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"Incerc sa ma infiltrez in mintea unor oameni: cum de se intampla tot felul de rahaturi? As vrea sa intru in creierul lor: un spatiu cu cotloane stralucitor colorate, albe si negre si unghere, de care nu-ti place sa te apropii din cauza haosului pe care-l vei gasi. Incerc doar sa descriu, fara sa atac. Inteleg ca oamenii pot fi socati de asta." "Singuratatea imi da uneori o doza de creativitate - bei inca un pahar de vin si te simti tot mai rau. Arta nu vine fara durere; arta exista si pentru a rascumpara durerea." CE SIMTE, CE GANDESTE, CE-SI DORESTE... Aceste declaratii fac parte din interviuri cu Till Lindemann luate intre 1996 si 2002. Pentru un tip caruia ii displace sa fie intervievat, el da multe interviuri si ele sunt chiar interesante, dezvaluind o imagine generoasa a ceea ce este el in interior: "Rammstein este ca si Karl May: nu trebuie sa ucideti, sa violati si sa dezonorati voi insiva ca sa creati versuri despre sfartecare, abuzarea copiilor, endogamie..." "Pai tocmai asta este ideea: sa vorbesti despre sfartecare, abuzul copiilor si endogamie. Sper ca oamenii sa vorbeasca despre aceste subiecte intr-un mod mai sensibil. Fiica mea e la varsta de 12 ani, varsta la care i se poate intampla ceva de genul asta... Si de asta indraznesc sa-mi imaginez cum ar fi asa ceva. Daca fiica mea ar fi o victima, i-as taia boasele criminalului sau l-as impusca sau ceva de genul asta. Pe de alta parte, pot sta intr-un colt intunecat al unei incaperi, gandindu-ma ce l-a determinat sa faca asta. Si gandindu-ma ce m-a determinat pe mine sa-mi imaginez asta si poate sa-i inteleg actiunea. Acestea sunt cele doua fete ale monedei: pe de o parte este motivul, moralitatea, viata mea perfect normala si eu ies din discutie in acest sens. Dar apoi stau jos, inchid ochii si ma gandesc de exemplu la acel moment de alaltaieri cand am simtit o dorinta aparte pentru acea fata, de ce un tip nu ar simti si asa o dorinta? Acel tip nu ar putea fi blamat pentru ca si el a fost abuzat in copilarie. Si nu poate discerne ce inseamna sa simti o astfel de dorinta pentru un copil. In ce fel vei aprecia asta? Piesa noastra "Tier"(bestie, animal) este despre incest. Sexul intre tata si fiica este ceva ce se intampla doar la animale. "Was macht ein Mann, der zwischen Mensch und Tier nicht unterscheiden kann?"(Ce face un barbat, care nu poate deosebi intre om si animal?) este ceea ce intreb la inceputul piesei. "Er wird zu seinen Tochter gehen... Was tust du, was fuhlst du, was bist du, doch nur ein Tier". (El se va duce la fiica lui... Ce faci, ce simti, ce esti, doar un animal). Am o fiica de 12 ani pe care ma straduiesc sa o cresc. Si incerc din rasputeri sa inteleg cum poate sa-si justifice cineva a face dragoste cu propriul copil. Pur si simplu nu-mi pot imagina ca cineva poate sta deasupra copilului lui si poate fi excitat. In prima parte, descriu situatia cu o concluzie: doar animalele pot face asta. Nu exista diferenta intre comportamentul animalelor si un astfel de comportament. In a doua parte ma intreb "Was macht die Frau, die zwischen Tier und Mann nicht unterscheiden kann?"(Ce face femeia care nu poate deosebi intre animal si barbat?) Aici, atentia este atrasa asupra copilului care a crescut, devenind femeie, dar trebuie sa-si traiasca viata ducand cosmarul din copilarie. Isi scrie o scrisoare ei insasi despre copilaria si tineretea ei. Despre atunci cand tatal ei s-a culcat cu ea. In fapt, ea a devenit animal. Asta face ca ea sa fie distrusa. Este un ciclu: ceea ce ti se intampla in copilarie, trebuie sa duci cu tine pentru tot restul vietii. Suferinta - sursa versurilor si a poeziilor "Incerc sa ma infiltrez in mintea unor oameni: cum de se intampla tot felul de rahaturi? As vrea sa intru in creierul lor: un spatiu cu cotloane stralucitor colorate, albe si negre si unghere, de care nu-ti place sa te apropii din cauza haosului pe care-l vei gasi. Incerc doar sa descriu, fara sa atac. Inteleg ca oamenii pot fi socati de asta. Doar cu 5 minute mai devreme am citit intr-un ziar ca noi incitam oamenii la violenta. Mai citisem asa ceva, iar reactia fulgeratoare a fost sa-mi amintesc de o scrisoare a unei fete de 9 sau 10 ani care a fost violata. A scris ca se identifica cu "Weisses Fleisch". Noi am vorbit despre viol, in timp ce ea nu a putut. A crescut cu ideea ca trebuie sa tina acea perioada din viata ei secreta. Si nu a putut spune nimanui. Prin piesa mea, a inteles ca poate vorbi despre asta. A fost atat de recunoscatoare ca am scris acel cantec... Tot nu inteleg ce ii stimuleaza pe oameni pana intr-acolo. Am vazut ce se intampla in Indonezia cu copiii si prostituatele. Si daca ai sti ce se intampla in acest oras noaptea, in spatele cortinei, atunci ai intelege ca versurile mele sunt inocente. Acele mici incaperi si trepte ale subsolurilor din cartierul Red Light, acele mici magazine S&M cu custi si bice: cat de bolnava este omenirea? Si prin comparatie, cat de mici sunt subiectele din versurile mele sau lucrurile pe care le fac pe scena?" "Si totusi esti obsedat de ceea ce se intampla in acele mici incaperi si magazine, pentru ca despre asta scrii..." "Asta are mai mult a face cu faptul ca toate celelalte subiecte sunt atat de monotone. Totul s-a spus deja! Ce aud in muzica germana nu ma strange de c..... Este mereu vorba de iubire tra la la....." "Singuratatea imi da uneori o doza de creativitate... bei inca un pahar de vin si te simti tot mai rau. Arta nu vine fara durere; arta exista si pentru a rascumpara durerea." "Cand eram adolescent, eram obsedat sa am multe lucruri fara valoare, masini, haine, lucruri stupide. Acum, ca am toate astea, inteleg si concep ca lucrurile inutile se pot intoarce impotriva ta intr-un mod stupid si idiot. In Germania de Est erau foarte putine lucruri, dar era un sentiment de solidaritate care acum nu mai exista. Suntem acum cu consumul in gat, cu ego-ul afisat, cu individualismul. Acum, inaintea prieteniei, este comertul." "R-ul rostogolitor nu-mi vine deliberat. Isi are originea in el insusi, in acea adanca intensitate cu care canti automat, in acel fel anume. Nu sunt musician in adevaratul sens al cuvantului. Nu stiu nimic de instrument. Doar sustin muzica noastra cu vocea si versurile mele bine. E o chestiune de ilustratie, timbru si pronuntie. Nu vrem - pentru slava cerului - sa cream un stil fascist!" VIATA LUI... S-a nascut pe 4 ianuarie 1963 in Leipzig . A copilarit in satucul Wendisch-Rambow din Schwerin, Germania de Est. Tatal sau, Werner Lindemann, a fost poet, iar mama sa, Brigitte (Gitta) Lindemann, artista, scriitoare si jurnalista (retrasa de curand din aceasta bransa), a scris cel putin o carte impreuna cu sotul ei. Till are o sora cu 6 ani mai tanara decat el. Nu s-a inteles niciodata cu tatal sau, fapt care l-a facut sa sufere foarte mult. La scoala era un elev problema. La varsta de 11 ani a mers la o scoala sportiva a Clubului Sportiv Rostock si, intre 1977 si 1980 a frecventat o scoala cu internat. Parintii lui au divortat in 1975, cand avea 12 ani. Intre 1976 si 1979, fiind un bun inotator, a devenit vice-campion european la juniori. A parasit scoala sportiva in 1979. Se pare ca a fost exmatriculat din cauza ca a plecat singur dintr-un hotel din Italia, in timpul unui turneu de inot. Conform spuselor lui, "de fapt, niciodata nu mi-a placut scoala sportiva, a fost prea dura. Dar ca si copil, nu te revolti."In 1988, o ruptura a muschiului abdominal l-a impiedicat sa ajunga la Olimpiada. In prezent, inoata in fiecare dimineata cate 2500 de metri. Prima lui experienta sexuala a avut loc intr-o capita de fan, la 16 ani. Prima lui slujba a fost la o companie de turba, dar a fost concediat dupa trei zile. A mai lucrat ca ucenic in tamplarie, tehnician de galerie, incarcator de marfa, dar cel mai mult ca impletitor de cosuri de rachita. In 1981, Till a refuzat sa faca cele 9 luni de serviciu militar obligatoriu, fiind aproape inchis din aceasta cauza. Multi tineri obisnuiau sa faca "substituire"sau "serviciu compensatoriu", deci e posibil ca si el sa fi facut. In 1985, cand avea 22 de ani, s-a nascut prima sa fiica, Nele. Till si mama lui Nele s-au casatorit dupa ce fata s-a nascut, dar ulterior au divortat si Till a crescut-o pe Nele. "Cantam la tobe intr-o trupa punk si aveam studioul nostru in casa unde eu locuiam. Sapte ani am fost un tata alaturi de copilul meu, dandu-i educatie, dar acum impart cresterea cu mama ei, pentru ca sunt plecat 6 luni pe an cu trupa." Zidul Berlinului a cazut pe 9 noiembrie 1989 si Germania si-a inceput drumul reunificarii. Till spune despre asta: "Dupa ce zidul a cazut si drumul a fost deschis, am plecat cu masina in Germania de Vest si am cumparat ursuleti de guma si iaurt, in semn de salut pentru banii mei. Dar nu a fost nimic altceva." Tatal sau a murit in noiembrie 1992, in coma alcoolica. A fost inmormantat in pamantul unei biserici de langa Wendisch-Rambow. De atunci, Till nu a vizitat niciodata mormantul tatalui sau. Versurile piesei "Heirate mich"sunt inspirate de acest eveniment. In 1993 s-a nascut cea de-a doua fiica, Marie-Louise. Mama ei - Anja Koseling, fosta sotie a lui Lindemann. Koseling a sustinut ca Lindemann ar fi agresat-o fizic in timpul relatiei lor si ca el a refuzat sa plateasca bani pentru cresterea fiicei lor. I s-a impus sa plateasca Anjei 1200 DM pagube de catre tribunalul din Dresda. Lindemann si avocatii lui nu au comentat niciodata acuzatiile ei. Intr-un interviu radio din 2004, Till a declarat ca vrea sa se retraga la 50 de ani pentru a petrece mai mult timp cu copiii sai. Are o prezenta scenica puternica. Pe scena se ghemuieste ca un jucator de baseball, lovindu-si piciorul cu pumnul pe ritmul muzicii. Vorbeste foarte bine engleza si, de obicei, multumeste multimii in limba sa materna. Este pirotehnician calificat. Dupa accidentul de la Treptow Arena din Berlin, din 27 septembrie 1996, unde o schela a scenei in flacari s-a prabusit peste public, Rammstein a angajat o echipa de pirotehnicieni profesionisti si Lindemann s-a pregatit cu ei. Fiecare membru al trupei este instruit in mod special pentru partea de echipament pirotehnic pe care il utilizeaza pe scena. Lui Till ii plac Chris Isaac, Marilyn Manson, Jean Michel-Jarre, Tangerine Dream, Mike Oldfield, Ministry, Nine Inch Nails, Type O'Negative, Limp Bizkit, Placebo, Black Sabbath, Deep Purple si jazz-ul in parc duminica dupa-amaiza. Till: "Pentru mine Kraftwerk a fost prima trupa germana adevarata." La un