance — and toured the States, first a headlining tour and then an opening tour for pop-rapper Usher. During summer 2002, Nas infiltrated the pop market, dueting with Brandy and Jennifer Lopez. Ironically, while Nas reclaimed his popularity in 2002, Jay-Z s popularity waned in the wake of the much-discussed bout (though partly because Jay-Z flooded the market with low-quality product). To only further fuel the much-publicized bout between the two rivals, unreleased comebacks circulated as MP3s via file-sharing networks such as Audio Galaxy during 2002: a Nas track called "H to the Omo," which had him questioning Jay-Z s sexuality; and a Jay-Z track called "Super Ugly," which had Jay-Z rapping over the track to "Get Ur Self A..." for the first verse, Dr. Dre's "Bad Intentions" for the second, and also had Jay-Z singing the hook "I got myself a gun." God's Son, rated a 4 mic album by "The Source", has established that Nas is on the streets for good! Critics went as far enough to say that it picked up where Illmatic left off. God's Son shows the painful side of Nas through song's like, "Dance" and "Heaven", dedicated to his deceased mother, Ann Jones. He takes it further to the streets with "Made You Look" the album's lead single, produced by Salaam Remi. Agressive and new yet with an old school vibe it makes the perfect lead single. He also has something for the kids! Instead of having a gangsta or playa cliche type song for the second single, the much inspiring, I Can, teaches kids, adolcents, and adults lessons on how to live a succesful life. Nas also declares his relationship with, Pop/R&B artist, Kelis in songs like "Hey Nas" and "Mastermind". All around God's Son is a commercial classic! Though it lacks the street grime of Illmatic it is an exqusite follow up album to Stillmatic! - Leo Batista Mulattieri
30.05.20075.4KB

 
rob zombie for 18 years rob zombie has been carving out a strange legacy of music in the world ofROB ZOMBIE For 18 years Rob Zombie has been carving out a strange legacy of music in the world of rock, beginning in 1985 with the formation of his brainchild White Zombie. From the start, White Zombie was a bizarre hybrid of hardcore/punk aggression, Lower East Side art-damage and hard rock thunder. As if that weren't enough, these fixations were filtered through Mr. Zombie's love of classic horror/sci-fi films, trash hot rod culture and generally, all things on the dark side. Zombie oversaw every aspect of the band's journey from their early independent releases to their major label albums. He created the band's unique visual style, designing everything Zombie: album art, T-shirts, stage shows and music videos. This was a man obsessed. "I never saw it as work; I love doing everything," insists Zombie. "How else can you realize a complete vision" After five independent releases, Zombie's efforts paid off in 1990 when the band signed with Geffen Records. White Zombie's major label debut, entitled La Sexorcisto: Devil Music Vol. 1, was issued in 1991. The band toured long and hard, playing more than 350 shows and eventually hitting pay dirt: The album spawned a hit single, the Grammy-nominated "Thunder Kiss '65," and went on to sell two million copies. In 1995, White Zombie returned with Astro-Creep: 2000. The album rose to Billboard's Top Ten and stayed there for two months, remaining firmly in the Top 200 for 89 weeks. Astro-Creep: 2000 gave the world "More Human Than Human," an infectious, Grammy-nominated hit. Also in 1995, Rob Zombie won an MTV Video Music Award for Best Hard Rock Video for the self-directed clip for "More Human Than Human." Soon thereafter, Astro-Creep: 2000 was certified triple platinum. Supersexy Swingin' Sounds, a full album of Astro-Creep remixes by some of the hottest mixers in the field, followed quickly on the heels of that success: The disc went platinum. As the Astro-Creep tour was winding its way around the world, Zombie somehow found time to indulge in a few special projects. First off was a duet with his childhood idol, Alice Cooper, for the soundtrack to the hit TV series "The X-Files." Zombie remarks of the collaboration: "Working with Alice was a dream come true. The song, entitled "The Hands of Death," was nominated for a Grammy Award. It was up against another Zombie offering, "I'm Your Boogieman," from the platinum soundtrack to "The Crow: City of Angeles." While on tour, Zombie also began working with "Beavis and Butt-head" creator Mike Judge on a key scene for the film "Beavis and Butt-head Do America." Zombie designed the classic hallucination sequence for the film between gigs. "Mike was looking for an idea for a hallucination for Beavis," he recalls. "He wanted something that was like the ultimate rock video. I suggested that Beavis should go to hell, and Mike loved the idea." For many, this scene of Beavis hallucinating was a highlight of the film. Zombie was then sought out by none other than The King of All Media - Howard Stern. Stern wanted to duet with Zombie on a song for his upcoming movie, "Private Parts." "I've been a big fan of Howard for about 18 years," says Zombie, "so being able to work with him was an honor and a pleasure." The thumping "The Great American Nightmare" resulted; it became a theme song for both Stern and Zombie. "Private Parts," meanwhile hit #1 at the box office, as did the soundtrack, which has been certified platinum. Zombie next began work on his most ambitious album to date: Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International. The disc was produced by Scott Humphrey (Metallica, Motley Crue) and Rob Zombie. Work on the album began in August of 1997 and was completed 10 months later. Hellbilly Deluxe (released Aug. 25, 1998) is a wild musical and visual journey through the mad, mad, mad world of Rob Zombie. "This is no small, self-indulgent album filled with whining about deep feelings," Zombie declares. "This is a full-blown evil raging beast - a total Zombie extravaganza." Hellbilly Deluxe entered the Billboard charts at #5. Soon after Zombie hit the road in support of the album, boasting one of the largest stage shows in rock music, incorporating state-of-the-art lights, sound, video and pyrotechnics. Over the next year Zombie played to over a million fans worldwide and went on to sell over three million copies of Hellbilly Deluxe, certifying the album triple platinum. The song "Superbeast" also chalked up yet another Grammy nomination for best hard rock performance. Upon returning home, Zombie released an album of remixes from Hellbilly Deluxe called American Made Music To Strip By. This album includes songs featured in the hit movies The Matrix and End of Days. Soon after the album's release, Zombie was contacted by comic book and toy mogul, Todd McFarlane to create a Rob Zombie action figure. The action figure has become one of the most successful ever released by the company. In the summer of 2000, Zombie wrote and recorded a new song called "Scum of the Earth," for the Mission Impossible: 2 soundtrack. The soundtrack has sold over three million copies worldwide. In 2000, Zombie began working on his writing and directing motion picture debut for the film, "House of 1000 Corpses" for Universal Studios. The film features cult stars such as Academy Award Nominee Karen (Five Easy Pieces, Nashville) Black, Sid (Spider Baby, Shaft) Haig and Michael J. (Bonnie and Clyde) Pollard. Production on the film wrapped in April of 2000, but was soon found by Universal Studios to be "too dark and disturbing under their corporate releasing guidelines." Three years later, the horror film was released by Lions Gate Entertainment and has instantly become a cult classic. The movie has grossed over 13 million dollars since its release and the numbers continue to grow as does the legion of new Zombie film fans. On the music front, Zombie quickly entered the studio after filming HIK, to begin work on his follow up album, The Sinister Urge. "Getting back into the recording studio was a welcome relief from the grueling movie schedule," Zombie explains. The record was once again co-produced by Scott Humphrey and boasts an impressive list of guest players including: Ozzy Osbourne, ex-Motley Crue drummer, Tommy Lee, Slayer guitarist Kerry King, DJ Lethal and the Beastie Boys' Mix Master Mike. The album is certified Platinum. Now in the midst of 2003, Zombie's conquests have reached an all-time high. The DVD for House of 1000 Corpses will be released in August of 2003 along with a line of action figures, Halloween masks, T-shirts and other products based on the film. Due to the success of the film, Zombie is currently writing the script for House of 1000 Corpses 2 (the sequel) which is set shoot in Spring of 2004 (Zombie will direct the film.) In addition, Zombie is gearing up for the release of his first horror anthology comic book series entitled "Rob Zombie's Spookshow International", slated to hit stores October 29, 2003 in conjunction with MVCreations and CrossGen Entertainment. Zombie is also collaborating on a graphic novel with Steve (30 Days of Night) Niles for the successful Dark Horse Comic Company. On the music front, Zombie recently wrote and recorded the song "The Man Without Fear" for the film Dare Devil, as well as the song "ReLoad" for the blockbuster Matrix 2 Reloaded. September 23, 2003 will be the release of Rob Zombie's first "Best Of" album entitled: "Greatest Hits: Past, Present and Future," which includes a Bonus DVD with 10 music videos directed by Zombie himself. The two disc set (Geffen/UME) was produced by Zombie and features seven Grammy nominated tracks and spans his early days with White Zombie to his successful solo career...also included are soundtrack rarities and two new tracks.