moment dat a avut piercing in urechea stanga, dar de mult timp nu a mai purtat cercel. Nu i se cunosc tatuaje. In ceea ce priveste convingerile religioase, spune ca este ateu. Se spune ca in prezent are patru copii: cele doua fete pe care le creste, un baiat, iar sexul celui de-al patrulea copil este necunoscut. Till este in prezent divortat de sotia sa si locuieste impreuna cu cele doua fiice ale sale (Nélé si Marie-Louise) in Berlin - Prezlauer Berg, intr-un apartament mare la ultimul etaj al unui bloc. In viata reala, Till este un tip foarte calm. Uneori poarta ochelari. SENSUL LUI... In 1986 a inceput sa cante la tobe in "First Arsch", cunoscuta si ca "First Art", un joc de cuvinte menit probabil sa distraga atentia autoritatilor. Era o trupa punk din Schwerin . Au scos un album, "Saddle Up". A cantat si in "Feeling B"(din care au facut parte timp de zece ani Paul si Flake). Piesa numita "Lied von der unruhevollen Jugend"(Song of the Restless Youth) face parte din albumul "Hea Hoa Hoa Hoa Hea Hoa Hea"(1990). In 1990, a inceput sa compuna versuri, probabil inspirate din poeziile pe care incepea sa le scrie. Lindemann cinta intotdeauna in timp ce lucra la ceva. Vechiul sau prieten, Richard Kruspe, il asculta astfel ore intregi si ii admira vocea, reusind apoi sa il convinga sa cante ca solist vocal in noua sa trupa. Till: "cantam la tobe intr-o trupa punk formata din bass si tobe. Lucram cu chitaristi invitati, de obicei Paul si Richard. Am facut un turneu scurt, in care am schimbat sculele cu bassistul la bis, care a avut asa un success, incat Richard a insistat sa facem un proiect in care sa cant si eu. Au venit si alti tipi in trupa, dar doar cand am plecat din Schwerin si am venit in Berlin , totul a luat o intorsatura serioasa." In 1994 au castigat un concurs (Berlin Senates Music) in Berlin avand ca premiu inregistrarea unui demo cu 4 piese. Lindemann s-a mutat la Berlin . Paul Landers s-a alaturat trupei definitiv, urmat de ultimul membru pentru echipa completa, Christian "Flake"Lorenz. Repetau intr-un apartament si Till canta sub o patura, deoarece vocea sa puternica deranja vecinii. Se stie ca in perioada "Herzeleid", fiecare dintre ei a avut probleme cu femeile, ceea ce se pare ca i-a furnizat lui Till un material excellent. "Herzeleid"a fost realizat in septembrie 1995 si 2 ani mai tarziu, in august 1997, a fost scos "explozibilul""Sehnsucht". In 5 iunie 1999, in Worchester - Massachusetts (SUA), Till si Flake au fost arestati si acuzati de comportament obscen si lasciv. O declaratie a sergentului Thomas Radula din politia departamentala Worchester, sustinea ca Lindemann a simulat sex cu Flake pe scena "folosind un obiect falic care improasca apa in public". Au fost retinuti si eliberati a doua zi pentru o cautiune de 25 $. Dupa luni de confruntari legale, au fost in cele din urma obligati la plata unei amenzi de 100 $. In noiembrie 2002 a fost publicat proiectul propriu al lui Till, cartea de poezii "Messer". Contine 54 de poezii redactate de Gert Hof, care este autorul cartii "Rammstein"si este pyro-designerul trupei de 7 ani. Aceasta din urma carte va fi reeditata in 2005 printr-o campanie a unui fan site. In 2003 au inceput lucrul la cel de-al patrulea album, care avea sa se dovedeasca un punct de cotitura in sound-ul si maturitatea trupei. Septembrie 2004 a cules fructele acestei munci cu albumul "Reise, Reise". Turneul european inceput in noiembrie a fost un enorm succes de casa (sold out) si a durat 4 luni. DVD-ul live care va fi lansat pe 28 noiembrie, va fi incununarea acestui turneu. In iunie 2005, Rammstein se reintorc la Wuhlheide Open Air Arena, in Berlin , pentru sustinerea a 4 concerte consecutive, la aproape 7 ani dupa concertele sold out din august 1998 din aceeasi locatie. Cel de-al cincilea album, "Rosenrot", va fi lansat pe 28 octombrie si va contine piese noi si piese inregistrate in timpul "Reise, Reise". Desi se anunta o pauza mare, pana in 2007, e posibil sa mai concerteze in America de Sud, pentru promovarea lui "Rosenrot". Till Lindemann este "punctul terminus"al trupei: fiecare dintre ceilalti cinci se concentreaza asupra efectului prin vocea patrunzatoare a lui Till, creand sound-ul si muzica Rammstein, care sa sustina si sa fie sustinute prin versurile profunde si timbrul perfect al acestuia. TILL LINDEMANN..... :rolleyes:
12.06.20079.8KB
(finnish ville virtanen) found dance music while he was still in school. he gave himself carpalDARUDE Darude (Finnish artist/producer/dj Ville Virtanen) found dance music while he was still in school. He practically gave himself carpal tunnel syndrome by constantly holding his finger on the pause button of a tape deck trying to catch the latest tunes on his favorite radio show. Darude says his "education" and broad taste in music dates back to those active radio-listening years. He says he gets inspired by other people's great music among other things and I think it's fair to say that he's probably inspired a fair share of aspiring djs and electronic musicians himself, too. It actually took quite a long time for him to realize that he could one day make music of his own. After a friend showed him what could be done with a regular PC and a simple tracker program his studies started going downhill and time spent next to the computer increasing exponentially. He soon moved on to sound modules and samplers in need of better sounds and more variety. These days he's combining the best of both hardware and software tools in making music and performing live. He's considered somewhat of a tech freak wanting to try out the new stuff as soon as he gets his hands on them. The name Darude developed gradually during a long period of time. Ville played one particular song several times in a row at a pre-party at his friend's house: 'Rude Boy' by Swedish artist Leila K. Friends started to call him 'Rude Boy' which developed to 'The Rude', 'Da Rude' and finally Darude. Darude's career got started after slipping a demo cd to one of his idols, acclaimed Finnish dance producer Jaakko 'JS16' Salovaara who got interested in what he heard and signed Darude to his label 16 Inch Records and produced a track called 'Sandstorm' in co-operation with Ville. 'Sandstorm' went directly to #1 position on the Finnish Dance Chart and dominated that spot for 17 weeks. The song found its way to UK via Internet, was signed by Neo Records and in June 2000 Darude became the first Finnish artist ever to reach top 3 positions on the UK single chart. 'Sandstorm' sold platinum in Scandinavia and Ireland and gold in the UK and Germany. The worldwide sales of 'Sandstorm' is about 1,5 - 2 million units. The single was also the world's best selling 12" vinyl in 2000. The second single 'Feel The Beat' went to #1 on the Finnish Dance Chart, the UK Club Chart, Mixology Dance Chart UK and the Australian Dance Chart. Altogether it conquered the Top3 in ten countries. Darude's debut album 'Before The Storm' sold double platinum in Finland and gold in Canada. The worldwide sales are about 600.000 - 800.000 units. Darude's success around the world kept him on the road performing live for a total of nine months in 2001. In the spring of 2002 Darude finished his seven week Tour de Trance in the USA until taking some well deserved vacation. By summer 2003 Darude had finished working on his second album 'Rush'. The first single from the album is simply entitled 'Music'. The track conquered the #1 position on the Finnish Singles Chart, the Finnish Dance Chart and for eg. on the Polish Dance Chart. The second single 'Next To You' followed its success by taking the #1 position on the Finnish Singles Chart on release. Both singles got supported by some of the biggest names in the dj world (Tiesto, Ferry Corsten...) and were play listed on several dance radio stations all over the world. Again after the album release Darude did a lot of live shows around the globe. In addition to records, clubs and radios you can hear Darude's music in Hollywood movies, ('Ballistic, Ecks vs. Sever', 'Like Mike'), Playstation games, mobile ring tones and in big sports broadcasts like the Olympics and Ice Hockey World Championships. In 2004 the world saw Darude taking another step in his career: In addition to the live performances he also started officially touring as a dj which quickly turned out to be something he really loves, too and now is a inseparable part of his career. His style is a mix of progressive and uplifting melodic trance but he's not too shy to throw in some tech, breaks and house flavor and occasionally even heavy metal samples. His energetic sets have clearly proven people that there's a lot more to Darude than his signature track Sandstorm since only after one year of spinning he was voted #97 on DJ Magazine's Top100 list
01.06.20075.1KB
dj. 29 mai 1989 avea sa se nasca komuves endre (kendre), un copil pasionat de muzica inca de mic. laDj. KENDRE!!! Pe 29 mai 1989 avea sa se nasca Komuves Endre (Kendre), un copil pasionat de muzica inca de mic. La 5 ani incepe sa studieze pianul, sfatuit fiind de mama sa, de la care mosteneste talentul si dragostea pentru acest instrument, asa cum avea sa-si dea seama mai tarziu. Primii pasi ii sunt indrumati la Palatul Culturii din Ploiesti, chiar daca nu este inca foarte atras de acest domeniu. Continua insa la indemnul mamei, care mai tarziu ii va cumpara o pianina pentru a putea exersa zi de zi acasa. Asa se face ca incetul cu incetul acordurile dulci incep sa fie pe placul lui si timp de 5 ani se straduieste sa-si insuseasca si partea teoretica, ajungand la un nivel mediu. Pasiunea dezvoltata pentru muzica nu se opreste aici, ci incepe sa dea tot mai multa atentie muzicii electronice. La inceput este influentat de artistii deja consacrati in domeniu, incercand sa ? fure ? cate putin de la fiecare in ideea formarii unui stil propriu. Primele contacte directe cu acest nou tip de muzica le are la 14 ani si i le datoreaza lui Cristi Georgescu care are incredere in el si il initiaza in tehnica de a mixa. Nu dupa mult timp obtine aprobarea clubului Privillege de a putea exersa aici si de a-si arata talentul cand si cand in fata publicului. In tot acest timp a avut ocazia sa se afirme, demonstrandu-si talentul in Gossip (Bucuresti), Privilege(Ploiesti), Ice (Ploiesti), Escape (Ploiesti), Insidio (Campina), Xclusive Cafe. De asemenea a fost invitat la JustMusic.fm (Budapesta) in emisiunea MadeINN. Stilurile pe care se axeaza sunt : minimal, techno, tech-house.