30.05.200710.9KB
dar asta va poze....dar asta va place?:D::D
27.04.200749.8KB
. poze.....
04.06.20071.7KB
deep dish tara: statele unite ale americii deep dish inseamna ali shirazinia si sharam tayebi, ceiDeep Dish Tara: Statele Unite ale Americii Deep Dish inseamna Ali “Dubfire” Shirazinia si Sharam Tayebi, cei doi iranieni care de fiecare data cand se afla la pupitru aduc un elogiu muzicii electronice. Indiscutabil albumul lansat in 1998 "Junk Science" a fost cel care ia adus pe cei doi americani la un nivel de recunostinta mondiala. Cu ajutorul pieselor " The Future Of The Future (Stay Gold)" si "Stranded", albumul care ii facea pe critici sa nu mai gaseasca destule superlative pentru a il descrie fiind atat diversificat cat si neasteaptat, lasa o lume intreaga surprinsa. In continuarea acestui album, cei doi profita de atentia media pentru a remixa piese clasice ale unor artisti ca Brother Brown, Gabrielle, Amber, Morel and Beth Orton devenind in scurt timp uni dintre cei mai cautati producatori/remixeri/dj din lume. Desi initial labelul lansat in 1994 Yoshitoshi avea menirea de a lansa productii ale prietenilor Deep Dish in 2000, acesta devine mai mult de atat semnand piese si albume ale unor dj din intreaga lume dar in special devenind si petrecerile pe care cei doi iranieni le promoveaza, creand seturi personale de exceptie cu ajutorul experientei dobandite in decursul anilor petrecuti in intreaga lume. Baietii de la Deep Dish ies din rand datorita tolbei pline de premii obtinute de-a lungul carierei. In 1998 au castigat titlul de Best International DJ , acordat de reputata revista Muzik Magazine. In 2001 au fost nominalizati in cadrul ceremoniei Grammy Awards la categoria “Remixer of the Year” . Un an mai tarziu, cu Global Underground: Moscow au castigat titlul de Best Compilation , in cadrul DanceStar USA Awards. In acelasi an au obtinut confirmarea suprema, pe care si-o doreste orice profesionist in muzica, castigand titlul de “Best Remixed Recording” pentru piesa “Thank you” interpretata de Dido , la Grammy Awards.
03.05.200712.9KB

 
aici postam despre premille care se vor acorda la mtv romanian formatiile ce va despre atmosfera deaici postam despre premille care se vor acorda la MTV romanian awards...despre formatiile preferate...despre ce va placut...si despre atmosfera de akolo... :nebun:
10.05.20075KB
romania dj pagal pe numele adevarat andrei radu motoc, s-a nascut pe 19 octombrie 1978 in inca dinPagal Tara: Romania DJ Pagal pe numele adevarat Andrei Radu Motoc, s-a nascut pe 19 octombrie 1978 in Bucuresti... Inca din scoala se poate vorbi despre Pagal-copilul-problema... Invata bine, dar cu prezenta o ducea extrem de prost. In loc sa stea la orele de curs, prefera sa piarda timpul in compania prietenilor sai, rockeri ca si el. De fapt, concertele rock au reprezentat primul contact adevarat cu muzica al tanarului Pagal. Pasiunea pentru aceasta muzica l-a marcat o perioada lunga de timp, mai bine de 7 ani Pagal alergand din concert in concert... Nu a ratat nici o aparitie pe caseta/cd, nu a lipsit de la nici un concert punk-rock autohton. Obisnuia sa mearga la Budapesta, unde aveau loc cu regularitate evenimente rock de mare amploare... Asa i-a vazut/ascultat live pe cei de la Metallica, Guns'N'Roses, Pearl Jam s.a.m.d. Nici nu incepuse bine liceul si Pagal se vedea basistul unei formatii alcatuite impreuna cu colegii sai... Cum tendintele in muzica incepeau sa se contureze si in Romania, apare primul club ce incerca sa promoveze muzica electronica. Asa a ajuns Pagal in Studio Martin, unde a devenit client fidel de la prima intrare... Aici a prins gustul acestei muzici, dupa care a inceput sa alerge prin Bucuresti (cluburi ca Easy-Busy si apoi Zerillo's au fost luate la rand de tanarul Pagal). Tot in aceasta perioada il cunoaste pe primul promotor de muzica electronica din Romania, pe nume Gianni, italian la origine. Acelasi Gianni care ni l-a adus pe Rosario Internullo, dj cu care Pagal se imprieteneste la catarama. Stand aproape tot timpul impreuna, "de la mine a invatat romaneste, iar eu am deprins meseria lui" spune Pagal despre Rosario si despre cum a inceput el sa se joace cu platanele. A cantat o buna perioada de timp cu Rosario in cluburile simbol ale miscarii clubbing, ca Zerillo's sau Bizar din Constanta, unde am petrecut cele mai frumoase clipe impreuna...A urmat o ruptura in relatia lor, Pagal nemaifiind incepator si dorind sa se afirme in plan individual. Pagal a mixat si la Karma (de 2 ori), Zerillo's, DV8, MCM Cafe, Club Space (unde a fost si rezident o perioada), Underground, The Web, Voodoo, Heaven, Colours sau Wings. Daca stati sa analizati lista de mai sus, cu cateva exceptii in care a cantat in cluburi de program normal, Pagal s-a orientat mai mult pe afterhours, devenind repede regele neincoronat al acestuia... Tocmai datorita saltului calitativ pe care l-a facut in ultimul timp, Pagal a fost unul dintre putinii dj romani invitati sa mixeze in La Mania din Mamaia in vara anului 2002. After-hours-urile "sub semnatura" Pagal au fost cap de afis, lumea alegand sa ramana peste program numai pentru a-l asculta si a se distra pe acordurile mixurilor sale. Totodata, Pagal si-a entuziasmat fanii si pe plaja Kudos, unde a fost rezident pe intreaga durata a verii, dar si pe La Mania Beach sau Celentano Beach... Cu alte cuvinte, Pagal a fost peste tot in aceasta vara, demonstrand inca o data (daca mai era nevoie) ca are forta si priceperea necesara pentru a fi cel mai bun dj de after-hours din Romania...
03.05.200710KB
...fara cine esti........fara prezentari...marius...dragasani...17...job_curse...
19.04.20076.9KB
imposibil de :nod: :nod: :nod: :nod: :nod: :nod: :rotfl: poze....imposibil de nerecunoscut :nod: :nod: :nod: :nod: :nod: :nod: :rotfl:
03.05.20074KB

 
sa radeti putin... aberatiisa radeti putin...
17.05.20073.1KB
armin van buren poze....ARMIN VAN BUREN
26.04.20078.7KB
you ....faci pub. kumvayou ....faci pub. kumva"in fiecare duminica " ha...you LOST!!! :limba: :dinti:
03.05.20075.3KB
vali romania intrat in showbiz ca dj de radio in anul 1991. a produs si a prezentat programe deVali Barbulescu Tara: Romania BIOGRAFIE: A intrat in showbiz ca DJ de radio in anul 1991. A produs si a prezentat programe de radio in orasul sau natal, Constanta, pentru Radio Sky si Uniplus Radio. Mai tarziu si-a mutat resedinta in Bucuresti unde a facut multe puncte de rating pentru Radio Contact, Radio 21 si Pro FM. In prezent face parte din echipa KISS FM si realizeaza o linie saptamanala in fiecare seara de la 10 astfel: de luni pana joi "HouseXperience Live" (live mix in the studio), vineri si sambata "HouseXperience Session" (best weekend selecta) si duminica seara tot de la 10 produce programul "HouseXperience Chill" (only chill out music). Curiozitatea dar si talentul il aduc ulterior si in fata camerelor de filmat. A produs si a prezentat programe TV pentru Pro TV, MCM Romania, MTV Romania si Prima TV. Cotat ca si un MC foarte bun a prezentat numeroase show-uri in cluburile din Bucuresti si din tara dar si importante evenimente transmise in direct la televiziune: Revelionul Pro TV, MTV Romanian Video Music Awards si altele. Dupa toate acestea, acum 4 ani descopera cea mai mare pasiune a sa: DJ-ing. Si-a vandut masina pentru a-si cumpara doua platane, un mixer si niste viniluri. Acesta este inceputul unei impresionante cariere de DJ. A mixat alaturi de nume celebre ca Steve Lawler, Satoshi Tomiie, James Zabiela, Hybrid, ATB, Jimmy Van M, David Morales si multi altii. Insa bucuria sa cea mai mare este atunci cand poate mixa singur un set non-stop de sase ore. El reuseste intr-un mod unic sa hipnotizeze audienta cu un amestec eclectic de house, tribal, electro, breaks si scratches. Dar, se pare ca inca nu este suficient. Dupa multe nopti petrecute in propriul studio de inregistrari a lansat doua albume, compilatii si remixuri. In 2004 a fost invitat la Winter Music Conference in Miami, USA unde a intrat in contact cu multe case de discuri si producatori ce au aratat un interes deosebit pentru creatile sale. Asta a condus la decizia de a inaugura propriul sau label, Valio Records. Pe langa a produce si a remixa, noua sa provocare este sa performeze live, cu samples, loops si sequences imbinate cu voce si instrumente live. Astfel Vali BARBULESCU va pasi catre urmatorul nivel in muzica electronica.