03.05.20078.8KB
sak poze....sak
05.06.20073.9KB

 
...ajunge d la mine deja prea :dinti:...ajunge d la mine deja prea mult......... :dinti:
05.10.20072.4KB
erau..in postul acea e gara:zzz: (not fair :rolleyes: :rolleyes: ) orashul de unde esti....erau..in postul meu,...detalii pretioase...despre acea groapa...aia e gara:zzz: (not fair :rolleyes: :rolleyes: )
14.06.200717.5KB
benny benassi was born in milan on 13 july 1967. he lives in reggio emilia, a fine italian townBenny Benassi Benny Benassi was born in Milan on 13 July 1967. He lives in Reggio Emilia, a fine Italian town about 100km south of Milan, where the food is great and the Dance Music is even better. He works as a producer in collaboration with his cousin Alle Benassi, who has been a musician and arranger at Off Limits, the internationally successful production unit run by Larry Pignagnoli. After producing KMC feat Dhany (N° 1 club charts UK), the Benassi cousins started work on the BENNY BENASSI presents THE BIZ project, a ground-breaking mixtured of electro, techno and house dosed with minimalist flair. The first single SATISFACTION made its presence felt in the main charts all over Europe. Here are some of the results: - over a month in the n° 1 spot in the Official Dance Chart in FRANCE - top twenty Official Singles Sales Chart in FRANCE - n° 2 in the Official Dance Chart in GERMANY - top forty Official Singles Sales Chart in GERMANY The album HYPNOTICA was the top 20 in the Official Album Sales Chart in FRANCE for over a month, having reached the TOP 5. The single SATISFACTION released on DATA/ MINISTRY OF SOUND in UK , straight in at n° 2 UK Singles Sales Chart. The record has been highly acclaimed: Timo Mass - I have it, crazy fuckin record....crowds love it!! Carl Cox - Pure energy I love it! Boy George – Dirty Electro house at it best Darren Emerson – Norman Cook called about this record and as soon as I heard it I loved it!!! Roger Sanchez – Loved his mix of Tomcraft, his record is even better. Official European Dance Chart: SATISFACTION and ABLE TO LOVE both went top 5 in the Official European Dance Chart Benny Benassi’s crucial remixes include Tomcraft’s “Loneliness” , Electric Six’s “Dance Commander”, Outkast’s “Ghetto Musik”, Robbie Rivera’s “Funk a faction” and Goldfrapp’s “Strict Machine”. Benny and Alle have recently produced Benassi Bros, a project designed to shine the spotlight on the two Biz vocalists, Paul French and Violeta and great vocalists like Sandy and Dhany….. The track by Benassi Bros. feat. Sandy, “Illusion” and “Hit my heart” featuring Dhany were both monster top 20 sales charts hits in France and the album, PUMPHONIA, is gold in France. In Germany ABLE TO LOVE went straight into the Official Dance Chart at number 2! Benny’s tracks are dominate club charts from Canada to Australia. The current single from the HYPNOTICA album. LOVE IS GONNA SAVE US is played by the world’s coolest djs and has also been remixed by Felix da Housecat. Benny mixed SUBLIMINAL SESSIONS VI, for the famous New York label and for the occasion produced a track called “I want you to come” under the pseudonym BAT67. With this name he also remixed HOT TIN GROOVE by Rava. He is the first European dj to have mixed a Subliminal Sessions compilation. In 2003, Benny won a lot recognition -*- number one in the Top 100 dance tracks on the Ministry of Sound Internet radio -*- DJ MAG tune of the year in UK -*- Revelation of the year – Italian Dance Music Awards -*- Dance revelation of the year – Danish Music Award -*- Nominated for international revelation of the year – NRJ Awards, France In 2004 he picked up three nominations at Dancestar, Miami and won the best video award. In the DjMag favourite DJ Poll Top 100 published in October, Benny is positioned number 18, the highest new entry. When Benny isn’t in the studio, he tours the world rocking clubs and events with his unstoppable energy. His dj style is easy to describe…. it’s kinda electro, sort of house-tec, dirty and cool, sweaty and smooth….
30.05.20073.1KB
dj. lui adrian boglea in lumea dj-lor, a avut loc in vara anului 1999 la pornirea seriei de afterDj. D-Fact!!! Lansarea lui Adrian Boglea in lumea DJ-lor, a avut loc in vara anului 1999 la pornirea seriei de After Hours in club Tropicana Oradea, fiind rezidentul evenimentelor pană la inchiderea clubului(2002). Aici a mixat alături de DJ precum Marusha, Sterbinszky, Moguai, Da Hool, Tommy Boy şi Budai. In 2003 a descoperit o deosebită inţelegere pe plan muzical alături de producătorul olandez Dj Peric, lansand astfel piesa intitulată Newsome. Ca şi organizator de evenimente, in 2004 infiinţează organizaţia Industry care are la bază un alt gen de petreceri. Acestea aduc pe scena muzicii un nou concept bazat pe comunicare prin stimularea audio-vizuală a participanţilor. De-a lungul acestor evenimente s-a născut conceptul "The Confluence", concept sub care are loc şi evenimentul propus. Astfel, in mai puţin de un an, Adrian Boglea, impreună cu echipa sa, a reuşit să realizeze o serie de evenimente atat in Cetatea din Oradea, cat şi in clubul Lord's din acelaşi oraş. La sfarşitul anului 2004 a colaborat impreună cu C-JAY, deţinătorul casei de discuri The Sessions, producand piesa intitulata Contact. Aceasta a fost difuzată pe Proton Radio intr-un essential mix de către cunoscutul producător de progressive şi breakbeat, Shiloh. In acelaşi an, s-a definitivat şi primul album intitulat "Decisions". La sfarşitul anului 2005, lucrează impreună cu Mesmer la un remix al piesei Lil' Spy, piesă care a fost foarte apreciată de Meat Katie. A mixat alături de General Midi, Matt Rickard, Andreas Kremer, Peric - NL, Bond - HU, Mesmer, D-Laid, Marika, Thornado, The Model, Valentino Kanzyani (Slovenia), Vladimir Vujichic (Serbia), Nobis (Polonia), Lucas Tiefer (Polonia), Şuie Paparude (Bucureşti), ALCA (Baia Mare), Mihai Popoviciu (Skills Records), Lektronikumuz (Skills Records, Braşov), Du-Base, Error, Picniker, Rolli Breaker, Marika (Selectro, Bucureşti), Haute Culture, Praslea, Gemini Bros, Dan O şi alţi artişti. Evenimente la care a participat: Tunning show (airport Oradea), Delahoya 2005 (Cluj) Synthplants Ekzit (Sulina) 2005, Tunning show (airport Constanţa), Synthplants Ekzit (Tulcea) 2006, ElektrOpen Funk 4 (Braşov), Delahoya 2006. Producţii proprii: In 2004 au fost produse piesele: D-Fact - Contact, D-Fact & Peric - Newsome, Mesmer - Lil' spy (D-Fact rmx), D-Fact - Woman's body, D-Fact - In order of appearance, D-Fact - Dreams (compilaţia Delahoya 2006). Din 2006 pană in prezent, artistul a creat urmatoarele piese sub numele său: D-Fact - Breakthrough, D-Fact - Gaudiamus, D-Fact - Dnaorgy, D-Fact & Breakagurl - Autographique, D-Fact - Horses & Asses, D-Fact - Horses & Asses (Breakagurl's filling the pot rmx)
04.05.200717.7KB

 
astai ultima!!! :d :d :d poze....astai ultima!!! :D :D :D
27.04.20077.2KB
cui ii place la familia??? :hi:cui ii place La Familia??? :hi:
05.07.200722KB
jurassic 5 hip-hop is not dead. indeed, contrary to the cries of some cynics, the vibrant culturalJURASSIC 5 Hip-hop is not dead. Indeed, contrary to the cries of some cynics, the vibrant cultural offering that is hip-hop music is alive and well. And nowhere is that point more apparent than with the heralded Los Angeles crew Jurassic 5 and their debut full-length album Quality Control. Consisting of four MCs and two DJs, Jurassic 5 is a throwback of sorts, referencing a by-gone era in hip-hop when the only thing that mattered was the music and having fun. In sound, the four MCs Chali 2NA, Zaakir, Akil, and Marc 7 conjure up the dynamic flows of old-school groups like the Cold Crush Brothers and Double Trouble: harmonic convergence, dynamic vocal inflections, and fly b-boy bravado. Jurassic 5's beat-providers, Cut Chemist and DJ Nu-Mark, rock the decks with inventive, original beats that hark back to the true DJ innovators. With Jurassic 5, it's a more innocent, irreverent time that comes to mind, from the early days of jams in the parks to the creative insurgence of the Native Tongues era. Jurassic 5 shouldn't be considered old-school revivalists, though. They hail from the eclectic Los Angeles region, children of that city's hip-hop underground, and thus are a merging of both the new and old. Between 1991 and 1994, the LA underground was a burgeoning Mecca of hip-hop innovation, possessing a kinetic musical energy and a flare for progressive beats and styles. The members of Jurassic 5 met through the Good Life Café, an open-mic space in the heart of South Central Los Angeles' old jazz district. The spot served as a prolific epicenter for a number of different groups, like the Freestyle Fellowship and the Pharcyde, each wearing originality on their sleeves with emblazoned pride. Undeniably, Jurassic 5 embody that era's constant ideals of progressiveness and unity. Jurassic 5 formed in 1993 as the union between two crews, Rebels of Rhythm and Unity Committee, who came together to record and release the spontaneous, one-off single cleverly titled "Unified Rebelution." It was an infectious record that made an indelible impression with true hip-hop heads, quickly becoming a staple on the college radio and mix-show circuit. The success of "Unified Rebelution" cemented a union that would ultimately be Jurassic 5 and, ever since, the group has become one of the most revered new artists to emerge in years. The burning interest in Jurassic 5 was fueled, in part, by their debut, self-titled EP. Released initially in 1997 on the group's own independent imprint, the EP sold over 200,000 copies in the US and England (where it cracked the UK Top 40 charts in its first week of release), a sign that hip-hop audiences worldwide were hungry for anything that diverted from the standard hip-hop sounds. Most impressively, the EP served as a rallying cry of sorts for a whole new movement in hip-hop, easily akin to what artists like The Roots, Black Star and De La Soul have done and continue to do. Quality Control takes the momentum garnered by the EP and propels it even further. It is an album that is as funky, alive and as true to hip-hop's elemental essence as anything the genre has seen in years. The Jurassic 5 MCs each possess supreme microphone skills, and Quality Control highlights their abilities to flex a variety of styles. One minute, they're locked in unison, perfectly harmonizing whole verses or choruses ("Monkey Bars"), the next they're each energetically spitting spirited rhymes, only to set it off the next minute swapping couplets in dynamic superhero fashion, as on "W.O.E. Is Me." The MCs flourish thanks in part to the colorful craftiness of Nu-Mark and Cut Chemist, the production and DJ tandem who lay down a bedrock of beats carefully culled from dusty crates. Throughout the album, their mastery and understanding of what makes something undeniably funky is evident, whether it's a tapestry of body-rockin' swing beats they weave on "Swing Set," or the mellow head-nod twilight they create for "LAUSD." Indeed, Nu-Mark and Cut Chemist arguably do for the funk what producers like Ali Shaheed Mohammed and Large Professor did for jazz and classic soul. The album, though, is only half of the true Jurassic 5 experience. Like a modern day reflection of the old-school spirit, the group spends as much time on their live shows as they do in the studio and the perfection on stage is quite clear. It's a dynamic event that must be experienced to be fully appreciated. And it's yet another sign that it's with Jurassic 5 where new meets old. They are a group leading the resurgence of next-school optimism that will reconstruct the hip-hop landscape so that people will realize they are lost no longer.
30.05.20077.8KB
club adelaide st. west, has three floors, a rooftop patio the garden of eden, with a view of theClub Afterlife ADDRESS:250 Adelaide St. West, Toronto TYPE:Nightclub PHONE:416.593.6126 Afterlife has three floors, a rooftop patio the Garden of Eden, with a view of the Toronto skyline. Music is mainly R&B, Hip-Hop, with some Reggae on Saturday, and some House on Sunday. Dress Code: no runners, head gear, or athletic wear.
02.06.200718.6KB

 
ha.... poze....ha....
07.06.200735.4KB
tiesto in bucuresti de ziua nationala a romaniei - 01-12-2007 este unul dintre cei mai populari djTiesto in Bucuresti de ziua nationala a Romaniei - 01-12-2007 Este unul dintre cei mai populari DJ din lume! Reuseste de fiecare data cand vine in Romania, indiferent de ocazie, sa adune peste 8.000 de oameni in acelasi loc. Muzica pe care o aduce este foarte accesibila publicului si usor de memorat. Vorbim binenteles despre DJ Tiesto, cel care a sarbatorit alaturi de noi sambata seara ziua nationala a Romaniei. Concertul pe care l-a sustinut la Sala Polivalenta face parte din turneul mondial de promovare al celui mai recent album al sau, Elemnts of life. Fanii lui Tiesto si-au facut aparatia in sala inca de la ora 21, astfel incat dupa miezul noptii, Polivalenta a devenit neincapatoare. Putin dupa ora 00.00, dupa ce toate luminile s-au stins, pentru cateva zeci de secunde multimea de oameni s-a cufundat in tacere. Momentul a fost intrerupt de o voce profetica ce ne-a dezvaluit, printr-o calatorie de lumini, proiectii, lasere si muzica, cele patru elemente ale vietii: pamant, aer, foc si apa. Tiesto si-a facut aparitia in fata uriasului ecran pe care avea sa creasca, sa pluteasca, sa arda povestea celor patru constituente esentiale ale vietii. S-a vrut a fi dirijorul armoniei in care traiesc pamantul, aerul, focul si apa, cel care exprima prin sunete efectele celor patru elemente. Doar hiturile care l-au consacrat pe Tiesto au reusit sa ne dezlege de sub farmecul spectacolului vizual. Ingredientul inedit al serii a fost, fara indoiala, prezenta in proiectii a motivelor umane, si mai putin a detaliilor abstracte cu care eram obisnuiti la astfel de evenimente. Am fost initiati in calatoria vietii de elementul PAMANT revelat in proiectii de un nisip fin scurs pe trupul aproape gol al unei femei. Miscarile unduitoare profunde ale trupului pe muzica electrizanta a masterului ne ducea cu gandul la framatul naturii, la zbuciumul pamantului, la tina primordiala din care a fost creat trupul uman. Urmatorul element crucial al vietii introdus pe proiectii si acompaniat de sunetele trance ale lui Tiesto a fost aerul. Pe ecranul urias se derulau acum imagini cu nori involburatii ce isi modificau formele cu o viteza uluitoare. Dupa limpezirea lor, umanitatea si-a facut aparitia reprezentata de trupurile unui `el` si o `ea`, plutind prin miscari erotice. Si ca prezenta aerului sa fie cat mai veritabila, tunurile au risipit in sala nouri grosi de fum. De departe cel mai spectaculos element al serii a fost FOCUL. Si a fost real. Pe langa artificiile eliberate in ritmul muzicii lui Tiesto, tunurile au oferit un senzational spectacol de flacari. Ecranul urias te transpunea in mijlocul unui vulcan pregatit sa erupa pentru a se elibera. Ultimul, dar nu cel din urma element care a incheiat calatoria, a fost APA SCURSA pe trupuri aproape nud. Nu am avut tunuri cu apa, atmosfera creata era mai mult decat in flacari. Peste cei 8.000 de oameni a plouat cu confeti. Dupa cum se vede, am vorbit foarte putin despre muzica pe care a mixat-o Tiesto. Asa cum spuneam, in afara de single-urile care l-au facut megacelebru, precum Adagio for string, Lethal industry, Love comes again, Everything (feat. JES), Do You Feel Me (feat. Julie Thompson), Carpe Noctum, Break My Fall (feat. BT), In The Dark (featuring Christian Burns) si Dance4Life (feat. Maxi Jazz) de pe albumul Elements of life, restul mixurile din set au fost lipsite de stralucire. Piesa cea mai iubita a ramas Love comes again - care a produs delir in public atunci cand Tiesto a oprit muzica, iar intreaga sala a fredonat-o. Master-ul trance Tiesto a fost insotit sambata seara de Jes si Julie Thompos care au oferit o prestatie live de exceptie. Show-ul de sambata seara a avut un puternic caracter masculin, dar cele doua doamne au adus feminitate si sensibilitate spectacolului, ca si proiectiile dominate de imagini feminine. De altfel, pentru mine muzica lui Tiesto este greoaie, mult prea galagioasa, un trance incisiv, uneori agresiv. Am observat in show-ul de sambata seara tendinta lui Tiesto de a trece spre electro si tech, sound-uri in mare voga acum. Desi inceputul programului a fost unul fortat si foarte galagios, spre final setul a devenit oarecum armonios si a exprimat destul de fidel cele patru elemente.
08.12.20074.7KB
piesa `soare` a trupei sistem a intrat in lui tiesto, primul dj care a reusit sa ocupe trei aniPiesa `Soare` a trupei Sistem a intrat in playlist-ul lui Tiesto, primul DJ care a reusit sa ocupe trei ani consecutiv (2002, 2003 si 2004) locul 1 in clasamentul DJ Mag Top 100. Este pentru prima data cand o melodie in limba romana intra in programul unui DJ de talie mondiala, informeaza Florin de la Hi-Q pe blogul sau. Melodia `Soare` a fost inclusa de Tiesto in cel mai nou set al sau `Club Life 029`. DJ-ul olandez a promis ca va pune acest remix la concertul pe care il va avea pe 1 decembrie 2007 la Sala Polivalenta din Bucuresti, conform lui Florin.
05.11.20077KB
waw :x poze....waw :x
05.06.20074.7KB

 
i like you as :zzz: :zzz: :zzz: poze....i like you as :zzz: :zzz: :zzz:
03.05.200712KB
avalon club over the years, the building at 15 lansdowne street has served many different purposes.AVALON Club Over the years, the building at 15 Lansdowne Street has served many different purposes. At the turn of the century, retailer Eban Jordan, of Jordan Marsh and founder of The Boston Globe, built 13-15 Lansdowne Street to house his delivery horses, carriages and trucks. In 1969, 15 Lansdowne Street entered the entertainment arena as a psychedelic club called THE ARK. Soon after, the legendary BOSTON TEA PARTY, managed by Don Law, moved into the 15 Lansdowne Street address. Both the TEA PARTY and its predecessor THE ARK played host to many of rocks most celebrated acts such as Bob Dylan, The Who, Led Zeppelin and The Grateful Dead. Don Law would later become one of Americas premiere concert promoters. The rise of the disco era saw ownership of the space change hands once again. A young Steve Rubell and Ian Schrager with their partner Jon Addison bought the building and converted it into a glamorous discotheque aptly named 15 LANSDOWNE. A few years later they sold out to Addison and went back to New York City and opened the infamous STUDIO 54 and later MORGAN'S HOTEL, which would start the boutique hotel revolution. Meanwhile, Addison hired a young hotshot, Patrick Lyons, to manage the venue now renamed BOSTON - BOSTON. In 1980, he and a group of investors bought the property, and eventually the rest of the Lansdowne Street clubs. BOSTON, BOSTON became METRO and after installing the domed roof in 1988, CITI. The building at 15 Lansdowne Street has been called AVALON since 1992. Now the home of AVALAND, AVALON underwent a major multimillion-dollar renovation in 1999. The new AVALON includes and additional 7,000 square feet of space created by annexing the MAMA KIN MUSIC HALL, a 600-person club, which was located next door. AVALON is now a 2,000 plus capacity multi purpose venue and regularly plays host to both the world's top DJ talent as well as the world's most popular touring rock acts.
15.06.200721.2KB
poza poze....poza personala...........
24.05.20076.2KB
adrian eftimie s-a nascut in bucuresti pe 17 mai 1978. in 1991, impreuna cu cel mai bun prieten alADRIAN EFTIMIE Adrian Eftimie s-a nascut in Bucuresti pe 17 mai 1978. In 1991, impreuna cu cel mai bun prieten al lui construieste primul post de radio pirat din Romania. Trei ani mai tarziu descopera radioul in adevaratul sens al cuvantului si apare in grila de programe a primului post de radio independent, Uniplus. Anii trec si apare atractia pentru productia de spoturi publicitare si promo-uri! In acelasi timp cu activitatea de radio in 1993 descopera Technics-ul MKII si pitch control-ul in Disco Club Le Baron din Bucuresti, unde ramane ca rezident pana in 1995 cand discoteca este inchisa! Isi continua activitatea de dj in Disco Club Music Factory, urmeaza la scurt timp Vox Maris, Caf? Cinema, Karma, Sing-Sing, etc. In 1997, simtind nevoia de schimbare, descopera Radio 21 Bucuresti unde activeaza ca prezentator-producat pana in 2000, cand se hotaraste sa lase balta activitatea de radio in schimbul Disco Paparazzi Olimp. La scurt timp are placerea sa fie guest dj la deschiderea Clubului Space unde ramane ca rezident pana in 2001. In prezent activeaza la Radio KissFM ca dj-producer si realizeaza emisiunea SENSATION in fiecare joi de la ora 23. Prefera stiluri ca Progressive House, Tech House, Min-Tech, etc. Printre preferatii sai se numara Hernan Cattaneo, Lee Burridge, Nic Fanciulli. A fost votat drept dj-ul cu cea mai mare ascensiune in 2005 in Romania la Nights.ro Awards 2006.