18.04.20076.7KB

 
sper s nu dezam. :( :( :( =) poze....sper s nu dezam. administratorull :( :( :( =)
26.04.200721.3KB
dj mike in 2003 a devenit rezident si manager al clubului xs din iasi . aici a pus muzica impreunaDJ MIKE In 2003 a devenit rezident si manager al clubului XS din Iasi . Aici a pus muzica impreuna cu nume importante ale scenei mondiale cum ar fi : Olliver Mac Gregor , Danielle Tignino (Psycho Radio) ,Yahel , Andy Morris (Narcotic Thrust) Michel de Hey , Toni Rios, Hybrid, Lee Burridge ,Rick Pier O’Neil (RPO), Margaret Dygas, Pascal Feos .
03.05.200710.3KB
sall ;) poze....sall ;)
17.05.20075.1KB
within temptation got founded in 1996. robert who had already found a singer (his girlfriend sharonWITHIN TEMPTATION Within Temptation got founded in 1996. Robert Westerholt, who had already found a singer (his girlfriend Sharon den Adel), started the band. In less than two months, they had been offered various contracts for a record deal. WT decided to sign with DSFA Records and things got started. After signing to DSFA, things got rolling. The first album, "Enter", was released in April 1997 and soon after that, WT already played Dynamo 1997. It was their fifth gig ever... After playing on Dynamo they got asked for quite a lot of other gigs and at the end of 1997 (November) they even did a two-week tour through Germany and Austria. Some other pretty big gigs followed, including Noorderslag. And Dynamo 1998 of course, where WT played the main stage, after playing the campsite in 1997. Around the time that they played this gig at Dynamo, they also released an EP called "The Dance". This was supposed to serve as a small treat to span the gap between Enter and a new record. In 1999 WT decided to take things slow. After two years of performing and far too less breaks, they needed some time for themselves. So nothing really exciting happened except they finished their studies and their own studio became reality. 2000 turned out to be the year of major changes. The band received invitations to play at the major festivals in the Benelux countries. In December of this year the cd Mother Earth was released. Many Dutch professional music magazines voted this cd as their cd-of-the-month. Various album charts were topped and the number of fans increased heavily. In 2001 Within Temptation did a lot of touring, both inside- and outside of The Netherlands. Besides a club tour of 40 ‘sold-out’ concert halls, many festivals concerts were done. One of the highlights was a concert at the famous Pinkpop festival (100.000 visitors). Also concerts in Paris, Mexico-City and at Belgium Festivals were given. 2 cd-singles were released, Our Farewell and Ice Queen. 2002 became the year of the mass-breakthrough. The single Ice Queen reached the number 1 position in may charts, both in The Netherlands and in Belgium. The Album Mother Earth reached the Platinum status in The Netherlands and the Gold status in Belgium. In both countries TMF/MTV Awards were achieved. The band played at the major Festivals in the Benelux (Ozzfest, Lowlands, Dynamo, Rock Werchter, Pukkelpop, Parkpop), as well as in Germany (Rock im Park, Bizarre, Summerbreeze). In France Within Temptation toured the major cities (Paris, Lyon, Lille, Bordeaux, Toulon) with sold-out venues. Besides Robert Westerholt (guitar) and Sharon den Adel (singer), Within Temptation consists of: Jeroen van Veen (bass guitar), Martijn Spierenburg (keyboards), Stephen van Haestregt (drums) and Ruud Jolie (guitar).
03.05.200713.3KB

 
dimmu DIMMU BORGIR Pronounced "dim-moo bore-gear", the Dimmu borgir is a large area of unusually shaped lava fields east of Lake Mývatn, on Iceland. The Dimmuborgir area is composed of various caves and rock formations. It would seem that this has been formed from a lava-lake, out of which molten lava flowed and left behind strange formations. The most famous cave being Kirkjan - the Church - high with a large gothic style vault. Dimmu=foggy/dark, Borgir=castle/fortress. Dimmu Borgir is a melodic black metal band hailing from Norway. Shagrath, Silenoz and Tjodalv initiated the band in 1993. Shortly after, Brynjard Tristan joined to play bass, and Stian Aarstad joined for keyboard duties. Dimmu Borgir was born. They are a band which success is measured with such bands as Emperor, Kreator and Cradle of Filth. I will without a doubt say that Dimmu Borgir is the best black metal band in the world today (webmaster's comment). Haunting keyboard melodies, aggressive guitar work, destructive drums, grim/raw vocals and a touch of melodic/operatic vocals characterize Dimmu Borgir's sound. They are musically inspired by 80's black metal and heavy metal. Classic composers, like Wagner and Dvorak, also inspire them. Dimmu Borgir began their career by releasing a 7" EP entitled "Inn I Evighetens Morke" ("Into the Eternity of Darkness") on Necromantic Gallery Productions in 1994. It sold out within a few weeks, marking the start of a successful and magnificent band. Dimmu Borgir existed in the black metal scene for quite some time but did not get the recognition they deserved until late 1994, when they released their debut full length album "For All Tid"--a slow, dark and atmospheric recording--on No Colour Records. The album features contributions by Aldrahn from Dødheimsgard and Vicotnik from Ved Buens Ende. The lineup on their debut album was: Shagrath - Drums & Vocals (Guitar on track 5), Erkekjetter Silenoz - Guitar & Vocals, Tjodalv - Guitar, Brynjard Tristan - Bass, Stian Aarstad - Synthesizers, Piano & Effects. In 1996 they released one of the most important albums in black metal history, "Stormblåst", on a new label, Cacophonous records. During that time period, this album showed that Dimmu Borgir was one of the better melodic black metal bands. They took a big step forwards, towards the distinctive sound in which Dimmu Borgir is known for today. Mature song writing, with good variance of tempos, a strong classical influence and one of the best black metal sounds out there. "Stormblåst" showed an increase in speed, yet maintained the melody and atmosphere. Lineup on this recording was: Shagrath - Lead Guitar & Vocals, Erkekjetter Silenoz - Rhythm Guitar & Vocals, Tjodalv - Drum & Percussion, Brynjard Tristan - Bass Guitar, Stian Aarstad - Synthesizers & Piano. For the first two full lengths, Dimmu Borgir wrote their lyrics in Norwegian, however after the release of "Stormblåst", they changed the lyrics into English. The main reason was that the majority of the audience did not understand the lyrics and so Dimmu Borgir wanted use a popular language to communicate their message--to reach a broader audience. After "Stormblåst", Dimmu Borgir released the "Devil's Path" MCD on Hot Records, in 1996. Shagrath actually worked in Hot records and he was responsible for the signing and promotion of bands. "Devil's Path" is a MCD with 4 songs, and includes a brilliant song entitled "Devil's Path", so it's worth purchasing this release to complete your Dimmu Borgir discography. For the MCD, Nagash, who at that time was in Troll and The Kovenant (previously called Covenant) was recruited to replace Tristan on bass. Stian Aarstad did not perform keyboard duties on this album due to the fact that he had to take care of business regarding the Norwegian army. Line up on this recording was: Shagrath - Guitar, Vocals & Keyboard, Erkekjetter Silenoz - Guitar, Tjodalv - Drums, Nagash - Bass. In 1997 Dimmu Borgir released their masterpiece "Enthrone Darkness Triumphant"--an engaging, powerful and moving recording. One of the most important black metal releases this century (webmaster's comment). "Enthrone…" marked a move to a bigger label, impeccable production (by the famous Peter Tagtren) and the success of 150,000+ in record sales. Due to these reasons, many have claimed that Dimmu Borgir have sold out. This is not true. The fact is that with this release they have made black metal available for a much broader audience and with their melodic-yet-still-aggressive sound, they became one of the biggest names in black metal. This was a great achievement, and being a hard working, dedicated and persistent band, Dimmu Borgir deserve their high status. "Enthrone…" was released on their new label, Nuclear Blast, after their old record label failed to give their best to promote Dimmu Borgir. If you are curious as to why the lyrics of "Tormentor of Christian Souls" are not include in the booklet is because Nuclear Blast did not want to be responsible for printing them! Line up on this recording was: Shagrath - Guitar & Vocals, Erkekjetter Silenoz - Guitar, Tjodalv - Drums, Nagash - Bass, Stian Aarstad - Synthesizers and piano. After the recording of "Enthrone…" the band hired Astennu to play guitars during live performances, so Shagrath could fully concentrate on his vocals and stage performance. Astennu replaced Jens Petter who was a member for a short while between "Stormblåst" and "Enthrone…" Astennu is originally from Australia and came to Norway to record his solo project Carpe Tenebrum, which was previously called Lord Kaos. He then played guitar in The Kovenant and after a short time, became aware of his priorities, quit, and is presently a full-time member of Dimmu Borgir. After the "Enthrone…" tour, Dimmu Borgir had a mini-tour where Tjodalv left the band for a few months to be with his family and newborn child. His replacement was Aggressor, filling in as a session drummer, who is currently with Aura Noir. In the "Enthrone…" tour, Stian Aarstad had trouble participating in some of the performances and was fired from the band. Stian Aarstad has now joined the ranks of the Norwegian black metal band Enthral. His replacement was Kimberley Goss, who has previously worked with Therion, Ancient and currently, Sinergy. But after an incredibly brief stay with Dimmu Borgir, Kimberly Goss had to leave the band, due to the fact that she was a session member. Her replacement--on a very short notice--was Mustis, a young keyboard player from Norway and acquaintance of Shagrath since early 1998. He had his first live appearance with Dimmu Borgir at the Dynamo Open Air festival 1998. Mustis has not played in any significant bands previous to Dimmu Borgir, but he has added a new element to the band, and the new sound can be heard on "Spiritual…" Mustis had a heavy influence on this album, considering 60% of Dimmu Borgir songs are created on keyboard first. A very nice surprise was the re-release of Dimmu Borgir's debut album, "For all Tid", on Nuclear Blast in 1998. This album contains all of the original material and includes two songs from their 7" EP "Inn I Evighetens Morke" ("Into the Eternity of Darkness"). In the same year, Dimmu Borgir released a MCD, "Godless Savage Garden", which is also on Nuclear Blast. The album contains 2 new songs, 2 re-releases, one cover and 3 live recordings. This release was only intended to be a "goodie" while the fans were waiting for the new album, "Spiritual…" This MCD was rated so good that it was nominated for "Spellemannsprisen", a Norwegian Grammy, in the metal category. "Godless…" was nominated together with albums from The Kovenant and Mundanus Imperium. The whole show was aired on Norwegian television and Dimmu Borgir played "Grotesquery Concealed" live, from the "Spiritual…" album. The performance was the only highlight of the entire show. Unfortunately Dimmu Borgir did not win the Grammy, but The Kovenant did, for their "Nexus Polaris" album. The recording of "Spiritual Black Dimensions" once again took place in the infamous Abyss Studios with Peter Tagtren (Hypocrisy, Pain, The Abyss). Dimmu Borgir achieved an outstanding sound, complexly layered and powerfully enchanting. "Phantasmagoria" was the name of the song first performed live at 1998 Dynamo festival. Another song from "Spiritual..." was released on the Beauty in Darkness Vol.3 compilation, on Nuclear Blast, entitled "The Insight And The Catharsis", serving as a teaser before the albums official release. Released officially on March 1, 1999, by Nuclear Blast, "Spiritual..." took the record stores by storm and proved once again that Dimmu Borgir are the kings of the dark throne. Prior to the release, many have been curious as to what direction the music would take. Those in doubt of Dimmu Borgir's dedication to extreme music were forced to face reality when "Spiritual…" proved to be their most complex and extreme album to date. After this recording Nagash decided to quit Dimmu Borgir to concentrate fully on The Kovenant. The temporary replacement, Simen Hestnaes (also known as I.C.S. Vortex) from Borknagar contributed to this recording with clean and operatic style vocals. He is also the session bassist on the "Spiritual…" tour 1999. In late 1999 Simen became (as I think everybody hoped for) the permanent replacement on bass and full member of Dimmu Borgir. The line up on this recording was: Shagrath - Vocals, Erkekjetter Silenoz - Guitar, Astennu - Lead Guitar, Tjodalv - Drums & Percussion, Nagash - Bass, Mustis - Synthesizers & Piano. A month after the release of "Spiritual... ", Dimmu Borgir made a split album with Old Man's Child, titled "Sons of Satan Gather for Attack." Also in the same month Astennu released his side project, Carpe Tenebrum, entitled "Mirrored Hate painting". This project involved vocals from Nagash and contains similar elements as Dimmu Borgir, only faster. Both of these albums were released through Hammerheart Records, and more information is available at the following link: Hammerheart Records In the early stages of the 1999 Dimmu Borgir tour, right after their crushing gigs in New Jersey and Montreal, Tjodalv decided to leave the band due to musical and personal differences. He has a family to take care of and cannot do the immense touring of Dimmu Borgir. Tjodalv's replacement should be familiar to everyone, it is none other than the godly Nick Barker, former Cradle Of Filth drummer. Nick has recently finished drumming duties with Borknagar on the North American "Kings of Terror Tour". Nick will release a new album with his side project "Lockup", the album is titled "Pleasure paves sewers". The album was recorded in Peter’s Abyss Studio in Sweden and released 22.11.99 by Nuclear Blast. Dimmu Borgir was about to start the recording of a new album in March 2000 the bandwas booked into Abyss studio with producer Peter Tagtgren to record the yet untitled new album in March and April 2000. This did not happend because they needed more time to finish the new material. They also have had some financial problems that restricted the rehersal time, because Nick still live in England and could not afford to come over to norway as often as he should have. Further line-up changes took place during the writing period for their new album when the band fired guitarist Astennu due to various personal reasons. Astennu's replacement ended up being a man named Galder (Tom Rune Andersen) the "Mastermind of Old Mans Child" who is known for his brilliant guitar playing in Norwegian black metallers Old Man's Child. With a firm line-up now intact Dimmu Borgir entered Sweden's Fredman Studio (At The Gates, In Flames, Dark Tranquillity) in Fall 2000 to record their highly anticipated new album, Puritanical Euphoric Misanthropia. Once again the band created a masterpiece in aggressive music with outstanding atmosphere and audibly evil songs. The songwriting is at its highest peak making Puritanical Euphoric Misanthropia the band's strongest release to date (proven by such standout tracks as"Blessings Upon The Throne Of Tyranny", "Kings Of The Carnival Creation","The Mealstrom Mephisto" and "Architecture Of A Genocidal Nature"). As an added bonus, the band recorded various tracks with the Gothenburg symphonic orchestra yielding astonishing conclusions sure to turn heads. The end result is nothing short of perfection from the complex guitar work to the dynamic keyboard tinkering. Drummer Nick Barker blasts through the material with devastating force and fluidity while Hestnaes' bass rumbles supremely below as he adds intelligently lays down well-placed backing vocals for added enhancement. Vocalist Shagrath pushes himself to an underworldly level never sounding more sinister and ferocious. Puritanical Euphoric Misanthropia is not just another Dimmu Borgir release that so many people are expecting to hear by any means. It possesses its own dark emotions and exciting creativity that only a band as experienced as Dimmu Borgir can deliver leaving all other "top tiered" black metal bands flailing helplessly in their wake. Another chapter is in Dimmu Borgir history is about to take place as they hit the roads in March 2001 to give their brilliant piece of work to the thousands of loyal fans around the world, well.....people "You wanted the best you got the best..... Dimmu Borgir!" show up and prepare to se another awesome show performed by Dimmu Borgir. Written by Frank Holm
26.04.200715.9KB
blind four bards have their origins in the small town of krefeld in the band was originally formedBLIND GUARDIAN The four bards have their origins in the small town of Krefeld in Germany. There the band was originally formed in 1985, under the name Lucifer´s Heritage. They have had the same lineup since (talk about friendship!). Lucifer's Heritage consisted of four skilled bards: Hansi Kursch, who played the bass; Andre Olbrich, who played the guitar; Markus Siepen, who also played guitar; Thomas Stauch, who played the drums. This band was obviously influenced by RPG Epic metal and Helloween. In the early days they recorded two demos: "Symphonies Of Doom" (1985) (wich wasn´t such a big hit), and "Battalions of Fear" (1986) (which was quite successfull). They were quite successful in German underground and lateron they changed their name to Blind Guardian. Some months later, they signed a contract with 'No Remorse', and in 1988 they released their debut album "Battallions of Fear" which resembled early Helloween, with the production of Kalle Trapp. The next year (1989) they released their second album, "Follow The Blind", featuring appearances by formal Helloween-guitarist and present Gamma Ray-vocalist Kai Hansen. He did some guitar-work and some singing on "Valhalla" and "Hall of the King". Up to this point, there music was still very like Helloween. With the third album (1990), "Tales from the Twilight World", they made some drastic changes in their music. It made their music known to all other continents. They had gone from raw speed-metal to a sound more melodic. An album that combines epic and melodic metal with such success, creating an unique style of music. The 'speed', however, was still there (just listen to songs like "Goodbye My Friend" or "Welcome To Dying"). This time they had, according to Hansi Kürsch, also spent more time on the lyrics. This album opened a new chapter in the Guardian story. For the first time they also had the cover painting done by Andreas Marshall, a veteran in designing covers for popular German metal groups. After the third album their records were distributed in Japan, which had become a major fan base for Blind Guardian. In September 1991 the band signed with Virgin (which was - according to many - responsible for the broad success of their next album). In 1992 they released "Somewhere Far Beyond". The sound on their fourth album was pretty much the same as the sound on their previous one: it successfully blends epic ballads with metal resolving to a magnificent outcome. It also has speed songs like the cover "Trial By Fire" and their own song "Journey Through The Dark". On this album we should remark "The Bard's Song" (originally a single but never got the chance), with two awesome parts: "In The Forest" and "The Hobbit". Every self-respecting Blind Guardian fan should know these by heart. With the success of this album they got a world-wide recognition. In 1993 "Tokyo Tales" was out. With this