21.04.20075.2KB

 
marilyn manson urat sau iubit, marilyn manson se numara cu siguranta printre cei mai faimosi siMarilyn Manson Urat sau iubit, auto-proclamatul `Antichrist Superstar`, Marilyn Manson se numara cu siguranta printre cei mai faimosi si controversati artisti ai anilor `90. Laudat de fani drept un luptator pentru libertatea de exprimare si atacat de dusmani ca fiind o copie palida a lui Alice Cooper, Manson face parte din randul rockerilor `shock`, ce au atins primele pozitii ale topurilor avand in spate o cultura presarata de sex, droguri si Satanism. Desi indelung atacat de critici, genul lui a fost primit cu bratele deschise de adolescenti, e adevarat – cu sprijinul unei promovari inteligente. Manson e, in felul lui, un anti-erou clasic. Marilyn Manson (pe numele sau adevarat Brian Warner) s-a nascut in Canton, Ohio, la 5 ianuarie 1969. La varsta de 18 ani s-a stabilit in Tampa Bay, Florida unde a lucrat ca jurnalist. In 1989, se imprieteneste cu chitaristul Scott Mitchell, cu care se hotaraste sa infiinteze o formatie. Mitchell isi va lua numele de Daisy Berkowitz, iar Warner cel de Marilyn Manson. Cu contributia basistului Gidget Gein si a claparului Madonna Wayne-Gacy, grupul – numit Marilyn Manson si Spooky Kids, a inceput sa lanseze casete si sa cante in mici concerte, influentele gotice neintarziind sa apara in efectele speciale din spectacole si in machiaj. Cu un sunet inclinat din ce in ce mai mult spre partea hard, in 1992 trupa era deja una dintre cele mai populare din Florida de Sud. In anul urmator, Trent Reznor de la Nine Inch Nail le-a oferit un contract cu casa sa de discuri Nothing Records, precum si sansa de a canta in deschiderea concertelor NIN. Ambele oferte au fost acceptate, primul LP – `Portrait of An American Family` aparand in vara lui 1994. Cu noul basisit Twiggy Ramirez in locul lui Gein, notorietatea grupului a crescut vizibil, mai ales ca in timpul reprezentatiei din Salt Lake City, Manson a rupt pe scena o carte mormona. Fondatorul Bisericii lui Satan, Anton Lavey, l-a declarat `Reverend`. In timp ce unii acuzau comportamentul lui Manson ca fiind o manipulare crasa a audientei, tinerii, in special cei proveniti din cultura sub-urbana, au inceput sa aiba o admiratie din ce in ce mai mare pentru rocker. La putin timp dupa lansarea single-ului `Sweet Dreams (Are Made of This)`, Berkowitz va parasi grupul, fiind inlocuit de chitaristul Zim Zum. In 1996 apare LP-ul `Antichrist Superstar` - debutand direct pe locul 3 in topurile pop. Pe masura cresterii popularitatii sale, concertele lui Manson au fost atacate tot mai virulent de grupurile politice de dreapta, dar si de lideri religiosi. Receptivitatea media pentru Manson a adus si mai acerb in discutie sinceritatea scopurilor sale revolutionare – de la aparitia pe coperta Rolling Stone Magazine pana la o autobiografie cu vanzari record, criticii au ajuns sa se intrebe daca Manson si-a vandut sufletul diavolului sau si-a vandut pur si simplu sufletul. `Holy Wood (In the Shadows of the Valley of Death)` a fost lansat la sfarsitul lui 2000. In timpul turneului de promovare ce i-a urmat, Manson a fost acuzat de comportament deviant sexual ofensator, dupa ce a insultat un agent de ordine din Michigan prin semne cu o vadita tenta sexuala. In decembrie 2001 apare `Tainted Love`pe soundtrack-ul filmului `Not Another Teen Movie`. In mai 2003, discul `The Golden Age of Grotesque` stationeza pe prima pozitie. La inceputul lunii februarie 2007, apare stirea unui concert Marilyn Manson in Romania, aproape concomitent cu promisiunea unui nou album in primavara aceluiasi an - `Eat Me, Drink Me`. Laudat de fani drept un luptator pentru libertatea de exprimare si atacat de dusmani ca fiind o copie palida a lui Alice Cooper, Manson face parte din randul rockerilor `shock`, ce au atins primele pozitii ale topurilor avand in spate o cultura presarata de sex, droguri si Satanism. Desi indelung atacat de critici, genul lui a fost primit cu bratele deschise de adolescenti, e adevarat – cu sprijinul unei promovari inteligente. Manson e, in felul lui, un anti-erou clasic. Marilyn Manson (pe numele sau adevarat Brian Warner) s-a nascut in Canton, Ohio, la 5 ianuarie 1969. La varsta de 18 ani s-a stabilit in Tampa Bay, Florida unde a lucrat ca jurnalist. In 1989, se imprieteneste cu chitaristul Scott Mitchell, cu care se hotaraste sa infiinteze o formatie. Mitchell isi va lua numele de Daisy Berkowitz, iar Warner cel de Marilyn Manson. Cu contributia basistului Gidget Gein si a claparului Madonna Wayne-Gacy, grupul – numit Marilyn Manson si Spooky Kids, a inceput sa lanseze casete si sa cante in mici concerte, influentele gotice neintarziind sa apara in efectele speciale din spectacole si in machiaj. Cu un sunet inclinat din ce in ce mai mult spre partea hard, in 1992 trupa era deja una dintre cele mai populare din Florida de Sud. In anul urmator, Trent Reznor de la Nine Inch Nail le-a oferit un contract cu casa sa de discuri Nothing Records, precum si sansa de a canta in deschiderea concertelor NIN. Ambele oferte au fost acceptate, primul LP – `Portrait of An American Family` aparand in vara lui 1994. Cu noul basisit Twiggy Ramirez in locul lui Gein, notorietatea grupului a crescut vizibil, mai ales ca in timpul reprezentatiei din Salt Lake City, Manson a rupt pe scena o carte mormona. Fondatorul Bisericii lui Satan, Anton Lavey, l-a declarat `Reverend`. In timp ce unii acuzau comportamentul lui Manson ca fiind o manipulare crasa a audientei, tinerii, in special cei proveniti din cultura sub-urbana, au inceput sa aiba o admiratie din ce in ce mai mare pentru rocker. La putin timp dupa lansarea single-ului `Sweet Dreams (Are Made of This)`, Berkowitz va parasi grupul, fiind inlocuit de chitaristul Zim Zum. In 1996 apare LP-ul `Antichrist Superstar` - debutand direct pe locul 3 in topurile pop. Pe masura cresterii popularitatii sale, concertele lui Manson au fost atacate tot mai virulent de grupurile politice de dreapta, dar si de lideri religiosi. Receptivitatea media pentru Manson a adus si mai acerb in discutie sinceritatea scopurilor sale revolutionare – de la aparitia pe coperta Rolling Stone Magazine pana la o autobiografie cu vanzari record, criticii au ajuns sa se intrebe daca Manson si-a vandut sufletul diavolului sau si-a vandut pur si simplu sufletul. `Holy Wood (In the Shadows of the Valley of Death)` a fost lansat la sfarsitul lui 2000. In timpul turneului de promovare ce i-a urmat, Manson a fost acuzat de comportament deviant sexual ofensator, dupa ce a insultat un agent de ordine din Michigan prin semne cu o vadita tenta sexuala. In decembrie 2001 apare `Tainted Love`pe soundtrack-ul filmului `Not Another Teen Movie`. In mai 2003, discul `The Golden Age of Grotesque` stationeza pe prima pozitie. La inceputul lunii februarie 2007, apare stirea unui concert Marilyn Manson in Romania, aproape concomitent cu promisiunea unui nou album in primavara aceluiasi an - `Eat Me, Drink Me`.
03.05.20078.1KB
hmm...oare ce :cool: :rotfl: poze....hmm...oare ce reprezinta?? :cool: :rotfl:
24.05.200719.7KB
club si marti - don`t try this at - folk frate ! joi - fight for your right to party adresa :Club Utopia Luni si Marti - Don`t Try This At Home Miercuri - Folk Frate ! Joi - Fight For Your Right To Party Adresa : Calea Victoriei 16-18 in Pasajul Macca / Vilacrosse - Vis-a-vis de Politia Capitalei Rezervari de mese: 021 319 7683 (dupa ora 17:30) Vineri si Sambata - Weekend Party Propaganda Duminica - HARD AS A SUNDAY Incepand cu ora 18:00 pana dimineata Rezervari de mese: 021 319 7683 (dupa ora 17:30) Este mai mult un club pentru rockeri....decorul este frumos...light's...ok!Iar sunetul este bun!
02.06.200727.1KB
bruce mathers iii was born in kansas city, missouri on october 17 1973 to his mother debbie and hisEMINEM Marshall Bruce Mathers III was born in Kansas city, Missouri on October 17 1973 to his mother Debbie Briggs-Mathers and his father Marshall Bruce Mathers II. Debbie was only 15 when Marshall was born. Not long after Marshall was born, his father packed his bags and left the family, never to be seen again. This wasn’t the end of a tough run for Marshall and his family; it was only just the beginning. Marshall got moved around to different houses and because of this he attended many schools. His mom finally settled down in a house in Detroit. Marshall was only 12 years old. The maximum time he spent at the one school was 3 months. He got bullied at every school he attended and later got back at them by dissing them publicly in his songs. Marshall did pretty well in school considering the circumstances until he got to year 9. He failed for the third year in a row and decided that he had had enough. School just wasn’t for him, so he left to work on what he was most passionate about: rapping. He had been lip-synching to hip hop songs ever since he was 4 and if he wasn’t a comic book shop owner he had this dream to be a rapper. He started getting a name for himself when he was 17, even though he got into the rap game when he was 14. He was using the initials from his first and last names to form his rap name “M & M” which later became “Eminem” because of his race, he got rejected by people all the time, even though he was a really talented rapper. Determined to prove everyone wrong, he forced himself to go on radio shows and participate in freestyle battles. In 1995, Marshall recorded his first album titled Infinite, which only sold about 1000 copies. That same year, his high school sweet heart, now wife, Kim, gave birth to his only child, a little girl named Hailie Jade Scott. Having nothing to lose, flat broke and in desperate need for money to support Hailie and Kim, Marsh set out to rave about his life in general where he caught ear of hip hops hard to please underground. Out of this came the Slim Shady Ep named after his alter ego. Em, down to his lest dime, participated in the 1997 Rap Olympics in LA aiming to win the $1,500 cash prize he badly needed. He battled for an hour throwing back every diss he was thrown and managed to get into the grand final. Unfortunately for Em, he lost due to a slip up. Furious that he had lost, Marshall didn’t even notice that he had been spotted by a few producers from interscope records, who got hold of his demo, Infinite. Dre eventually tracked him down, and recorded em’s second album, The Slim Shady EP then followed by The Slim shady LP, recorded in 19. Then in May 2000, Eminem worked with Dre again to record em’s third album, The Marshall Mathers LP. It featured artists such as Dre, Snoop Dogg, X-Zibit, Nate Dogg, D-12 and the beautiful Dido, who sings the chorus for “Stan”. This album debuted at number 1 on the US albums chart, and won three Grammys and was the first rap album to ever be nominated “Album Of The Year”, selling more than 8 million records in America alone. He stunned critics by performing his #1 hit single “Stan” with Elton John, shooting down all homophobic remarks. Marshals’ album sales were skyrocketing but things weren’t going well with his wife Kim. A month after the Marshall Mathers LP was released, Em was involved in a brawl outside a Detroit club, where he allegedly pistol-whipped a man for kissing Kim. In august that same year, Em filed for divorce. In April 2001, Marsh was sentenced to 2 years probation, stemming from the weapons charge. This same year, he reconciled with Kim for his daughter, Hailies’, sake, but it only lasted for a few months, this time it was Kim who filed for divorce, in August. 2002 was a big year for Marshall. He branched out into the world of acting, filming with esteemed director Curtis Hanson. 8 mile was produced. Based on em’s own life, he played lead role of a character very much like himself, Jimmy Smith Jr. Jimmy is nicknamed “Rabbit” by his mother, Stephanie, played by Ems’ wife Kim. While filming 8 mile, he was busy during scenes making up the songs “Lose Yourself” and “8 Mile”. “Lose Yourself” was named the underdog anthem of the year. As well as his first movie 8 Mile, Em released his 4th album, The Eminem Show. He revealed the more mature, slightly subdued side of himself. The Eminem Show fired some of his usual attacks on the likes of lead singer of Limp Bizkit, Fred Durst and Moby as well as fresh attacks on Osama Bin Laden. This one album alone had many hits, including Without Me, Cleanin Out My Closet, Sayin Goodbye to Hollywood, Sing For The Moment, Superman, and Business. He even sings on the album-on a song made especially for his daughter Hailie, the only girl in his life for whom he has respect for. In 2004 Eminem produced a new CD "Encore". It featured songs such as Just Lose It, Like Toy Soldiers, Encore, and even Mockingbird which hit #1 in MTV's top 20 for over 10 days! During 2005 there was a rumor that Eminem was retiring but Marshall cleared that up very quickly!! He told everyone that he wuz just taking a break from the mic which led to his newest cd "Curtain Call" released in December of 2005. Curtain Call has all of Em's favorites and also features 2 new songs. "When I'm Gone" and "Shake That (feat. Nate Dogg). When I'm Gone is about Hailie and how things are in her point of view. Shake That is just another typical Eminem song in which we all fell in love with!!! Lets just hope that Eminem returns soon because I know i am going to miss him!!!!! Hurry Back!!!