album they followed lots of other bands who chose Tokyo as the location of a live album. In 1994 they broke up with their formal producer and chose Flemming Rasmussen, the guy behind some of the best Metallica albums. In 1995 Blind Guardian released two singles, "A Past And Future Secret" and "Bright Eyes" (also known as "Mr. Sandman" in Europe). It wasn't until the release of their fifth album in 1995, "Imaginations From The Other Side", that their sound altered. It was taken to a higher level of complexity, mixing the old speed-sound with a new, more orchestral sound that would show to be a great success. In 1996 they released the album "The Forgotten Tales", which featured several covers of known songs (like 'To France', 'Surfing USA', 'Spread Your Wings'), as some re-recorded Blind Guardian songs, and a fantastic live-recording of 'The Bard's Song - In The Forest'. When the bard's released their sixth full-length album (in 1998), they showed that there is hardly no limit for their musical progress. Taking their music to yet a higher lever of complexity with "Nightfall in Middle Earth" must be one of the greatest events of german metal history. With NIM-E, they told the tale of The Silmarillion, as written by J.J.R. Tolkien. In 2000 there was the album release "Demons & Wizards", which is not a pure Blind Guardian album. John Schafer (guitarist of Iced Earth) and Hansi Kursch (vocalist of Blind Guardian) have created an almost perfect heavy metal album. The music is a mix of the two bands with most songs being more close to the Iced Earth style, while the vocal lines are clearly Blind Guardian. The majority of the songs are heavy, with the rhythm guitar of John playing a leading part with some amazing riffs, but you will also find a couple of more melodic songs. This album is the proof that when two geniuses combine their talents they can do miracles. The cover-art is a piece of art, the songs are catchy, heavy and melodic enough, the production is crystal clear (but also heavy) and the album is probably the best metal album of the year. In late 2001 they released their hit-single 'And Then There Was Silence', which contains the songs And then there was Silence (lasting for a whopping 14 minutes), which is - in short - brilliant, and Harvest of Sorrow (3 minutes) which - to my shame - I haven't heard yet.
19.06.200712.5KB
club pacha se spune ca este cel mai tare club din lume...! senzatia de lume celebrã de lifestyleClub Pacha Se spune ca este cel mai tare club din lume...! Senzatia de lume celebrã de lifestyle Pacha alieazã cu celebritatea Dj Erick Morillo pentru a lansa PACHA NY,membrul cel mai nou marcii internaþionale de nightlife. Pacha defineste caracteristica selectã o podea particularã VIP împodobitã cu la modã décor si serviciul ireprosabil, sigur pentru a satisface chiar si criticul cel mai mult preferential. ideal spatiu pentru gazdã intim adunând, un eveniment de corporatie sau o sãrbãtorire colosalã, Pacha este cu îndrãznealã necuviincioasã, cu precizie fermecãtoare si mereu.chic. întinzând peste 30, 000 picioarele pãtrate, ºi caracteristica proiectului cu Icrave Design Studio, caracteristicile Pacha Manhattans numai sistemul de sunet Alpha Dynacord si taraba Dj reunitã în podeaua de dans principalã. Adresa: 618 W 46th St New York, NY 10036 Telefon: (212) 209-7500 Strada în cruce: Intre 11th Avenue and West Side Highway Specialitati: Bartenders, Dance Club, See and Be Seen Bar Orar: Vineri-Duminica 22:00-06:00 Directii: A, C, E at 42nd St
11.05.200714.9KB
guano apes german alt-rock quartet guano apes consists of vocalists sandra nasic, guitarist henningGuano Apes Biography: The German alt-rock quartet Guano Apes consists of vocalists Sandra Nasic, guitarist Henning Ruemenapp, bassist Stefan Ude and drummer Dennis Poschwatta. Ude, Ruemenapp and Poschwatta had been playing together for awhile and added Nasic in time to win first place in the 1996 "Local Heroes" competition held by VIVA, Germany's music TV channel. The Guano Apes' fusion of metal, pop and rap beat out over 1000 competitors, and their debut single "Open Your Eyes" was a Top 10 hit in Germany that year and stayed in the Top 100 for 30 weeks. Thanks to VIVA's heavy rotation of the video for "Open Your Eyes," Guano Apes signed a deal with Gun Records, who released the group's full-length album Proud Like A God in 1997. The group's second single "Lord of the Boards," which was commissioned for the 1998 European Snowboarding Championship, was an even bigger hit and pushed the album to platinum status in Germany and gold status in other European countries. RCA released Proud Like a God in the US in 1999. Heather Phares, All Music Guide
19.06.20079.6KB

 
idea of nightwish was NIGHTWISH The idea of Nightwish was "born" in July 1996 at midnight when Tuomas was spending a night with his friends around a campfire. The first three songs, which were acoustic mood music, were recorded between October and December 1996. At that time, the band had three members: Tuomas, Tarja and Emppu. The band wanted to see what the music would sound like if drums were added (Jukka joined the band). Also at this time, the acoustic guitar was replaced with an electric. After a couple of weeks of training, the band went to the studio this was in April 1997. At that time seven songs were recorded. These songs can be found on the limited edition of the album Angels Fall First. In May 1997, Nightwish signed a recording contract with Spinefarm for two records. That August, the band went to the studio and recorded four new songs. Before the release of Angels Fall First, a single called The Carpenter was released, and made it to number eight on the official singles chart in Finland. Angels Fall First was released in early November and went number 31 on the official album chart in Finland. Nightwish played their first gig in Kitee on the 31st December 1997. After that Nightwish played only seven gigs in the following winter because Jukka and Emppu were in the army and Tarja was busy with her studies. Nightwish and at this time, Spinefarm extended the contract to include three records instead of two. In April 1998, they started filming the first video, The Carpenter. It was ready in early May and was first played on Jyrki. In late May, Tuomas and Tarja interviewed on that show. In the following summer, the bassist Sami Vänskä joined the band. During the summer, songs for the new record were rehearsed and the band went to the studio in early August; the recordings were finished in late October. On November 13th, Nightwish played a gig in Kitee during which, a video for Sacrament of Wilderness was filmed. That song's single was released on November 26th and the new record called Oceanborn was released on December 7th. Everybody was surprised by the success of Oceanborn. It went up to fifth place on the official Finnish album chart and the single Sacrament of Wilderness was the number one on the singles chart for weeks. In winter 1999, Nightwish played a lot of gigs all around the country for three months which included a gig on the Lista chart show program. In spring Oceanborn was first released outside of Finland. In May, the band started to play gigs again and toured the country for two and a half months, playing in almost all of the big rock festivals. At the same time the single Sleeping Sun was recorded, which was written for the eclipse in Germany. In August, the single was released in Germany and it also included the songs Walking in the Air, Swanheart, and Angels Fall First. In Germany alone the single sold 15,000 copies in just one month. In August, Nightwish learned that Oceanborn and Sacrament of Wilderness had sold gold. At the same time it was confirmed that Nightwish would be touring Europe for 26 gigs with the German band Rage. In early 2000 the band entered the studio again for the recording of their third album. A welcome interruption came to the repetitive studio work when they took part in the Finnish qualification for the Eurovision Song Contest with the song Sleepwalker. Nightwish cleared the first round of the qualification, but the final position was second despite an overwhelming win in the public televoting. The new album, Wishmaster, was released in May and the Wishmaster Tour started from Kitee, the home town of the band. After the show, the band received gold discs for the album Oceanborn and the singles Sacrament of Wilderness, Walking in the Air, and Sleeping Sun. Wishmaster went straight to number 1 on the Finnish album charts and stayed in that position for three weeks, during that time, it also reached the gold disc mark. Wishmaster was approved by both the fans and the media and it was named the album of the month by the German magazine Rock Hard in their issue 6/2000, past the long-awaited new releases by Bon Jovi and Iron Maiden. Wishmaster also debuted in the National German Charts at No. 21 and No. 66 in France! The "Wishmaster World Tour", which started from Kitee, continued first to the big festivals in Finland and then to South America in July 2000. The three-week tour in Brazil, Chile, Argentina, Panama and Mexico turned out to be one of the band's greatest experiences so far. This was followed by successful shows at Wacken Open Air, Biebop Metal Fest and the first headliner European tour with Sinergy and Eternal Tears Of Sorrow. In November, Nightwish also played two shows in Montreal, Canada. The next project of Nightwish included the making of a full-length concert DVD & VHS with a limited live album (only for Finland). The concert was performed in Tampere on the 29th of December 2000. The material was released in April 2001 in Finland and worldwide during the summer of 2001. At the end of the show, Nightwish were given platinum discs for "Wishmaster" and gold discs for the single "Deep Silent Complete". In March 2001 Nightwish entered the studio again to record their version of Gary Moore's classic Over The Hills And Far Away, with 2 new songs and a remake of Angels Fall First's "Astral Romance". The Finnish release for this EP was in June 2001. The German version of "Over The Hills And Far Away" (released by Drakkar) includes 6 live tracks in addition to the 4 unreleased songs. Nightwish has also extended the record deal with Spinefarm Records with one full-length album, which was set to be released in Summer 2002. The video for the track "Over the Hills and Far Away", which had rapidly sold platinum in Finland as a mini-CD, was shot in August 2001 in Finland. The tour in Finland the same year ended in Nivala, and the band was close to disbanding. Tuomas went hiking and gathering his thoughts in Lappland; some changes had to be done in order for Nightwish to be able to continue. According to his own words, Tuomas wanted to end the band due to prolonged disagreements within the band. Luckily, that didn't happen. But something happened, a lot in fact. Sami Vänskä, who had been with them since Oceanborn, had to leave. Marco Hietala, known from Tarot and Sinergy, promised to step in as a replacement for the next album and tour. King Foo Entertainment became their new booking agency, and long-time friend and colleague, Ewo Rytkönen, was to become their manager. To celebrate the "new beginning", the first official shop for fan-products, Nightwish-Shop, was opened on the band's homepage on November 24th 2001, a month before Christmas. The recording of the next album Century Child started in January 2002. The beginning of 2002 brought Nightwish good news, in comparison to previous rough times. As a band and as individual musicians they were voted to the top on many domestic and foreign magazines reader's polls. The fans had not abandoned them after the changes, on the contrary. Ever Dream, the first single from the forthcoming album, went gold in Finland within 2 days. At the same time Nightwish announced they would take a break as soon as the "Century Child World Tour 2002" would be over, Tarja would finish her educations in Germany during the break. That announcement brought up all kinds of speculations among fans. Sami leaving the previous Fall, now a break that would last a year... Century Child came out in May 2002 and made a sales record, selling gold in Finland within 2 hours! Within two weeks it sold platinum (30,000 copies) and continued selling rapidly. At the same time Nightwish held the top-position in both singles-and album charts, for their first time ever. Foreign countries responded, too: in Germany, Century Child went straight to number 5 and in Austria, number 15, those two being the band's highest positions abroad so far. In July, Nightwish toured successfully in South America, where nearly all gigs sold out. In Brazil, the first edition of Century Child was sold out in one day, and the successful European tour that year didn't go unnoticed by booking agencies. Many European gigs were broadcasted live on the internet, needless to say the connections were often jammed. At its most, nearly 10,000 fans were trying to follow the live feed. Having sold an astonishing 59,000 copies in Finland, Century Child was the country's 2nd best selling album in 2002. The first visit to Sweden took place on 16th November 2002, in Fryshuset, Stockholm. The break started in late 2002, and sure enough there was no rest for the guys. Jukka played with Sethian and Bitch Driven, Tuomas with Sethian, For My Pain..., and Timo Rautiainen & Trio Niskalaukaus, Emppu played with Altaria, and Marco with Tarot. All in all the break wasn't to last nearly a year, back on the road... The beginning of 2003 saw more good results in reader's polls of various magazines, and a studio was booked in order to start recording the next album, planned to be released the next year. Happenings also at the home-front: Jukka and his girlfriend Satu had a daughter, Luna, on March 11, 2003. Nightwish received their first double-platinum award for Century Child, having sold 60,000. The band performed mostly abroad in 2003, the only gig in Finland was at RMJ 2003 on June 20th. The second visit to Sweden took place at the sold out "Gates of Metal"-festival in Hultsfred. During 2003, the forthcoming DVD-documentary End of Innocence was being put together, and it's release was postponed a few times due to huge amount of material. In May 2003, Tarja Turunen announced that she had secretly gotten married a few months earlier, and would be moving back to Finland. The DVD "End of Innocence" was finally released on October 6th 2003, and at that point, Nightwish had already started recording the next album. Their fifth album "Once" would be the most important release in the history of Nightwish. Meanwhile, Finland's President, Tarja Halonen, had also taken note of Nightwish's achievements and invited Tarja Turunen and her husband Marcelo Cabuli to the annual independence-day party held at the presidential residence. Tarja's dress was voted as the most beautiful dress that evening. Before the Christmas of 2003 Nightwish auctioned their "Century Child World Tour"-backdrop, and donated all the money to charity. The outcome was 1,750 EUR, and was given to Parikanniemi's Children's home in Ristiina on December 2003. The funds were handed out by Tarja Turunen, Michael "Big Tini" Leipold from Germany became the new proud owner of the backdrop. The year 2004 was eagerly expected by both the fans and the band. Exhausting studio-sessions took their toll both physically and mentally. The actual recording took place at the Phoenix-studios in London, the same studio and with the same orchestra (The Academy of St. Martins in the Field) that Howard Shore used for writing the score for "The Lord of the Rings"-trilogy. Orchestral-and choral arrangements were written by Pip Williams, who has produced "Status Quo"and "riah Heep" Big time, great expectations! Nemo was the first single released off the forthcoming album, and a big-budget video was made. The director was Antti Jokinen, who had previously worked with Shania Twain and Eminem. With the new album, Nightwish had some changes with the recording contract, and the new material was released by Nuclear Blast. Good old Spinefarm Records would still handle the distribution in Finland. Nuclear Blast spent a considerable amount of money marketing Once, especially in Germany. Pictures of Nightwish and Once were splattered all over the television-channels, subways, buses and streets, and the press wasn't forgotten either. Every German will know Nightwish by now. Once went gold in Finland on its day of release, as did the single "Nemo". Nightwish started a world Tour of 150 concerts in all continents, the tour lasted until the end of 2005. This tour was be the biggest in the history of Nightwish so far. The album "Once" sold gold in Finland immediately on its release day, as did the single "Nemo". In May 2004, Nightwish started the Once World Tour. The Once World Tour lasted until the end of October 2005. There were about 130 gigs all over the world, including new countries such as Japan, Australia, Colombia, Ecuador, Poland, Slovenia, Portugal, Denmark, and Greece. The tour was the biggest in Nightwish's history. From month to month the venues grew bigger and the news told about success. The second single, Wish I Had An Angel, was released in Autumn 2004. The song's video was directed by Uwe Boll, director of the movie "Alone In The Dark", in which the song was also played. The second single was again a great success and boosted the sales of the Once album. In August, Nightwish finally made it to the USA! The tour was very successful and they planned to come back for a bigger tour in 2005. After the tours in Europe and South America in the Autumn of 2004, and some separate gigs in December, the band had some time off in January 2005. In February 2005, Nightwish won five awards in Emma-Gala (Finnish Grammy). Among the others they won awards for "The Band of the Year" and "The Best Selling Album of the Year". Tuomas and Marco flew from European tour to Helsinki to receive the awards. The last show in the European tour was so far the biggest gig of their own, in Stuttgart there were 10,001 people watching the show! In March, Nightwish performed the first time in Japan and Australia; in April and May, they had to have a break because of Tarja's other interests, but at the end of May the band started the tour again by playing with Iron Maiden in Poland and with Mötley Crüe in Norway. In July, the 3rd single, a new version of Sleeping Sun, was released since the record label had decided to use it to promote the forthcoming collection Highest Hopes. The new version of the video for "Sleeping Sun" was directed by Joern Heitmann and shot in August 2005 in Prague. During the Autumn 2005, Nightwish played several shows and performed in the legendary Hammersmith Apollo Venue for sold out seats. After a short festival tour in South America (in October), the Once World Tour was coming to an end. The final concert was played on 21 October for 11,500 people in Hartwall-Arena in Helsinki. The concert was also recorded to be released as an End of an Era live DVD. After the last concert, Tuomas, Emppu, Marco and Jukka fired Tarja Turunen, and her manager Marcelo Cabuli. The reason for this was because during the Once Tour their attitude and actions had turned out to be against almost all that Nightwish represents. As one may guess, the news of the firing was followed by an incredible sensation and hullabaloo. Once the nearly ridiculous fuss was finally starting to calm down in the end of 2005, Nightwish was able to look to the future and wait for an adequate singer to be found. By the end of 2005, "Once" has sold approx. 1,000 000 copies worldwide as well, it has sold triple platinum in Finland, platinum in Germany, and gold in Sweden, Norway, Switzerland, Greece, and Austria. The "Highest Hopes" collection has sold double platinum in Finland and gold in Norway by the end of the year 2005.