03.05.200717.3KB

 
vali sunt, fara sa vreau, un in dj-ing despre vali barbulescu nu e usor sa scrii fara ca el saVali Barbulescu: Sunt, fara sa vreau, un trend-setter in DJ-ing Despre Vali Barbulescu nu e usor sa scrii fara ca el sa aiba ceva de obiectat. Acesta nu e neaparat un lucru rau, tinand cont ca in mod normal el are multe idei, pareri si informatii despre aproape orice. Ca DJ, poate fi gasit aproape in fiecare weekend intr-un club din tara sau din Bucuresti. In timpul saptamanii este realizatorul unei emisiuni de muzica electronica la un post de radio national. La inceput House Experience apoi Addicted, show-ul radio inglobeaza atat productii internationale cat si autohtone, plus un mix al unui DJ invitat. In viitorul apropiat, Vali Barbulescu va face parte din rosterul agentiei de booking Main Events, infiintata in urma cu numai cateva luni de catre Dan Ene. Beat Factor a stat de vorba recent cu Vali Barbulescu despre scena de clubbing din Romania, despre cum se intelege cu colegii de breasla, despre ce inseamna sa fii unul din cei mai vechi DJ-i romani si ce presupune asta. Cititi toata povestea intr-un interviu exclusiv BEATFACTOR!
05.11.20075.2KB
ce sa sa fiu am avut un profesor sa prind si eu un pic de talent in aceasta nu stiu cat de bunce sa zic...sincer sa fiu am avut un profesor sa prind si eu un pic de talent in aceasta arta...acuma nu stiu cat de bun sunt...ce pot sa zic e ca acel profesor este chiar administratorul "CODRA"!!!...si va las pe voi sa decideti cat de bun sunt!!!...ce ziceti??? =)
21.04.20076KB
can foment in the oddest places: athens, georgia. aberdeen, that's right, a bleak, arid littleKORN Musical revolutions can foment in the oddest places: Athens, Georgia. Aberdeen, Washington. Bakersfield, California. That's right, Bakersfield; a bleak, arid little town just west of Death Valley that could double as a David Lynch movie set-if there were anything going on, that is. As a kid Fieldy Arvizu spent much of his adolescence "standing around in dirt fields, drinking beer, watching other kids fight." At some point, Fieldy and some friends decided their time would be better spent taking out their frustrations on musical instruments instead. And rock music would never be the same. So Fieldy, James "Munky" Shaffer, David Silveria, Brian "Head" Welch, and eventually, an assistant coroner with a troubled past named Jonathan Davis left Bakersfield for Los Angeles and collectively became known as KORN. It helped that they all had common influences--the angry, urban stylings of hip-hop, the heavy, riff-driven angst of death metal. But the sounds emanating from this band's Huntington Beach rehearsal space would soon set an entirely fresh musical precedent--and set off a wave of imitators that eventually threatened to engulf the band itself. After touring for nearly two years, KORN was signed by Immortal and released their now-classic eponymous 1994 debut. KORN opened with the prophetic, gravel-throated challenge "Are you ready?!" before kicking into the heaviest guitar sound yet heard in rock thanks to the team of Shaffer and Welch, who tuned their already-low 7-string guitars even lower and played with no regard for traditional harmonic consonance. The sound was metallic sludge, but tempered oddly by bassist Fieldy and drummer Silveria, who added a mix of porn-soundtrack funk and hip-hop rhythms that was puzzlingly aggressive and chill. Next, nursery-rhyme-like melodies were woven into the dark mix, helping make KORN the creepiest, heaviest debut since Black Sabbath. But Davis had no desire to sing about devils and witches; he was busy exorcising real-life demons. Songs such as "Faget" and "Shoots and Ladders" were discomfortingly personal confessionals of shattered childhood, and by album's end Davis was literally in tears in the harrowing "Daddy." "Are you ready?!" Well, commercial radio sure wasn't. And neither was MTV. Not yet, anyway. So KORN took their grisly show on the road someplace they knew it'd get noticed: back to the tour circuit, and a stint on Ozzfest. The band's unique sound may have been unfamiliar, but the kids knew it rocked mightily-and many of them could directly relate to Davis' grim lyrical obsessions. At that point in time, there was quite simply no band on earth like KORN. And so they began to amass a following that would send their next album, 1996's brutal yet cheekily titled Life is Peachy, into platinum sales. And this time at least the press was ready. "...Perverts, psychopaths and paranoiacs" gushed the Chicago Tribune. "An ingeniously twisted piece of personal hell" raved Cleveland's Plain Dealer. And while Peachy served more to reinforce the band's core sound rather than innovate in the manner of the debut, it did introduce to the world to a side of the band no one ever suspected existed: humor. The bagpipe-driven cover version of War's "Lowrider" was just one example. An A-Z dictionary of vulgarity called "K@#%!" was another-though some critics and self-appointed moral guardians were put off by the language. One Zeeland, Michigan high school administrator told the press that KORN was "indecent, vulgar, and obscene" shortly after suspending a student for wearing a T-shirt that merely said "KORN." After the band filed a cease-and-desist order against the school on behalf of the student, he was reinstated. But the episode marks yet another milestone for the band: it was the first of many times the band would go to bat for its fans. Years of touring followed again as the band fortified its fan-base to the degree that their next album, 1998's Follow the Leader, would debut at No. 1 on Billboard's Top 200. The band charted two bona fide singles with "Got the Life" and "Freak on a Leash," while the album's actual "rap-metal" tracks ("Children of the KORN" with guest rapper Ice Cube, and "All in the Family" with guest abuser Fred Durst) were some of the band's hardest-hitting to date, and reaffirmed their status as the band by which others would be judged in this genre. Others seemed to agree. Rolling Stone christened Follow the Leader one of the best alternative albums of the '90s, praising KORN's ability to channel "their disgust with the state of the nation--and the generation doomed to inherit it--into booming, articulate violence." Booming, articulate violence aside, Follow the Leader exposed yet another side of KORN. When a 14-year-old boy suffering from terminal intestinal cancer requested to meet the band for a few minutes through the Make-A-Wish foundation, the band was stunned. And nervous. But they hit it off, and the few minutes turned into a day, and that turned into a few more days, and then a song-"Justin." Reaffirming KORN's populist roots were their weekly live Internet video broadcasts from the studio during the album's making. These "after school specials" kept fans up on the progress of the record, offered them live, call-in Q&A sessions with the band themselves, and introduced them to guests running the gamut from members of 311, the Deftones, and Limp Bizkit to porn stars like Ron Jeremy and Randi Rage. In yet another populist move, the band launched "KORN Kampaign '98," a political campaign-style American tour to promote their album that featured "fan conferences" in major cities throughout the country. KORN also put together a heavy-rock-and-rap arena circus, mockingly called the Family Values Tour, which featured everyone from Ice Cube to Limp Bizkit to Rammstein, and proved to be one of 1998's most successful tours. A live compilation CD, The Family Values Tour '98, was certified gold the following summer, when KORN performed an explosive set at Woodstock '99. Meanwhile, KORN's record label Elementree was up and running just fine as its first signed act, Orgy, scored a platinum record for them with Candyass. By now, almost every heavy band on the planet was playing down-tuned 7-string guitars (which were virtually extinct before KORN). The proliferation of sound-alike bands ironically placed the band in a tenuous position: Not only was KORN in danger of seeming "played out" in the very genre they spearheaded, the beginnings of a backlash to "rap-metal" chart domination were cropping up in the media. KORN knew that another Peachy or Leader, however great, however welcome by fans, and however commercially successful, would not do. It was time to reinvent themselves and break from the pack-a risky move given the band's traditionally loyal following. KORN took some time off to work on what would be one of the most important records of their career. "We knew when we wrote this album that we were going to have to do something really great," Shaffer said at the time. "...We had to move forward, push the boundaries, and create something very personal." In yet another nod to their audience, KORN allowed the fans to design the cover. Fans submitted their work, and one fan painting was chosen for the record's striking cover art. Several runners-up got limited-edition album covers of their own work. Musically, Issues turned out to be the best album since the group's debut release, and eclipsed even that record in strength of songwriting. When Issues was finally released, all the band's efforts paid off wildly. For the second time in their career, they debuted at No. 1. They had yet another high-charting single with the eerie, crushing "Falling Away From Me." And the record went quadruple platinum. This was followed by yet another massively successful tour, which kicked off on Halloween 1999 at Harlem's historic Apollo Theater. If Issues represented an artistic, critical, and commercial triumph at a crucial moment for the band, how would KORN respond to the inevitable pressure of its follow-up? By making a better one: Untouchables. Using a 24-BIT sampling rate--twice the highest rate normally used for recording--KORN and producer Michael Beinhorn have created a rich sonic panorama. Unfathomably heavy, uncompromisingly introspective, and startlingly unique, Untouchables catapults KORN to yet another level. But what should we expect? After all, this is a band marked by an insatiable desire to push the rock envelope. It's what makes them KORN.
26.04.20079.6KB
dj. b noise!!! nascut in data de 15 aprilie 1982, in judetul harghita, miercurea ciuc, dj bDj. B Noise!!! Nascut in data de 15 aprilie 1982, in judetul Harghita, Miercurea Ciuc, Dj B Noise, pe numele sau adevarat Nicolae Barac, si-a inceput activitatea de dj la varsta de 17 ani fiind invitat sa puna muzica la o simpla petrecere de liceu. Incepand de atunci, cariera atat de animator radio si realizator emisiuni cat si cea de dj ia o turnura ascendenta in scurt timp ajungand atat director de radio la 19 ani cat si dj rezident in clubul Flash Dance din Miercurea Ciuc. Dupa nici un an devine rezident in Club No Problem din Onesti unde invata intra-devar sa mixeze lucrand alaturi de dj;s cu o experienta mai bun si isi continua cariera in radio ca redactor sef la Radio Deea Miercurea Ciuc, unde realizeaza si prima emisiune de house din Miercurea Ciuc, Club Xtreme. Dupa 2 ani de activitate la Radio Deea Miercurea Ciuc, pleaca la acelasi post de radio insa in Bacau, cu functia de director de programe. Aici continua realizarea emisiunii Club Xtreme si incepe activitatea de producator. Ideea realizarii emisiunii Club Xtreme a venit in urma ideii de a promova un stil de muzica mai putin cunoscut si mai putin ascultat in Romania, Hardstyle. In tot acest timp el activeaza in continuare ca dj fiind invitat in diferite cluburi din tara. In 2003 alaturi de Dj C-Zar, Dj B Noise organizeaza pentru prima data in Moldova evenimentul HOUSE MISSION, eveniment in aer liber gazduit de club Marinarul. Impreuna mixeaza in fata a 3000 de persoane. In 2004 pleaca de la Radio Deea Bacau si ajunge in Italia si Olanda, acolo unde reuseste sa intre in contact cu cei de la Q-Dance, devenind astfel singurul promotor al respectivului brand din Romania. Tot aici pune bazele proiectului Q-Generation, proiect menit sa devina promotor si organizator de evenimente hardstyle si nu numai. Astfel in 2005 revine la Radio Deea Bacau unde demareaza acest proiect cu o emisiune radio care poarta acelasi nume, Q-Generation. In vara lui 2005 reuseste sa isi cumpere aparatura de studio si incepe sa produca primele piese hardstyle si remixuri. Piesele hardstyle au fost recunoscute de Q-Dance ca fiind primele productii autohtone reprezentative acestui stil de muzica, hardstyle. In toamna anului 2005 emisiunea Q-Generation se muta la Radio Mix Fm Bacau. Aici in paralel cu munca de radio incepe productia unor remix-uri adoptand un stil nou de muzica pt el (electro,progressive). Astfel produce remix-ul piese My Humps al celor de la Black Eyed Peas, in acelasi timp producand un alt remix al piesei No Side Effect semnata Dj Adrian Eftimie. Imediat dupa aceste doua remix-uri continua munca in studio si astfel produce alte rmx-s, Barac - Che cazzo volette Dj Optick-Surrender (Dj B Noise Rmx),Black Box - Ride on Time 2006 (Dj B Noise and Jay Criss Rmx),Dj Optick - Feel Good (Jay Criss and Dj B Noise Rmx). In scurt timp devine rezident Bahia Club acolo unde il puteti gasi si astazi! Apoi devine rezident dj la postul de radio on line Radio Dance unde realizeaza Addicted 2 Bass ,emisiune pe care o puteti asculta in fiecare seara de joi de la ora 20.00 la Radio Dance.
03.05.200714.8KB

 
mi big :dinti: :dinti: :dinti: poze....mi big brother.....................unded :dinti: :dinti: :dinti:
02.05.20076.5KB
dead ......is a live :nod: :dinti: poze....dead ......is a live :nod: :dinti:
02.05.20078.1KB
dak vreti sa vedeti masina mea uitativa la poza de mai poza de cad am cumparat masina!!! poze....dak vreti sa vedeti masina mea uitativa la poza de mai jos!!!...am poza de cad am cumparat masina!!!
23.04.200737KB
atb poze....ATB
28.03.20077.1KB

 
cobain biography kurt donald cobain was the leader of nirvana, the grunge band that redefined theNIRVANA Kurt Cobain Biography Kurt Donald Cobain was the leader of Nirvana, the multi-platinum grunge band that redefined the sound of the nineties. Cobain was born on the 20th of February 1967 in Hoquaim, a small town 140 kilometres south-west of Seattle. His mother was a cocktail waitress and his father was an auto mechanic. Cobain soon moved to nearby Aberdeen, a depressed and dying logging town. Cobain was for most his childhood a sickly bronchitic child. Matters were made worse when Cobain's parent's divorced when he was seven and by his own account Cobain said he never felt loved or secure again. He became increasingly difficult, anti-social and withdrawn after his parent's divorce. Cobain also said that his parent's traumatic split fueled a lot of the anguish in Nirvana's music. After his parent's divorce Cobain found himself shuttled back and forth between various relatives and at one stage homeless living under a bridge. When Cobain was eleven he heard and was captivated by the Britain's Sex Pistols and after their self-destruction Cobain and friend Krist Novoselic continued to listen to the wave of British bands including Joy Division the nihilistic post-punk band that some say Nirvana are directly descended from in form of mood, melody and lyrical quality. Cobain's artistry and iconoclastic attitude didn't win many friends in high school and sometimes earned him beatings from "jocks" Cobain got even by spray painting "QUEER" on their pick-up trucks. By 1985 Aberdeen was dead and Cobain's next stop was Olympia. Cobain formed and reformed a series of bands before Nirvana came to be in 1986. Nirvana was an uneasy alliance between Cobain, bassist Krist Novoselic and eventually drummer and multi-instrumentalist Dave Grohl By 1988 Nirvana were doing shows and had demo tapes going around. In 1989 Nirvana recorded their rough-edged first album Bleach for local Seattle independent label Sub-Pop In Britain Nirvana received a lot of recognition and in 1991 their contract was bought out by Geffen, they signed to the mega-label, the first non-mainstream band to do so. Two and a half years after Nirvana's first C.D. Bleach was released they released Nevermind, a series of different, crunching, screaming songs that along with it's first single Smells Like Teen Spirit would propel Nirvana to mainstream stardom. Smells Like Teen Spirit became Nirvana's most highly acclaimed and instantly recognizable song. Not many people can decipher it's exact lyrics but Cobain used a seductive hookline to hook the listener. Nevermind went on to sell ten million copies and make a reported $550 million (US) leaving Nirvana overnight millionaires. Cobain was shocked at the reception of his highly personal and passionate music repeatedly telling reporters that none of the band ever, ever expected anything like this. It quickly became obvious that the obsessively sickly and sensitive 24yr old was not going to cope well with the rock'n roll lifestyle. "If there was a rock star 101 course, I'd really have like to take it," Cobain once observed. Cobain fell into heroin in the early 90's, he said he used it as a shield against the rigorous demands of touring and to stop the pain of stomach ulcers or an irritated bowel. Through the touring and pressure Cobain continued to write his very personal acutely focused lyrics. Cobain was distressed to find out that what he wrote and how it was interpreted could quite often be miles apart. He was appalled when he found out that Polly a heavily ironic anti-rape song had been used as background music in a real gang-rape. He later appealed to fans on the Incesticide liner notes "If any of you don't like gays or women or blacks, please leave us the fuck alone." It was to no avail, Cobain found that as an overnight millionaire musician control was something he had very little of. Cobain also worried that his band had sold-out, that it was attracting the wrong kind of fans (i.e the type that used to beat him up.) In February 1992 Cobain skipped off to Hawaii to marry the already pregnant Courtney Love. Later in the year Nirvana released Incesticide and in August Cobain had hospital treatment for heroin abuse. Shortly after Frances Bean Cobain was born. In early 1993 In Utero was released into the top spot on the music charts. In Utero was widely acclaimed by the music press and it contains some of Cobain's most passionate work. In Utero was a lot more open than Nirvana's previous albums. Songs like All Apologies and Heart Shaped Box detailed aspects of Cobain's sometimes shaky marriage, other songs like Scentless Apprentice detailed the agonies and struggles of Cobain's experiences. Nirvana embarked on a support tour and recorded and filmed an "unplugged" (acoustic) performance for MTV in November of 1993. Nirvana's choice to honour bands and people that had influenced them and Cobain's passionate and intense vocals especially on "Where Did You Sleep Last Night?"silenced many of their who had labeled Cobain talentless. Rumors circulated that the MTV Unplugged compilation would be Nirvana's last album and the band were splitting up. Cobain was a gun fanatic and always had several in his possession or in various forms of confiscation. In the northern winter of 1993-94 Nirvana embarked on an extensive European tour. Twenty concerts into the tour Cobain developed throat problems and their schedule was interrupted while he recovered. While recovering Cobain flew to Rome to join his wife who was also preparing to tour with her own band. On March the 4th Cobain was rushed to hospital in a coma after an unsuccessful suicide bid in which he washed down about fifty prescription painkillers with champagne. The suicide bid was officially called an accident and was not even made known to close friends and associates. Several days later he returned to Seattle. Cobain's wife, friends and managers convinced Cobain, who was still in deep distress to enter a detox program in L.A. According to a missing person's report filed by his mother Cobain fled after only a few days of the program. Cobain was cited in the Seattle area with a shotgun. Days later on the 5th of April he barricaded himself into the granny flat behind his mansion, put a shotgun in his mouth and pulled the trigger. On Thursday April the 7th ~ two days after a medical examiner says Cobain shot himself and the day before his body was found police say Courtney Love herself was taken to hospital in L.A. for a drug overdose. Released on bail, Love checked herself into a rehab center but left soon after a friend called her the next day with news of Cobain's death. Cobain's body was found when an electrician visiting the house to install a security system went round the back of the house when no one answered the front door and peered through windows. He thought he saw a mannequin sprawled on the floor until he noticed a splotch of blood by Cobain's ear. When police broke down the door they found Cobain dead on the floor, a shotgun still pointed at his chin and on a nearby counter a suicide note written in red ink addressed to Love and the couples then 19 month old daughter Frances Bean. The suicide note ended with the words "I love you, I love you." Two days after Kurt Cobain's body was found about 5,000 people gathered in Seattle for a candlelight vigil. the distraught crowd filled the air with profane chants, burnt their flannel shirts and fought with police. They also listened to a tape made by Cobain's wife in which she read from his suicide note. Several distressed teenagers in the U.S. and Australia killed themselves. The mainstream media was lambasted for it's lack of respect and understanding of youth culture.