03.05.200711.1KB
:rotfl: :rotfl: :rotfl: poze..................................................... :rotfl: :rotfl: :rotfl:
26.04.20072.9KB
o da...my favorite subject din caraibe la capatul fost super tare frat3 :d movies...o da...my favorite subject :D...Piratii din Caraibe La Capatul Lumii...:D...a fost super tare frat3 :D
03.06.20076.2KB
:nebun: poze....cooooooooooooooooooooooooooooooooooooooooooooooooool. :nebun:
02.05.20077.4KB

 
good frontmen, identical twins joel and benji madden, were born on march 11, 1979 to a middle classGOOD CHARLOTTE Good Charlotte's frontmen, identical twins Joel and Benji Madden, were born on March 11, 1979 to a middle class family in Waldorf, Maryland. Their mother raised them with a strict Christian up-bringing. Their father left the family when the twins were 16 years old, causing financial problems for the twins, their mother, older brother, and younger sister. For a short period of time the twins had to work as shampoo boys in a salon. Benji and Joel cite their older brother Josh Madden for introducing them to rock music by bands such as Rancid and Social Distortion. After attending a Beastie Boys concert at the age of 16, Benji and Joel decided to start their very own band, although Joel had never sung before, and Benji had never played guitar. The first band they started was called "The Benji, Joel, and Brian Band,' which they started with a friend. The band was short lived. They then started Good Charlotte in 1995 when they recruited childhood friends Paul Thomas (bass) and Aaron Escolopio (drums). They soon moved to Annapolis, Maryland where they were introduced to Billy Martin by a friend. After releasing an EP, entitled Another EP, in 1999, Good Charlotte released their first self-titled album in 2000, which was not a huge commercial success. Singles that were released from that album include "Little Things" and "Motivation Proclamation," and "Festival Song". Aaron was the drummer in their debut album, Good Charlotte, before leaving the band in early 2001 to join the band Wakefield with his brother, Ryan. He was replaced with Dusty, who was just a temporary drummer, who had left the band before the recording of their second album, The Young & the Hopeless. As a result, veteran professional studio drummer Josh Freese plays for that album. 2002's The Young And The Hopeless was much more popular, and marked the bands emergence into mainstream music. The single that made them famous, titled "Lifestyles of the Rich and the Famous", topped charts around the globe. Singles that followed from that album included "The Anthem" ,"Girls and Boys", "Hold On" and "The Young and The Hopeless". "The Young and the Hopeless" received a 3x-platinum certification from the RIAA, landing the band on Saturday Night Live, the covers of Rolling Stone and Alternative Press, a two page feature in the New York Times, and spots on CNN and The Today Show. Good Charlotte were also hugely popular on MTV, where the Madden Brothers once served as hosts on the late night music video show "All Things Rock." Their music videos were favorites on both MTV and MTV2, with "The Anthem" going on to receive the "Viewers Choice Award" on MTV's 2003 Video Music Awards. Chris Wilson was the band's drummer for their third album, The Chronicles of Life and Death, which was released in 2004. The singles released from that album include "Predictable", "I Just Wanna Live", "We Believe" and "The Chronicles of Life and Death". This album was considered a departure from their previous 2 albums. In May 2005, Chris left the band for personal health reasons. Today, through non-stop touring and wide publicity, Good Charlotte has built a huge fanbase amoung young people around the world. Their most recent "Noise to the World Tour" with Simple Plan featured Dean Butterworth, who has previously played with Morrissey, as the band's current temporary drummer.
26.04.20079.1KB
till ;) poze....till ;)
12.06.20077.9KB
vreau o mica :rotfl: poze....vreau o mica parere,,,...plz. :rotfl:
26.04.20073.1KB
hello...ce romanic iis...sau no :nod: :d poze....hello...ce romanic iis...sau no :nod: :D
02.05.20074KB

 
green friends billie joe armstrong (guitar, vocals) and mike dirnt (bass; born michael pritchard)GREEN DAY Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Michael Pritchard) formed their first band 'Sweet Children' when they were 14 years old in Rodeo, California. By 1989, the group had added drummer John Kiftmeyer (aka: Al Sobrante) and changed their name to Green Day after one of their songs. That year, the band independently released their first EP, 1,000 Hours, which was well received in the punk scene. The band soon signed to local independent label, Lookout! Records (run by Larry Livermore) and their debut album "39/Smooth" was also released that year. Shortly after its release, Kiftmeyer announced that he was going to college and suggested his former drum tutor Tre Cool (born Frank Edwin Wright, III) to take over as the band's permanent drummer. Throughout the early '90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their sophomore album, 1992's 'Kerplunk'. The underground success of 'Kerplunk' led to a wave of interest from the major record labels. Eventually the band decided to sign with Reprise Records and their major label debut 'Dookie' was released in the spring of 1994. Thanks to relentless touring and somewhat surprising MTV support for initial single "Longview," Dookie became a mainstream hit. The album continued to gain momentum throughout the summer, with the second single "Basket Case" spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Woodstock '94, which helped the sales of Dookie increase. By the time the fourth single "When I Come Around" began its seven-week stay at number one in the modern rock charts in early 1995, Dookie had sold over five million copies in the US alone. Eventually this figure would top eight million records sold in America, and selling over eleven million copies internationally. Along with Dookie's commercial success, the band also received critical acclaim when they won the 1994 Grammy for Best Alternative Music Performance. Green Day quickly followed Dookie with 'Insomniac' in the fall of 1995. Prior to the album's release they again hit number one again on the U.S. modern rock charts with "J.A.R.," (a tribute to their friend Jason Andrew Relva, which appears on the soundtrack to the film 'Angus'). 'Insomniac' performed well initially, entering the US charts at number two and selling over two million copies by the spring of 1996. However, none of the subsequent singles -- including the radio favourite 'Brain Stew/Jaded' -- were as popular as those from Dookie. In the spring of 1996, Green Day abruptly cancelled a European tour, claiming exhaustion. Following the cancellation, the band spent the rest of the year resting and writing new material. The end result is what many call the best album of their career: 'Nimrod'. 'Nimrod' was well received by fans and critics alike, managing to land at #10 on the Billboard charts having sold 80,000 copies in it's first week. However, Green Day's comeback single "Hitchin' A Ride" only made it to #5 on the modern rock charts despite being placed in heavy rotation on MuchMusic and MTV. In response to this the band released what is arguably their most successful single ever. Although it would not make it to number one in the mainstream charts (it's highest position was #2), "Time of Your Life" is now probably the most well known song Green Day have ever written. Featuring Billie Joe on acoustic guitar & vocals, and Petra Hayden (of That Dog) on violin, "Time Of Your Life" became the song to play in any remotely sad situation. The song was even used on the last ever episode of the hit TV show Seinfeld (the most watched finale in the history of TV). Along with Seinfeld, the song was also played during two different episodes of hit drama E.R, making it possibly the most heard song that year on television. Despite gaining the band more critical respect than they would have received with another Dookie or Insomniac, 'Nimrod' only sold about two million copies, and was seen as a commercial flop in comparison. During the 'Nimrod' era the band also vastly improved their live show and even one "Best Live Performance" at the Kerrang awards. After nearly two years out of the media spotlight Green Day returned in late 1999 to play Neil Young's "Bridge School Benefit Concert", their first live acoustic performance. Green Day began recording their follow-up to "Nimrod" shortly after, which would eventually become "Warning:". Early in the recording process, the band decided to fire producer Scott Litt, and produce the album themselves. This would be the first time since "Kerplunk" that anyone other than Rob Cavallo had produced the band. After they finished recording, Green Day decided to do something else they hadn't done before and headlined the 2000 Vans Warped Tour. Green Day played an amazing set and brought more fans to the tour than any other year in Warped's history (their Toronto performance alone attracted 7,000 more fans than they had any other year). Released in the fall of 2000, "Warning:" was by far Green Day's most ambitious album to date and first single "Minority" sat at the top of the Billboard Modern Rock Chart after just four weeks. Although "Warning:" contained some of the band's best songs to date (in particular the excellent third single "Waiting"), many fans didn't take too well to the band's new punk-folk sound. Although it has since been certified platinum sales status, "Warning" is arguably Green Day's least successful album. After "Warning:" the band released a greatest hits album entitled 'International Super Hits' and a b-sides compilation called "Shenanigans" as well as their first DVD 'International Supervideos" which chronicles the band's music videos thus far. The band subsequently embarked on a huge 'Greatest Hits' world tour which lead to many people believing the end was nigh for Green Day seeing as most bands only release a "Greatest Hits" albums near the end of their career. However, these rumours soon died down when after another long hiatus the band announced that a new album was in the works. "What's It Going To Sound Like?" people wondered from all over the Green Day community. "Is it going to be another 'Warning' or are they going to go back to their Punk Rock roots?". Those questions have recently been answered with the explosive new single "American Idiot" which incidentally is also the title track to the new album. For the first time in Green Day's history, Billie Joe has let loose some great politically motivated lyrics and from what we have heard of this album already it looks like Green Day might have made the best album of their career!