03.05.20079.3KB
22 mai 2007 rammstein - pilgrim - ne anunta ca rammstein s-a reintors la treaba intr-o dispozitie22 mai 2007 Managementul Rammstein - Pilgrim - ne anunta ca Rammstein s-a reintors la treaba intr-o dispozitie foarte buna, dupa mai mult de un an de pauza. Trupa inregistreaza in prezent noul album si, din acest motiv, nu va sustine nici un concert anul acesta. Despre Emigrate putem afla de data aceasta in mod oficial ca albumul de debut va purta numele trupei, "Emigrate" si ca va fi lansat pe 31 august 2007. Cei care inca nu s-au inregistrat pentru a primi parola de descarcare a piesei "My World" o pot face pe adresa site-ului oficial al trupei, emigrate.eu. :nod: :nod: :rotfl:
12.06.200712.2KB
pt cine ii place sa asculte rock!!! :d :d :razz: poze....pt cine ii place sa asculte rock!!! :D :D :razz:
03.05.20076.5KB
seems like just yesterday that static-x were the venerable newcomers on the heavy metal block, theSTATIC-X It seems like just yesterday that Static-X were the venerable newcomers on the heavy metal block, the release of Wisconsin Death Trip in 1999 serving as a coming-out party for the Los Angeles quartet’s molten hybrid. Equal parts heavy metal, industrial thunder, and hook-laden, songwriting savvy, they scraped the senses with the untempered energy of digital screams and mosh pit mayhem. The debut went platinum, and it’s follow-up, Machine, has been certified gold as the band toured side-by-side with the biggest names in music, from Reinventing The Steel alongside Pantera and Slayer, to Family Values with Linkin Park, Staind and Stone Temple Pilots, and amongst Black Sabbath, Godsmack, P.O.D. and Queens Of The Stone Age on OZZfest 2000. Now, with the release of Shadow Zone, frontman Wayne Static, guitarist Tripp Eisen, bassist Tony Campos and drummer Nick Oshiro stand armed and dangerous, equipped with an album that bleeds with the conviction we’ve come to expect, and slams with the crushing fury of a monster truck run amok. While it may sound cliché to call the release their strongest effort to date, anything less wouldn’t do the band justice, as the songs have evolved from brute slabs of sonic fury, to fine-tuned acts of musical misanthropy. “I can’t compare this to the other two albums at all, because it was an entirely different experience this time,” says Static of the new release. “Tripp was in there this time, and it was the first time I ever had a songwriting partner. It was a very refreshing experience, because he wrote some of the songs, and all I had to deal with was putting the vocals to them. I try to look at music as a challenge, and in a way I think this record sounds a lot more well-rounded.” Granted, it was Eisen’s first time in the studio with Static-X—he joined the band immediately following the recording of Machine—but it’s Static who was most responsible for Shadow Zone’s jagged depths. “The funny thing is, most of the traditional Static-X-style songs on the record are the ones that Tripp wrote,” he says when asked about the vocal melodies that manifest themselves throughout the album. “I mean, you always want to push yourself and stretch—it gets kind of boring if you do the same shit over and over again—and I think that when I did ‘Not Meant for Me’ for the Queen Of The Damned soundtrack, that was real singing, and I had never done that with Static-X. People responded really well to it, and it was a lot of fun, so I figure that I might as well go for it…” The results are an album with vocal hues as colorful as the music that carries them. Lead single “The Only” introduces a crisper, cleaner sounding Static, industrial-strength bites and barks replaced by a melodic texture that makes the music even more impacting. From crisper and cleaner, to downright eerie on “So,” where emotion and distress take center stage on one of the most haunting songs of the band’s catalog. It’s that variety, though, that makes Shadow Zone such an inviting place. “In past bands, I have done everything from acoustic songs to speed metal/death metal stuff, and I think this new album is a culmination of every type of genre I have ever done,” says the frontman. “Before, we were trying to be a little different, trying everything we could to try to differentiate ourselves, and I spent more time disguising my lyrics and trying to not sound too personal. Now, I don’t really care about that anymore. Now, Static-X are who we are, and I just want to write great songs and see what we can build upon.” So in addition to the savagery of “Destroy All” and the pulverizing effect of “Kill Your Idols,” you’ve got the somber aura of the album’s closer, “Invincible,” a headfirst dive into a twisted psyche. And Static isn’t the only one with a conscience, as Eisen’s political savvy shines through the mirth on “Dead World.” “That’s a song that has some of my lyrics,” says the guitarist, reciting “Sometimes I wish I could see beyond this dead world…” “The verses, the lyrics that I wrote, are philosophical; describing how this world and our culture has been brought down because of governmental policies that are just destroying the free market system—We are living in a dead world and it’s just going to get worse unless we realize how to turn it around.” “Writing with Tripp was kind of strange at first, because I’d never really written with anyone before,” admits Static, “but we really got into a rhythm with things and figured out how to communicate…” “And we communicate really well,” Eisen adds of the quartet. “We all worked on these songs—There are thirteen songs on the new album, and each song has its own history and way it was written. There are a couple of songs where I wrote all the music and Wayne wrote the lyrics, some of them were full band efforts, and there’s even one song from a few years ago that we re-worked. We wrote a couple songs all together, jamming, like the first single, “The Only”—That was the first one we all wrote together as a full band.” The newest addition to the Static-X camp is drummer Nick Oshiro, who quickly established himself as the perfect successor to departed drummer Ken Jay, and the ideal player to fill the parts laid down by Josh Freese in the studio. Despite the fact that Static and Campos are the only two remaining original members of Static-X, the band’s namesake feels more confident than ever with their present lineup. “The chemistry is actually better than it ever was,” he says. “It’s weird, because Koichi came in right before we got signed, did the record, toured, and he quit. In my mind, it’s like, ‘Was he even in the band?’ He was in the band for like two years, and Tripp has been with us for more than three years now—We are all laidback, and with Nick, we made sure that we got someone in the band that fits in, that we will like touring with, and it feels good… Really good. The old songs still sound the same, maybe even better. “There are always going to be a few people who say, ‘I miss Ken, I miss Koichi.’ But you know what? Life goes on, and I feel our show is still one of the most high-energy shows out there, and people can’t deny it. I think it’s because offstage, we all get along, we are like family, and everyone is a really good player and we love what we do. We are performing, not acting, and we’re not trying to be any certain thing, we just go out and rock and kick everyone’s ass. I think we will continue to evolve while keeping some of the elements that make us who we are. That’s what we’ve done with Shadow Zone. This is the next step in our evolution.”
03.05.20078.7KB

 
sorry k intrerup / / cine ok? :rolleyes: cine esti.....sorry k intrerup conversatia...dar...''beatoflife / Prezentari... / cine esti.....'' ok? :rolleyes:
07.06.20071.7KB
mix of grinding, post-korn metal, marilyn neo-shock rock, helped make them one of the most popularSLIPKNOT Slipknot's mix of grinding, post-Korn alternative metal, Marilyn Manson-esque neo-shock rock, and rap-metal helped make them one of the most popular bands in the so-called nu-metal explosion of the late '90s. But even more helpful was their theatrical, attention-grabbing (some critics said ridiculous) image: the band always performed in identical industrial jump suits and homemade Halloween masks, and added to its mysterious anonymity by adopting the numbers zero through eight as stage aliases. Add to that a lyrical preoccupation with darkness and nihilism, and an affectionately insulting name for their fans ("Maggots"), and Slipknot's blueprint for nu-metal success was set. Slipknot were formed in late 1995 in the unlikely locale of Des Moines, IA; after some early personnel shifts, the nine-piece lineup settled around (in order from number zero to number eight): DJ Sid Wilson, drummer Joey Jordison, bassist Paul Grey, percussionist Chris Fehn, guitarist James Root, sampler/programmer Craig Jones, percussionist Shawn "Clown" Crahan, guitarist Mick Thompson, and lead vocalist Corey Taylor. The music scene in Des Moines wasn't much to speak of, and the band's big-time ambition was usually met with disbelief and ridicule, which provided the initial spark for its mostly anonymous stage visuals. On Halloween 1996, Slipknot self-released an album called Mate. Feed. Kill. Repeat., which began to build a buzz around the group once it found its way to several labels. It was picked up for distribution by the Nebraska-based -ismist label, and also caught the attention of Roadrunner Records, which signed Slipknot in 1997. Working with producer Ross Robinson, Slipknot recorded their official, self-titled debut album, which was released in 1999. They gradually built an audience through near-constant touring, working their way up to the summer Ozzfest package tour, which really expanded their audience. Their live shows were a much-discussed hit with metal fans, and the band performed with such energy that Crahan gashed his head open on his own drum kit twice that summer, requiring stitches both times. The tracks "Wait and Bleed" and "Spit It Out" got the band some airplay, but most of the buzz came from touring and word of mouth. Finally, in the spring of 2000, Slipknot was certified platinum; the first such album in Roadrunner's history. The anticipation for Slipknot's follow-up was intense, and many industry observers predicted that it would debut at number one; however, faced with some stiff competition that week, the band's sophomore effort, Iowa, bowed at number three upon its release in 2001. More heavy touring followed, including another, more prominent slot on that summer's Ozzfest. After a long spell on the road, Slipknot took a break while the members worked on side projects. The band set up its own label, Maggot Recordings, and signed a band called Downthesun, whose lead singer had served as Crahan's drum technician. Wilson, meanwhile, began DJing solo under the name DJ Starscream, and Root and Thompson both worked on solo material. Drummer Jordison worked with a side group called the Rejects, where he'd actually served for quite some time as guitarist. Taylor, meanwhile, started a side band called Superego, and also contributed a solo song, "Bother," to the soundtrack of the 2002 blockbuster Spider-Man. That May, the band got some amusing press when some of its fans discovered the website of a British crocheting group also called "Slipknot," and flooded the members' in-boxes with excessively rude e-mails. Guitarist Joey Jordison and Static-X guitarist Tripp Eisen teamed that summer for the Murderdolls project, while Taylor reformed his old band Stone Sour and released an album. By the winter, Slipknot had still not reunited and Taylor wrote a commentary on the band's website stating that they had not spoken in months, and that they'd rather break up than become "the next Gwar". The statement sparked a quickly resolved minifeud between Taylor and Gwar frontman Oderus Urungus. but it also sent many of the Maggots into a tailspin. By early 2003, Taylor had retracted his comments, and announced plans for a new Slipknot album. By August, the entire squad had decamped Iowa for LA, where they began work on the new record with famously bearded producer Rick Rubin. "Pulse of the Maggots" appeared in early 2004 as an exclusive download; it was followed by a full track listing for Vol. 3: , which was slated for a May release. Slipknot then embarked on a brief tour as a warm-up for their dates headlining Ozzfest that summer. The group also debuted a fully-redesigned third generation of their famous masks. On May 25th, the Subliminal Verses finally dropped, to the usual clamor of great fanfare and furious anger. ~ Steve Huey, All Music Guide.
26.04.200712.8KB
kristal glam club club, disco str. sebastian bach nr. 2 , tel.: house (clubbing) zona:Kristal Glam Club Club, Disco Str. Sebastian Bach nr. 2 , Tel.: 0722-795184; 021-231.21.36 Ambient: house (clubbing) Zona: Floreasca Optiuni: accepta card, aer conditionat, cocktail-bar, DJ, parcare, program noapte, TV-bar Rating: Pret: E-Mail: office @ clubkristal.ro Web: User rating: Pret: De departe unul din cele mai tari cluburi de noapte din Bucuresti si din Romania. Cei ce au fost acolo o singura data se imbolnavesc de Kristal Mania si vin iar si iar. Numerosi DJ de renume national si mai ales international vin in mod regulat sa mixeze aici, iar evenimentele cu marca Kristal Glam Club fac inconjurul planeteti instantaneu. Ecrane uriase, un ring de dans valabil, fete apetisante, un cocktail-bar la standarde internationale si multe alte surprize va asteapta sa decideti si sa va convingeti ca este intr-adevar cel mai tare club din Romania. Mergeti sa intelegeti de ce. Recomandat de Afterhours.
16.05.20074.3KB
started as a solo project by tilo wolff. he was born in frankfurt (am main) in germany on july 10th,LACRIMOSA Lacrimosa started as a solo project by Tilo Wolff. He was born in Frankfurt (am Main) in Germany on July 10th, 1972. At the age of 12 he wrote his first prosaic lyrics which were published in different literary magazines. He gave his first trumpet concert and later on he played the flügelhorn and the piano. After graduating from school he started working a regular job. In 1989 he published a fan magazine and in 1990 he released his first single (on tape) called "Clamor" which included two songs. Lacrimosa is from the latin language and means "flowing tears" or "full of tears", being inspired by Mozart's Requiem, one of Tilo's favorite composers. In 1990 he formed his own record company Hall Of Sermon which has later grown to become a major force in the gothic community. In 1991 the first Lacrimosa album "Angst" was released and the road to underground stardom had begun. For the support tour after the release of Satura Tilo invited Anne Nurmi who was originally from Finland and a member of the gothic band Two Witches. She joined the band on keyboards. On the "Schakal" single from 1994 Tilo incorporated symphonic orchestration in the music for the very first time. In 1996 Tilo won the "Alternativ Music Award" by Zillo Magazine. In 1999 the band released a new single called "Alleine Zu Zweit" with the participation of the London Symphonic Orchestra. In 2001 Lacrimosa signed a record deal with Nuclear Blast and released the new album "Fassade".
19.06.20078KB
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