26.04.20078.8KB
dmx dmx the dog of the squad was born december 18, 1970 in baltimore maryland in the projects. hisDMX Dmx the dog of the squad was born December 18, 1970 in Baltimore Maryland in the projects. His family knew in the area he lived that he would get in trouble alot so he moved to Yonkers New York with his aunt. There he showed a talent in music. He was signed to Columbia Records where his first album was brought out called Born Loser. Peepz wasn't feeling him then in 1996..so he had to come out wiht something rougher and harder. That's when he started appearing on artists songs such as LL cool J, John forte, The Lox , Ma$e and many more. Peepz was feeling him then so he knew he had to come out with something strong to keep him image alive. That's when 98 came around and he brought out It's Dark and Hell is Hot was under Def Jams Records which sold 3 million copies. Now he is one of the best Eastcost rappers alive. He says he started rappering for the ladies and if he wasn't the best rapper right now he would have been stop rappering...but he is the best.So lets welcome Dmx to our world...Where my doggs at. If there was one defining characteristic to hip hop in 1997, it was the jiggy factor- an aesthetic of unapologetic flash, fashion and glamour that ruled everything around us and made hip hop life nice and organized. Of course, for each movement there always exists a counter-movement; for each yin there is a yang; and for each designer-label clad champagne sipper, there must be an uncompromised figure lurking in the shadows, ready and willing to reclaim rap from the penthouse to the pavement. Embracing this return to the anarchy, enraged and raw, Def Jam Records presents 1998 as the Year of Pandemonium. The human embodiment of such exhilarating and unadulterated chaos exists in none other than Ruff Ryders/Def Jam's very latest lyrical sensation, DMX. "I love to write rhymes," says the Yonkers-born MC. "I love to express what real niggas feel, what street niggas feel. They need to be heard. They need to know there is a voice that speaks for them, and I am that voice." Within the tumultuous annals of hip hop's dog-eat-dog history, second chance opportunities are few and far between. However, every now and then the experienced and distinguished bark of a particularly cagey canine re-emerges from rap's chaotic kennels, representing the triumph and perseverance inherent in true greatness. Winner of The Source magazine's prestigious "Unsigned Hype" award for January of 1991, the native of Yonkers, New York has recently crashed the airwaves and mix tape circuit with a number of unforgettable guest appearances (LL Cool J's "4,3,2,1," Mase's "24 Hours to Live," Mic Geronimo's "Usual Suspects," The Lox's "Money, Power and Respect," Ice Cube's "We Be Clubbin' (Remix)" and Onyx's "Shut 'em Down",) inducing a fever pitch buzz for the release of his kinetic debut single for Ruff Ryders/Def Jam, "Get At Me Dog." Utilizing a classic, tension-filled BT Express guitar sample, the single's keen balance of street grit and dance floor bounce provides the perfect backdrop for the Dark Man X's unshakably aggressive vocal delivery; one whose distinctively hoarse timbre is but the table setter for his main course of irrepressible rhyme: What must I go through to show you shit is real And I ain't never really gave a fuck how niggas feel I rob and I steal Not cuz I want to, cuz I have to And don't make me show you what the mac do If you don't know by now you slippin' I'm on some bullshit that's got me jackin' niggas, flippin' Let my man and them stay pretty, but I'm a stay shitty Cruddy, it's all for the money Is you with me? Despite all the excitement that currently surrounds him, only a select, informed crew of heads may recall DMX? first go around (with the 1992 promotional single, "Born Loser") for Columbia Records. Like many talented MC? signed to their first deal, X was left in the unfortunate scenario of languishing while other artists on the label? roster prospered. "Columbia tried to put me behind other groups," DMX reflects of the situation. "They were like, 'Well, we're gonna put out Kriss Kross, then we're gonna put out Cypress Hill and then we're gonna put you out.' And I was like, 'Well I'm better than all of them niggas.' So I didn't wanna wait. They let me out of the contract and I'm glad that they did." "I always knew there would be a point when someone would say, 'Somebody needs to make money off this nigga cus he's hot'. That's when Irv Gotti brought me to Lyor Cohen at Def Jam. I guess it's that point now. I guess the world wasn't ready for the gutter until now. Now they ready for the gutter shit, so now they get the fuckin' gutter." Having originally earned his name by way of his human beat boxing expertise, DMX later experimented with other acronyms true to his evolving, revolutionary vocal steez (Divine Master of the Unknown) while honing his skills around his home in Yonkers' School Street Projects. Along the way, he bumped heads and built long-lasting friendships with fellow Y-O residents and Bad Boy Recording artists, The Lox. "Those are the pups," DMX says of Bad Boy's latest rising stars. "I trained 'em, raised 'em, they doin' their thing and I'm proud of them. I didn't teach I em everything they knew cuz they were doin' it before me, but I influenced them." With the entire Yonkers crew helping out on It's Dark And Hell Is Hot, on the smoldering "Niggaz Done Started Something," the bonds obviously remain strong. The Album's additional sterling guest spots include Brooklyn's finest, Jay-Z, adding his acid-tongued wit and wisdom to the downtempo stinger, "Murdergram," along-side Ja who makes an impactful debut. But ultimately it's the range, cleverness and fierceness of DMX's solo showcases that truly distinguishes It's Dark And Hell Is Hot from the remainder of the rap hordes. A startling descending string line provides a dramatic backdrop for "Stop Being Greedy's," philosophies of rap economic opportunity. "Crime Story," produced by Irv Gotti, finds DMX dropping a compelling heist-and-duck narrative over a slinky, Blaxploitation flick-style bassline-and-congas rhythm track. In the tradition of lyrical giants like Slick Rick and Biggie Smalls, "Damien," finds our hero trading verses with himself in the character of a fake friend with evil intentions. Meanwhile, "How's It Goin' Down?" displays the male and female scenario of this dog's persona via a romantic episode without your typical sappy-ass ending. All of which re-affirms DMX's role as one of hip hop's most exciting "new" voices. If the uncompromising nature of It's Dark And Hell Is Hot, musical menu isn't enough to intrigue the fickle minds of rap fanatics, leave it to this human pitbull's own description of his newest creations to cut right to the heart of matters: "It's the same shit they been gettin', man: Raw dog, no condom, straight in the ass, real" This dog's day has arrived. Get at DMX. Lately he's been away for a while, writing a book "E.A.R.L.: The Autobiography of DMX"(with Smokey D. Fontaine), making a movie "Cradle 2 The Grave"(with martial-arts star Jet Li) and working on his fifth album "It's Not A Game", which was originally slated for a fall 2002 realease. DMX has been married for 13 years to his wife Tashera Simmons. They have three sons: Xavier, Tacoma and Shawn.
28.04.200714.4KB
in poza de mai jos sunt si eu pe acolo ...:)) cu echipa in care joc eu ... o da si profu nostru...in poza de mai jos sunt si eu pe acolo ...:)) cu echipa in care joc eu ... o da bineinteles si profu nostru... care dadea indicati in timeout:)) la faza zonala pe licee:D
24.05.200736.9KB
zekko si guess who zekko si guess who se cunosc din clasa 1, fac rap de 5 ani si sunt in studioZekko si Guess Who Zekko si Guess Who se cunosc din clasa 1, fac rap de 5 ani si sunt in studio pentru acest album de 1 an. Primul lor album Hai sa vorbim a fost facut integral in studioul 20CMRECORDS, sub observatia lui Cheloo, Ombladon si Freakadadisk. Parazitii au avut rol de producator la acest album , acelasi fiind planul si pentru urmatoarele. ... .......cam "anonimi "nuu....... :rotfl:
03.05.200713.6KB
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